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Ashish Roy. (1993). The Fabulous Imperialist Semiotic of Wilkie Collin’s The Moonstone. New Literary History, 24(3), 657–681. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/469430
Bentley, D. M. R. (2011). Dante Gabriel Rossetti’s ‘Inner Standing-Point’ and ‘Jenny’ Reconstrued. University of Toronto Quarterly, 80(3), 680–717. https://doi.org/10.1353/utq.2011.0151
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Brantlinger, P. (2009). Victorian literature and postcolonial studies: Vol. Postcolonial literary studies. Edinburgh University Press.
Bristow, J. (2000). The Cambridge Companion to Victorian Poetry: Vol. Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521641152
Bristow, J. (2008). Oscar Wilde and modern culture: the making of a legend. Ohio University Press.
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Carroll Viera. (1982). ‘Silas Marner’ And George Eliot’s Unrealistic Narratives. Interpretations, 14(1), 33–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/23241523
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Chapman, A. & English Association. (2003). Victorian women poets: Vol. Essays and studies. D.S. Brewer.
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Dover Beach by Matthew Arnold : The Poetry Foundation. (n.d.). http://www.poetryfoundation.org/poem/172844
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Eric Levy. (2002). Wilkie Collins’ The Moonstone and the Problem of Pain in Life. Victorian Review, 28(1), 66–79. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27793483
Ferguson, C. (2006). Language, science and popular fiction in the Victorian fin-de-siècle: the brutal tongue: Vol. The nineteenth century series. Ashgate.
Flint, K. (1995). Elizabeth Gaskell: Vol. Writers and their work. Northcote House.
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Griffiths, E. (1989). The printed voice of Victorian poetry. Clarendon.
Grob, A. (2002). A longing like despair: Arnold’s poetry of pessimism. University of Delaware Press.
Haggard, H. R., & Monsman, G. C. (2002). King Solomon’s mines: Vol. Broadview literary texts. Broadview Press.
Hardy, T., & Page, N. (1999). Jude the obscure: an authoritative text : backgrounds and contexts criticism (2nd ed., a Norton critical ed). W.W. Norton.
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John Glendening. (2002). ‘Green Confusion’: Evolution and Entanglement in H. G. Wells’s ‘The Island of Doctor Moreau’. Victorian Literature and Culture, 30(2), 571–597. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/25058605
Jude the Obscure (Broadview Literary Texts): Amazon.co.uk: Thomas Hardy, Prof. Cedric Watts: Books. (n.d.). http://www.amazon.co.uk/Jude-Obscure-Broadview-Literary-Texts/dp/1551111713/ref=sr_1_1?ie=UTF8&qid=1412609579&sr=8-1&keywords=jude+the+obscure+cedric+watts
Karlin, D. & Oxford University Press. (1993). Browning’s hatreds [Electronic resource]. Clarendon. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198112297.001.0001
Kaufman, H. (2005). KING SOLOMON’S MINES?: AFRICAN JEWRY, BRITISH IMPERIALISM, AND H. RIDER HAGGARD’S DIAMONDS. Victorian Literature and Culture, 33(02). https://doi.org/10.1017/S1060150305050965
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Kramer, D. (1999). The Cambridge Companion to Thomas Hardy: Vol. Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521562023
Lawler, J. G. (1998). Hopkins re-constructed: life, poetry, and the tradition. Continuum.
Le Fanu, J. S. (2013). Carmilla: Vol. Irish studies (K. Costello-Sullivan, Ed.; First edition). Syracuse University Press.
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LEWIS ROBERTS. (1997). THE ‘SHIVERING SANDS’ OF REALITY: NARRATION AND KNOWLEDGE IN WILKIE COLLINS’ THE MOONSTONE. Victorian Review, 23(2), 168–183. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27794867
Manavalli, Krishna. (2007). Collins, Colonial Crime, and the Brahmin Sublime: The Orientalist Vision of a Hindu-Brahmin India in The Moonstone. Comparative Critical Studies, 4(1), 67–86. https://doi.org/10.1353/ccs.2007.0024
Mazaheri, John. H. (2010). On Superstition and Prejudice in the Beginning of Silas Marner. Connotations: A Journal for Critical Debate, 19(1–3), 238–258. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/848226691?pq-origsite=summon
Milward, P. (1997). A commentary on the sonnets of G.M. Hopkins. Loyola Press.
Monsman, G. (2000). Of Diamonds and Deities: Social Anthropology in H. Rider Haggard’s ‘King Solomon’s Mines’. English Literature in Transition, 1880-1920English Fiction in Transition, 1880-1920 (1957-1960);English Literature in Transition, 1880-1920, 43(3), 280–297. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308662099/fulltext/9E70D6A8C784D6DPQ/1?accountid=14540
Morris, P. (2003). Realism: Vol. New critical idiom. Routledge.
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Porphyria’s Lover by Robert Browning : The Poetry Foundation. (n.d.). http://www.poetryfoundation.org/poem/175584
Quade, P. (2007). Taming the Beast in the Name of the Father: The Island of Dr. Moreau and Wells’s Critique of Society’s Religious Molding. Extrapolation, 48(2), 292–301. https://doi.org/10.3828/extr.2007.48.2.6
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Riquelme, J. P. (2000). Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray. MFS Modern Fiction Studies, 46(3), 609–631. https://doi.org/10.1353/mfs.2000.0056
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University of California, Los Angeles, William Andrews Clark Memorial Library, & MyiLibrary. (2003). Wilde writings: contextual conditions: Vol. UCLA Clark Memorial Library series [Electronic resource]. Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library. http://lib.myilibrary.com?id=201443&entityid=https://idp.gla.ac.uk/shibboleth
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Wells, H. G. (2002). The island of Dr. Moreau: Vol. The Modern Library classics (Modern Library pbk. ed). Modern Library.
Wilde, O., & Gillespie, M. P. (2007a). The picture of Dorian Gray: authoritative texts, backgrounds, reviews and reactions, criticism: Vol. A Norton critical edition (2nd ed). W. W. Norton & Co.
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