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The Australian Dress Register. Online resource hosted by the Powerhouse Museum, Sydney. http://www.australiandressregister.org/
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Ebooks Corporation Limited. Textile Conservation: Advances in Practice. (Lennard F, Ewer P, eds.). Elsevier/Butterworth-Heinemann; 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
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American Institute for Conservation of Historic and Artistic Works. Ethics & Critical Thinking in Conservation. (Hatchfield P, ed.). American Institute for Conservation of Historic & Artistic Works; 2013.
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Ingold T. Companion Encyclopedia of Anthropology. [2nd. ed.]. Routledge; 2002. http://lib.myilibrary.com/browse/open.asp?id=33142 &entityid=https://idp.gla.ac.uk/shibboleth
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Pearce SM, University of Leicester. School of Archaeological Studies. Researching Material Culture. Vol no.8. University of Leicester School of Archaeological Studies; 2000.
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Porter J, Martin W. Learning from Objects. Museums journal. 1985;85(1):35-37.
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Pearce SM, ed. Interpreting Objects and Collections. Routledge; 1994. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203428276
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Steele V. A Museum of Fashion Is More Than a Clothes-Bag. Fashion Theory. 1998;2(4):327-335. doi:10.2752/136270498779476109
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Candlin F, Guins R. The Object Reader. Routledge; 2009.
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Auslander L. Beyond Words. The American Historical Review. 2005;110(4):1015-1045. doi:10.1086/ahr.110.4.1015
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Goggin MD, Tobin BF. Women and the Material Culture of Needlework and Textiles, 1750-1950. Ashgate; 2009.
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Prown JD, Haltman K. American Artifacts: Essays in Material Culture. Michigan State University Press; 2000.
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Brooks MM. Textiles Revealed: Object Lessons in Historic Textile and Costume Research. Archetype Publications; 2000.
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Tilley CY, Keane W, Küchler S, Rowlands M, Spyer P, eds. Handbook of Material Culture. SAGE Publications; 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1024140
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Gascoigne L. Hidden Histories. Museum practice. 2006;36:65-67.
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Appadurai A, American Council of Learned Societies, Ethnohistory Workshop, Symposium on the Relationship between Commodities and Culture. The Social Life of Things: Commodities in Cultural Perspective. Cambridge University Press; 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.32141
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Oddy WA, British Museum. Trustees. The Art of the Conservator. Published for the Trustees of the British Museum by British Museum Press; 1992.
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Frey BS, Kirshenblatt-Gimblett B. The Dematerialization of Culture and the De-accessioning of Museum Collections. Museum International. 2002;54(4):58-63. doi:10.1111/1468-0033.00402
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Great Britain. Department for Culture, Media and Sport. Guidance for the care of human remains in museums. Published online 2005. https://collectionstrust.org.uk/resource/guidance-for-the-care-of-human-remains-in-museums/
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Human Tissue Authority. Public display guidance | Human Tissue Authority. https://www.hta.gov.uk/policies/public-display-guidance
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Jenkins T, Ebooks Corporation Limited. Contesting Human Remains in Museum Collections: The Crisis of Cultural Authority. Vol 1. Routledge; 2011. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668153
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Wildgoose J. The business of the flesh (The Guardian, October 31, 2002). Guardian. Published online 31 October 2002. https://www.theguardian.com/society/2002/oct/31/1
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Marstine J. Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First Century Museum. Routledge; 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
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Marstine J. Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First Century Museum. Routledge; 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
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Palmer A. "Restoration Tragedies.” The Sunday Telegraph, August 26, 2012, main section. https://www.telegraph.co.uk/culture/art/9498877/Restoration-tragedies.html
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UK Institute of Conservation (Icon). https://icon.org.uk/
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Australian Institute for Conservation of Cultural Material (AICCM). https://aiccm.org.au/
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Fairhurst A, ed. Mind the Gap! : Structural and Aesthetic Options for the Treatment of Loss in Textiles : Forum of the ICON Textile Group, 27 April 2009, The Victoria and Albert Museum, London. Icon; 2010.
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Richmond A, Bracker AL, Victoria and Albert Museum, Dawson Books. Conservation: Principles, Dilemmas and Uncomfortable Truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
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St Mungo Museum of Religious Life and Art — Glasgow Life. https://www.glasgowlife.org.uk/museums/venues/st-mungo-museum-of-religious-life-and-art
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Brooks MM. Seeing the sacred conflicting priorities in defining, interpreting, and conserving western sacred artifacts. Material Religion. 2012;8(1):10-28. doi:10.2752/175183412X13286288797818
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Hayward M, Kramer E, AHRC Research Centre for Textile Conservation and Textile Studies. Conference. Textiles and Text: Re-Establishing the Links between Archival and Object-Based Research : Postprints. Archetype; 2007.
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Paine C. Religious Objects in Museums: Private Lives and Public Duties. Bloomsbury Academic; 2013.
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Watson S. Museums and Their Communities. Routledge; 2007.
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Drago A. ‘I feel included’: the exhibition at the British Museum. Journal of the Institute of Conservation. 2011;34(1):28-38. doi:10.1080/19455224.2011.566473
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ICOM Committee for Conservation, International Council of Museums, J. Paul Getty Trust. Frame, Kate. "Communicating Conservation at the Historic Royal Palaces.” In ICOM CC, 15th Triennial Conference, New Delhi, 22-26 September 2008, Preprints, edited by Janet Bridgland, 1147-1153. In: ICOM Committee for Conservation: Preprints of Triennial Meetings. International Council of Museums in association with the J. Paul Getty Trust; 2008. https://www.icom-cc-publications-online.org/search?wg=0&vy=2008+New+Delhi&t=0&page=1
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Jones S, Holden J, Demos (Organization : London, England). It’s a Material World. Demos; 2008.
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Marstine J. New Museum Theory and Practice: An Introduction. Blackwell; 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
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Marstine J. New Museum Theory and Practice: An Introduction. Blackwell; 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
46.
Peers L. Native Americans in museums: A review of the Chase Manhattan Gallery of North America. Anthropology Today. 2000;16(6):8-13. doi:10.1111/1467-8322.00032
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Ebooks Corporation Limited. Textile Conservation: Advances in Practice. (Lennard F, Ewer P, eds.). Elsevier/Butterworth-Heinemann; 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
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Sandell R. Museums, Prejudice and the Reframing of Difference. Routledge; 2007. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203020036
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Sandell R, Nightingale E, eds. Museums, Equality, and Social Justice. Routledge; 2012. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781136318702
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Sully D, University College, London. Institute of Archaeology. Decolonizing Conservation: Caring for Maori Meeting Houses Outside New Zealand. Left Coast Press; 2007. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=677833
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Sully D, Cardoso IP. Painting Hinemihi by numbers: Peoples-based conservation and the paint analysis of Hinemihi’s carvings. Studies in Conservation. 2014;59(3):180-193. doi:10.1179/2047058413Y.0000000102
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Lithgow K, Timbrell H. How better volunteering can improve conservation: why we need to stop wondering whether volunteering in conservation is a good thing and just get better at doing it well. Journal of the Institute of Conservation. 2014;37(1):3-14. doi:10.1080/19455224.2013.873730
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Collecting the Troubles at the Ulster Museum. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F124A45A6%3Fbcast%3D128011821
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Dudley SH, Pearce SM. Narrating Objects, Collecting Stories: Essays in Honour of Professor Susan M. Pearce. Routledge; 2012.
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Introducing Collective Conversations at The Manchester Museum - YouTube. https://www.youtube.com/watch?v=Q0WFSINOjCw
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Museums Association. Museums Change Lives. 2013. https://www.museumsassociation.org/download?id=1001738
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Getty Conservation Institute. Refashioning and Redress: Conserving and Displaying Dress. (Brooks MM, Eastop D, eds.). The Getty Conservation Institute; 2016.
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Brodie A. Marking and Memory: An Embroidered Sheet in the Collection of the Victoria and Albert Museum. TEXTILE. 2016;14(2):160-175. doi:10.1080/14759756.2016.1139381
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Clavir M, University of British Columbia. Museum of Anthropology. Preserving What Is Valued: Museums, Conservation, and First Nations. UBC Press; 2002.
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Roy A, Smith P, International Institute for Conservation of Historic and Artistic Works. Congress. Preventive Conservation Practice, Theory and Research: Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works; 1994.
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Ebooks Corporation Limited. Textile Conservation: Advances in Practice. (Lennard F, Ewer P, eds.). Elsevier/Butterworth-Heinemann; 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
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Talley Jr MK. The Delta Plan: a nationwide rescue operation. Museum International. 1999;51(1):11-15. doi:10.1111/1468-0033.00185
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Ishii M. Developing Fabrics Made with Traditional Techniques for Textile Conservation within the Cultural Property Preservation Policy in Japan. In: Bridgeland J, ed. ICOM-CC 18th Triennial Conference, Copenhagen, 4–8 September 2017 Preprints. International Council of Museums; 2017. https://www.icom-cc-publications-online.org/search?wg=0&vy=2017+Copenhagen&t=0&page=1
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Mida I, Kim A. The Dress Detective: A Practical Guide to Object-Based Research in Fashion. Bloomsbury; 2015. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=2194780
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Gordon R, Hermens E, Lennard F, eds. Authenticity and Replication: The ‘Real Thing’ in Art and Conservation : Proceedings of the International Conference Held at the University of Glasgow, 6-7 December 2012. Archetype Publications; 2014.
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Collections Australia Network. Significance. A Guide to Assessing the Significance of Cultural Heritage Objects and Collections. http://www.significanceinternational.com/Portals/0/Documents/(significance)2001.pdf
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McCarthy C. Exhibiting Māori: A History of Colonial Cultures of Display. English ed. Berg; 2007.
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Richmond A, Bracker AL, Victoria and Albert Museum, Dawson Books. Conservation: Principles, Dilemmas and Uncomfortable Truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
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Pitt Rivers Museum project website. https://web.prm.ox.ac.uk/blackfootshirts/
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Brown AK, Peers L, Richardson H. Kaahsinnonniksi Ao’toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts. Pitt Rivers Museum; 2010.
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Peers LL, Brown AK. Museums and Source Communities: A Routledge Reader. Routledge; 2003.
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Richardson H. Taking the Ancestors on a Visit: the Role of Conservators in Reconnecting a Collection of Historic Blackfoot Shirts with the Community. In: ICOM-CC : 16th Triennial Conference, Lisbon, 19-23 September 2011. ICOM CC; 2011. https://www.icom-cc-publications-online.org/search?wg=0&vy=2011+Lisbon&t=0&page=1
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Hamilakis Y, Jones AM. Archaeology and Assemblage. Cambridge Archaeological Journal. 2017;27(01):77-84. doi:10.1017/S0959774316000688
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Hamilakis Y. Sensorial Assemblages: Affect, Memory and Temporality in Assemblage Thinking. Cambridge Archaeological Journal. 2017;27(01):169-182. doi:10.1017/S0959774316000676
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SpringerLink (Online service). Art and Archaeology: Collaborations, Conversations, Criticisms. (Cochrane A, Russell I, eds.). Springer; 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-1-4614-8990-0
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Beerkens L. The Artist Interview: For Conservation and Presentation of Contemporary Art : Guidelines and Practice. JAP SAM Books; 2012.
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Roy A, Smith P, International Institute for Conservation of Historic and Artistic Works. Congress. Modern Art, New Museums: Contributions to the Bilbao Congress, 13-17 September 2004. International Institute for Conservation of Historic and Artistic Works; 2004.
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Hummelen IjMC, Sillé D. Modern Art: Who Cares?: An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. Archetype; 2005.
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Lennard F. The Impact of Artists’ Moral Rights Legislation on Conservation Practice in the UK and Beyond. In: ICOM CC 14th Triennial Meeting, The Hague 12-16 September 2005. ICOM Committee for Conservation: preprints of triennial meetings. Published online 1978. https://www.icom-cc-publications-online.org/search?wg=0&vy=2005+The+Hague&t=0&page=1
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Richmond A, Bracker AL, Victoria and Albert Museum, Dawson Books. Conservation: Principles, Dilemmas and Uncomfortable Truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
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INCCA. "International Network for the Conservation of Contemporary Art.”. https://www.incca.org/about-incca
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Marstine J. New Museum Theory and Practice: An Introduction. Blackwell; 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
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Lennard F. Behaving badly? The conservation of modern textile art. Restauro. 2006;2006(5):328-334. https://eprints.gla.ac.uk/44887/
