1.
International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), https://www.iccrom.org/.
2.
United Nations Educational, Scientific and Cultural Organisation (UNESCO), https://en.unesco.org/.
3.
The Australian Dress Register. Online resource hosted by the Powerhouse Museum, Sydney, http://www.australiandressregister.org/.
4.
Ebooks Corporation Limited: Textile conservation: advances in practice. Elsevier/Butterworth-Heinemann, Oxford (2010).
5.
American Institute for Conservation of Historic and Artistic Works: Ethics & critical thinking in conservation. American Institute for Conservation of Historic & Artistic Works, Washington, D.C. (2013).
6.
Ingold, T.: Companion encyclopedia of anthropology. Routledge, London (2002).
7.
Pearce, S.M., University of Leicester. School of Archaeological Studies: Researching material culture. University of Leicester School of Archaeological Studies, Leicester (2000).
8.
Porter, J., Martin, W.: Learning from Objects. Museums journal. 85, 35–37 (1985).
9.
Pearce, S.M. ed: Interpreting objects and collections. Routledge, London (1994).
10.
Steele, V.: A Museum of Fashion Is More Than a Clothes-Bag. Fashion Theory. 2, 327–335 (1998). https://doi.org/10.2752/136270498779476109.
11.
Candlin, F., Guins, R.: The object reader. Routledge, London (2009).
12.
Auslander, L.: Beyond Words. The American Historical Review. 110, 1015–1045 (2005). https://doi.org/10.1086/ahr.110.4.1015.
13.
Goggin, M.D., Tobin, B.F.: Women and the material culture of needlework and textiles, 1750-1950. Ashgate, Farnham (2009).
14.
Maroević, I.: Heritage Wreckers. Museums journal. 95, 27–28 (1995).
15.
Prown, J.D., Haltman, K.: American artifacts: essays in material culture. Michigan State University Press, East Lansing, Mich (2000).
16.
Smith, L., Akagawa, N.: Intangible heritage. Routledge, London (2009).
17.
Brooks, M.M.: Textiles revealed: object lessons in historic textile and costume research. Archetype Publications, London (2000).
18.
Tilley, C.Y., Keane, W., Küchler, S., Rowlands, M., Spyer, P. eds: Handbook of material culture. SAGE Publications, London (2006).
19.
Gascoigne, L.: Hidden Histories. Museum practice. 36, 65–67 (2006).
20.
Appadurai, A., American Council of Learned Societies, Ethnohistory Workshop, Symposium on the Relationship between Commodities and Culture: The social life of things: commodities in cultural perspective. Cambridge University Press, Cambridge (2013).
21.
Oddy, W.A., British Museum. Trustees: The art of the conservator. Published for the Trustees of the British Museum by British Museum Press, London (1992).
22.
Frey, B.S., Kirshenblatt-Gimblett, B.: The Dematerialization of Culture and the De-accessioning of Museum Collections. Museum International. 54, 58–63 (2002). https://doi.org/10.1111/1468-0033.00402.
23.
Great Britain. Department for Culture, Media and Sport: Guidance for the care of human remains in museums, https://collectionstrust.org.uk/resource/guidance-for-the-care-of-human-remains-in-museums/, (2005).
24.
Human Tissue Authority: Public display guidance | Human Tissue Authority, https://www.hta.gov.uk/policies/public-display-guidance.
25.
Jenkins, T., Ebooks Corporation Limited: Contesting human remains in museum collections: the crisis of cultural authority. Routledge, New York, NY (2011).
26.
Wildgoose, J.: The business of the flesh (The Guardian, October 31, 2002). Guardian. (2002).
27.
Museums Association (MA), https://www.museumsassociation.org/home.
28.
Marstine, J.: Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. Routledge, London (2011).
29.
Marstine, J.: Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. Routledge, London (2011).
30.
Palmer, A.: "Restoration Tragedies.” The Sunday Telegraph, August 26, 2012, main section.
31.
UK Institute of Conservation (Icon), https://icon.org.uk/.
32.
Australian Institute for Conservation of Cultural Material (AICCM), https://aiccm.org.au/.
33.
Fairhurst, A. ed: Mind the gap! : structural and aesthetic options for the treatment of loss in textiles : forum of the ICON textile group, 27 April 2009, The Victoria and Albert Museum, London. Icon (2010).
34.
Richmond, A., Bracker, A.L., Victoria and Albert Museum, Dawson Books: Conservation: principles, dilemmas and uncomfortable truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London, Amsterdam (2009).
35.
St Mungo Museum of Religious Life and Art — Glasgow Life, https://www.glasgowlife.org.uk/museums/venues/st-mungo-museum-of-religious-life-and-art.
36.
Glasgow Museums Education Service, https://www.glasgowlife.org.uk/museums/learning.
37.
Brooks, M.M.: Seeing the sacred conflicting priorities in defining, interpreting, and conserving western sacred artifacts. Material Religion. 8, 10–28 (2012). https://doi.org/10.2752/175183412X13286288797818.
38.
Hayward, M., Kramer, E., AHRC Research Centre for Textile Conservation and Textile Studies. Conference: Textiles and text: re-establishing the links between archival and object-based research : postprints. Archetype, London (2007).
39.
Paine, C.: Religious objects in museums: private lives and public duties. Bloomsbury Academic, London (2013).
40.
Watson, S.: Museums and their communities. Routledge, London (2007).
41.
Drago, A.: ‘I feel included’: the                              exhibition at the British Museum. Journal of the Institute of Conservation. 34, 28–38 (2011). https://doi.org/10.1080/19455224.2011.566473.
42.
ICOM Committee for Conservation, International Council of Museums, J. Paul Getty Trust: Frame, Kate. "Communicating Conservation at the Historic Royal Palaces.” In  ICOM CC, 15th Triennial Conference, New Delhi, 22-26 September 2008, Preprints, edited by Janet Bridgland, 1147-1153. In: ICOM Committee for Conservation: preprints of triennial meetings. International Council of Museums in association with the J. Paul Getty Trust, Paris (2008).
43.
Jones, S., Holden, J., Demos (Organization : London, England): It’s a material world. Demos, London (2008).
44.
Marstine, J.: New museum theory and practice: an introduction. Blackwell, Malden, MA (2006).
45.
Marstine, J.: New museum theory and practice: an introduction. Blackwell, Malden, MA (2006).
46.
Peers, L.: Native Americans in museums: A review of the Chase Manhattan Gallery of North America. Anthropology Today. 16, 8–13 (2000). https://doi.org/10.1111/1467-8322.00032.
47.
Ebooks Corporation Limited: Textile conservation: advances in practice. Elsevier/Butterworth-Heinemann, Oxford (2010).
48.
Sandell, R.: Museums, prejudice and the reframing of difference. Routledge, London (2007).
49.
Sandell, R., Nightingale, E. eds: Museums, equality, and social justice. Routledge, Abingdon, Oxon (2012).
50.
Sully, D., University College, London. Institute of Archaeology: Decolonizing conservation: caring for Maori meeting houses outside New Zealand. Left Coast Press, Walnut Creek, Calif (2007).
51.
Sully, D., Cardoso, I.P.: Painting Hinemihi by numbers: Peoples-based conservation and the paint analysis of Hinemihi’s carvings. Studies in Conservation. 59, 180–193 (2014). https://doi.org/10.1179/2047058413Y.0000000102.
52.
Lithgow, K., Timbrell, H.: How better volunteering can improve conservation: why we need to stop wondering whether volunteering in conservation is a good thing and just get better at doing it well. Journal of the Institute of Conservation. 37, 3–14 (2014). https://doi.org/10.1080/19455224.2013.873730.
53.
Collecting the Troubles at the Ulster Museum, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F124A45A6%3Fbcast%3D128011821.
54.
Dudley, S.H., Pearce, S.M.: Narrating objects, collecting stories: essays in honour of Professor Susan M. Pearce. Routledge, London (2012).
55.
Introducing Collective Conversations at The Manchester Museum - YouTube, https://www.youtube.com/watch?v=Q0WFSINOjCw.
56.
Museums Association. Museums Change Lives. 2013., https://www.museumsassociation.org/download?id=1001738.
57.
Getty Conservation Institute: Refashioning and redress: conserving and displaying dress. The Getty Conservation Institute, Los Angeles, California (2016).
58.
Brodie, A.: Marking and Memory: An Embroidered Sheet in the Collection of the Victoria and Albert Museum. TEXTILE. 14, 160–175 (2016). https://doi.org/10.1080/14759756.2016.1139381.
59.
Clavir, M., University of British Columbia. Museum of Anthropology: Preserving what is valued: museums, conservation, and First Nations. UBC Press, Vancouver, B.C. (2002).
60.
Roy, A., Smith, P., International Institute for Conservation of Historic and Artistic Works. Congress: Preventive conservation practice, theory and research: preprints of the contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works, London (1994).
61.
Ebooks Corporation Limited: Textile conservation: advances in practice. Elsevier/Butterworth-Heinemann, Oxford (2010).
62.
Talley Jr, M.K.: The Delta Plan: a nationwide rescue operation. Museum International. 51, 11–15 (1999). https://doi.org/10.1111/1468-0033.00185.
63.
Ishii, M.: Developing Fabrics Made with Traditional Techniques for Textile Conservation within the Cultural Property Preservation Policy in Japan. In: Bridgeland, J. (ed.) ICOM-CC 18th Triennial Conference, Copenhagen, 4–8 September 2017 Preprints. International Council of Museums, Paris (2017).
64.
Mida, I., Kim, A.: The dress detective: a practical guide to object-based research in fashion. Bloomsbury, London (2015).
65.
Gordon, R., Hermens, E., Lennard, F. eds: Authenticity and replication: the ‘real thing’ in art and conservation : proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012. Archetype Publications, London (2014).
66.
Collections Australia Network: Significance. A Guide to Assessing the Significance of  Cultural Heritage Objects and Collections, http://www.significanceinternational.com/Portals/0/Documents/(significance)2001.pdf.
67.
McCarthy, C.: Exhibiting Māori: a history of colonial cultures of display. Berg, Oxford (2007).
68.
Richmond, A., Bracker, A.L., Victoria and Albert Museum, Dawson Books: Conservation: principles, dilemmas and uncomfortable truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London, Amsterdam (2009).
69.
Pitt Rivers Museum project website, https://web.prm.ox.ac.uk/blackfootshirts/.
70.
Brown, A.K., Peers, L., Richardson, H.: Kaahsinnonniksi Ao’toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts. Pitt Rivers Museum (2010).
71.
Peers, L.L., Brown, A.K.: Museums and source communities: a Routledge reader. Routledge, London (2003).
72.
Richardson, H.: Taking the Ancestors on a Visit: the Role of Conservators in  Reconnecting a Collection of Historic Blackfoot Shirts with the Community. In: ICOM-CC : 16th triennial conference, Lisbon, 19-23 September 2011. ICOM CC (2011).
73.
Hamilakis, Y., Jones, A.M.: Archaeology and Assemblage. Cambridge Archaeological Journal. 27, 77–84 (2017). https://doi.org/10.1017/S0959774316000688.
74.
Hamilakis, Y.: Sensorial Assemblages: Affect, Memory and Temporality in Assemblage Thinking. Cambridge Archaeological Journal. 27, 169–182 (2017). https://doi.org/10.1017/S0959774316000676.
75.
SpringerLink (Online service): Art and archaeology: collaborations, conversations, criticisms. Springer, New York (2014).
76.
Beerkens, L.: The artist interview: for conservation and presentation of contemporary art : guidelines and practice. JAP SAM Books, Heyningen (2012).
77.
Roy, A., Smith, P., International Institute for Conservation of Historic and Artistic Works. Congress: Modern art, new museums: contributions to the Bilbao Congress, 13-17 September 2004. International Institute for Conservation of Historic and Artistic Works, London (2004).
78.
Hummelen, Ij.M.C., Sillé, D.: Modern art: who cares?: an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art. Archetype, London (2005).
79.
Lennard, F.: The Impact of Artists’ Moral Rights Legislation on Conservation Practice in the UK and Beyond. In: ICOM CC 14th Triennial Meeting, The Hague 12-16 September 2005. ICOM Committee for Conservation: preprints of triennial meetings. (1978).
80.
Richmond, A., Bracker, A.L., Victoria and Albert Museum, Dawson Books: Conservation: principles, dilemmas and uncomfortable truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London, Amsterdam (2009).
81.
INCCA. "International Network for the Conservation of Contemporary Art.”, https://www.incca.org/about-incca.
82.
Marstine, J.: New museum theory and practice: an introduction. Blackwell, Malden, MA (2006).
83.
Lennard, F.: Behaving badly? The conservation of modern textile art. Restauro. 2006, 328–334 (2006).