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American Institute for Conservation of Historic and Artistic Works, Ethics & critical thinking in conservation. Washington, D.C.: American Institute for Conservation of Historic & Artistic Works, 2013.
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J. Marstine, Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. London: Routledge, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
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J. Marstine, New museum theory and practice: an introduction. Malden, MA: Blackwell, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
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R. Sandell, Museums, prejudice and the reframing of difference. London: Routledge, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203020036
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R. Sandell and E. Nightingale, Eds., Museums, equality, and social justice. Abingdon, Oxon: Routledge, 2012 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781136318702
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D. Sully and University College, London. Institute of Archaeology, Decolonizing conservation: caring for Maori meeting houses outside New Zealand. Walnut Creek, Calif: Left Coast Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=677833
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D. Sully and I. P. Cardoso, ‘Painting Hinemihi by numbers: Peoples-based conservation and the paint analysis of Hinemihi’s carvings’, Studies in Conservation, vol. 59, no. 3, pp. 180–193, May 2014, doi: 10.1179/2047058413Y.0000000102.
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Getty Conservation Institute, Refashioning and redress: conserving and displaying dress. Los Angeles, California: The Getty Conservation Institute, 2016.
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M. K. Talley Jr, ‘The Delta Plan: a nationwide rescue operation’, Museum International, vol. 51, no. 1, pp. 11–15, 1999, doi: 10.1111/1468-0033.00185.
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M. Ishii, ‘Developing Fabrics Made with Traditional Techniques for Textile Conservation within the Cultural Property Preservation Policy in Japan’, in ICOM-CC 18th Triennial Conference, Copenhagen, 4–8 September 2017 Preprints, J. Bridgeland, Ed. Paris: International Council of Museums, 2017 [Online]. Available: https://www.icom-cc-publications-online.org/search?wg=0&vy=2017+Copenhagen&t=0&page=1
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R. Gordon, E. Hermens, and F. Lennard, Eds., Authenticity and replication: the ‘real thing’ in art and conservation : proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012. London: Archetype Publications, 2014.
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A. K. Brown, L. Peers, and H. Richardson, Kaahsinnonniksi Ao’toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts. Pitt Rivers Museum, 2010.
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L. L. Peers and A. K. Brown, Museums and source communities: a Routledge reader. London: Routledge, 2003.
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H. Richardson, ‘Taking the Ancestors on a Visit: the Role of Conservators in Reconnecting a Collection of Historic Blackfoot Shirts with the Community.’, in ICOM-CC : 16th triennial conference, Lisbon, 19-23 September 2011, ICOM CC, 2011 [Online]. Available: https://www.icom-cc-publications-online.org/search?wg=0&vy=2011+Lisbon&t=0&page=1
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L. Beerkens, The artist interview: for conservation and presentation of contemporary art : guidelines and practice. Heyningen: JAP SAM Books, 2012.
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Ij. M. C. Hummelen and D. Sillé, Modern art: who cares?: an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art. London: Archetype, 2005.
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F. Lennard, ‘The Impact of Artists’ Moral Rights Legislation on Conservation Practice in the UK and Beyond. In: ICOM CC 14th Triennial Meeting, The Hague 12-16 September 2005’, ICOM Committee for Conservation: preprints of triennial meetings, 1978 [Online]. Available: https://www.icom-cc-publications-online.org/search?wg=0&vy=2005+The+Hague&t=0&page=1
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[83]
F. Lennard, ‘Behaving badly? The conservation of modern textile art’, Restauro, vol. 2006, no. 5, pp. 328–334, 2006 [Online]. Available: https://eprints.gla.ac.uk/44887/
