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International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM). https://www.iccrom.org/
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United Nations Educational, Scientific and Cultural Organisation (UNESCO). https://en.unesco.org/
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The Australian Dress Register. Online resource hosted by the Powerhouse Museum, Sydney. http://www.australiandressregister.org/
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Ebooks Corporation Limited. Textile conservation: advances in practice. Oxford: : Elsevier/Butterworth-Heinemann 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
5
American Institute for Conservation of Historic and Artistic Works. Ethics & critical thinking in conservation. Washington, D.C.: : American Institute for Conservation of Historic & Artistic Works 2013.
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Ingold T. Companion encyclopedia of anthropology. [2nd. ed.]. London: : Routledge 2002. http://lib.myilibrary.com/browse/open.asp?id=33142 &entityid=https://idp.gla.ac.uk/shibboleth
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Pearce SM, University of Leicester. School of Archaeological Studies. Researching material culture. Leicester: : University of Leicester School of Archaeological Studies 2000.
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Porter J, Martin W. Learning from Objects. Museums journal 1985;85:35–7.
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Pearce SM, editor. Interpreting objects and collections. London: : Routledge 1994. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203428276
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Steele V. A Museum of Fashion Is More Than a Clothes-Bag. Fashion Theory 1998;2:327–35. doi:10.2752/136270498779476109
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Candlin F, Guins R. The object reader. London: : Routledge 2009.
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Auslander L. Beyond Words. The American Historical Review 2005;110:1015–45. doi:10.1086/ahr.110.4.1015
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Goggin MD, Tobin BF. Women and the material culture of needlework and textiles, 1750-1950. Farnham: : Ashgate 2009.
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Maroević I. Heritage Wreckers. Museums journal 1995;95:27–8.
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Prown JD, Haltman K. American artifacts: essays in material culture. East Lansing, Mich: : Michigan State University Press 2000.
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Smith L, Akagawa N. Intangible heritage. London: : Routledge 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370944
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Brooks MM. Textiles revealed: object lessons in historic textile and costume research. London: : Archetype Publications 2000.
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Tilley CY, Keane W, Küchler S, et al., editors. Handbook of material culture. London: : SAGE Publications 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1024140
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Gascoigne L. Hidden Histories. Museum practice 2006;36:65–7.
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Appadurai A, American Council of Learned Societies, Ethnohistory Workshop, et al. The social life of things: commodities in cultural perspective. Cambridge: : Cambridge University Press 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.32141
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Oddy WA, British Museum. Trustees. The art of the conservator. London: : Published for the Trustees of the British Museum by British Museum Press 1992.
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Frey BS, Kirshenblatt-Gimblett B. The Dematerialization of Culture and the De-accessioning of Museum Collections. Museum International 2002;54:58–63. doi:10.1111/1468-0033.00402
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Great Britain. Department for Culture, Media and Sport. Guidance for the care of human remains in museums. 2005.https://collectionstrust.org.uk/resource/guidance-for-the-care-of-human-remains-in-museums/
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Human Tissue Authority. Public display guidance | Human Tissue Authority. https://www.hta.gov.uk/policies/public-display-guidance
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Jenkins T, Ebooks Corporation Limited. Contesting human remains in museum collections: the crisis of cultural authority. New York, NY: : Routledge 2011. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668153
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Wildgoose J. The business of the flesh (The Guardian, October 31, 2002). Guardian Published Online First: 31 October 2002.https://www.theguardian.com/society/2002/oct/31/1
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Museums Association (MA). https://www.museumsassociation.org/home
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Marstine J. Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. London: : Routledge 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
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Marstine J. Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. London: : Routledge 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
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Palmer A. "Restoration Tragedies.” The Sunday Telegraph, August 26, 2012, main section. https://www.telegraph.co.uk/culture/art/9498877/Restoration-tragedies.html
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UK Institute of Conservation (Icon). https://icon.org.uk/
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Australian Institute for Conservation of Cultural Material (AICCM). https://aiccm.org.au/
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Fairhurst A, editor. Mind the gap! : structural and aesthetic options for the treatment of loss in textiles : forum of the ICON textile group, 27 April 2009, The Victoria and Albert Museum, London. Icon 2010.
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Richmond A, Bracker AL, Victoria and Albert Museum, et al. Conservation: principles, dilemmas and uncomfortable truths. Amsterdam: : Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
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St Mungo Museum of Religious Life and Art — Glasgow Life. https://www.glasgowlife.org.uk/museums/venues/st-mungo-museum-of-religious-life-and-art
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Glasgow Museums Education Service. https://www.glasgowlife.org.uk/museums/learning
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Brooks MM. Seeing the sacred conflicting priorities in defining, interpreting, and conserving western sacred artifacts. Material Religion 2012;8:10–28. doi:10.2752/175183412X13286288797818
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Hayward M, Kramer E, AHRC Research Centre for Textile Conservation and Textile Studies. Conference. Textiles and text: re-establishing the links between archival and object-based research : postprints. London: : Archetype 2007.
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Paine C. Religious objects in museums: private lives and public duties. London: : Bloomsbury Academic 2013.
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Watson S. Museums and their communities. London: : Routledge 2007.
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Drago A. ‘I feel included’: the exhibition at the British Museum. Journal of the Institute of Conservation 2011;34:28–38. doi:10.1080/19455224.2011.566473
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ICOM Committee for Conservation, International Council of Museums, J. Paul Getty Trust. Frame, Kate. "Communicating Conservation at the Historic Royal Palaces.” In ICOM CC, 15th Triennial Conference, New Delhi, 22-26 September 2008, Preprints, edited by Janet Bridgland, 1147-1153. In: ICOM Committee for Conservation: preprints of triennial meetings. Paris: : International Council of Museums in association with the J. Paul Getty Trust 2008. https://www.icom-cc-publications-online.org/search?wg=0&vy=2008+New+Delhi&t=0&page=1
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Jones S, Holden J, Demos (Organization : London, England). It’s a material world. London: : Demos 2008.
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Marstine J. New museum theory and practice: an introduction. Malden, MA: : Blackwell 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
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Marstine J. New museum theory and practice: an introduction. Malden, MA: : Blackwell 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
46
Peers L. Native Americans in museums: A review of the Chase Manhattan Gallery of North America. Anthropology Today 2000;16:8–13. doi:10.1111/1467-8322.00032
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Ebooks Corporation Limited. Textile conservation: advances in practice. Oxford: : Elsevier/Butterworth-Heinemann 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
48
Sandell R. Museums, prejudice and the reframing of difference. London: : Routledge 2007. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203020036
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Sandell R, Nightingale E, editors. Museums, equality, and social justice. Abingdon, Oxon: : Routledge 2012. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781136318702
50
Sully D, University College, London. Institute of Archaeology. Decolonizing conservation: caring for Maori meeting houses outside New Zealand. Walnut Creek, Calif: : Left Coast Press 2007. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=677833
51
Sully D, Cardoso IP. Painting Hinemihi by numbers: Peoples-based conservation and the paint analysis of Hinemihi’s carvings. Studies in Conservation 2014;59:180–93. doi:10.1179/2047058413Y.0000000102
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Lithgow K, Timbrell H. How better volunteering can improve conservation: why we need to stop wondering whether volunteering in conservation is a good thing and just get better at doing it well. Journal of the Institute of Conservation 2014;37:3–14. doi:10.1080/19455224.2013.873730
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Collecting the Troubles at the Ulster Museum. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F124A45A6%3Fbcast%3D128011821
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Dudley SH, Pearce SM. Narrating objects, collecting stories: essays in honour of Professor Susan M. Pearce. London: : Routledge 2012.
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Introducing Collective Conversations at The Manchester Museum - YouTube. https://www.youtube.com/watch?v=Q0WFSINOjCw
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Museums Association. Museums Change Lives. 2013. https://www.museumsassociation.org/download?id=1001738
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Getty Conservation Institute. Refashioning and redress: conserving and displaying dress. Los Angeles, California: : The Getty Conservation Institute 2016.
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Brodie A. Marking and Memory: An Embroidered Sheet in the Collection of the Victoria and Albert Museum. TEXTILE 2016;14:160–75. doi:10.1080/14759756.2016.1139381
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Clavir M, University of British Columbia. Museum of Anthropology. Preserving what is valued: museums, conservation, and First Nations. Vancouver, B.C.: : UBC Press 2002.
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Roy A, Smith P, International Institute for Conservation of Historic and Artistic Works. Congress. Preventive conservation practice, theory and research: preprints of the contributions to the Ottawa Congress, 12-16 September 1994. London: : International Institute for Conservation of Historic and Artistic Works 1994.
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Ebooks Corporation Limited. Textile conservation: advances in practice. Oxford: : Elsevier/Butterworth-Heinemann 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
62
Talley Jr MK. The Delta Plan: a nationwide rescue operation. Museum International 1999;51:11–5. doi:10.1111/1468-0033.00185
63
Ishii M. Developing Fabrics Made with Traditional Techniques for Textile Conservation within the Cultural Property Preservation Policy in Japan. In: Bridgeland J, ed. ICOM-CC 18th Triennial Conference, Copenhagen, 4–8 September 2017 Preprints. Paris: : International Council of Museums 2017. https://www.icom-cc-publications-online.org/search?wg=0&vy=2017+Copenhagen&t=0&page=1
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Mida I, Kim A. The dress detective: a practical guide to object-based research in fashion. London: : Bloomsbury 2015. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=2194780
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Gordon R, Hermens E, Lennard F, editors. Authenticity and replication: the ‘real thing’ in art and conservation : proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012. London: : Archetype Publications 2014.
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Collections Australia Network. Significance. A Guide to Assessing the Significance of Cultural Heritage Objects and Collections. http://www.significanceinternational.com/Portals/0/Documents/(significance)2001.pdf
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McCarthy C. Exhibiting Māori: a history of colonial cultures of display. English ed. Oxford: : Berg 2007.
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Richmond A, Bracker AL, Victoria and Albert Museum, et al. Conservation: principles, dilemmas and uncomfortable truths. Amsterdam: : Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
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Pitt Rivers Museum project website. https://web.prm.ox.ac.uk/blackfootshirts/
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Brown AK, Peers L, Richardson H. Kaahsinnonniksi Ao’toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts. Pitt Rivers Museum 2010.
71
Peers LL, Brown AK. Museums and source communities: a Routledge reader. London: : Routledge 2003.
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Richardson H. Taking the Ancestors on a Visit: the Role of Conservators in Reconnecting a Collection of Historic Blackfoot Shirts with the Community. In: ICOM-CC : 16th triennial conference, Lisbon, 19-23 September 2011. ICOM CC 2011. https://www.icom-cc-publications-online.org/search?wg=0&vy=2011+Lisbon&t=0&page=1
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Hamilakis Y, Jones AM. Archaeology and Assemblage. Cambridge Archaeological Journal 2017;27:77–84. doi:10.1017/S0959774316000688
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Hamilakis Y. Sensorial Assemblages: Affect, Memory and Temporality in Assemblage Thinking. Cambridge Archaeological Journal 2017;27:169–82. doi:10.1017/S0959774316000676
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SpringerLink (Online service). Art and archaeology: collaborations, conversations, criticisms. New York: : Springer 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-1-4614-8990-0
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Beerkens L. The artist interview: for conservation and presentation of contemporary art : guidelines and practice. Heyningen: : JAP SAM Books 2012.
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Roy A, Smith P, International Institute for Conservation of Historic and Artistic Works. Congress. Modern art, new museums: contributions to the Bilbao Congress, 13-17 September 2004. London: : International Institute for Conservation of Historic and Artistic Works 2004.
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Hummelen IjMC, Sillé D. Modern art: who cares?: an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art. London: : Archetype 2005.
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Lennard F. The Impact of Artists’ Moral Rights Legislation on Conservation Practice in the UK and Beyond. In: ICOM CC 14th Triennial Meeting, The Hague 12-16 September 2005. ICOM Committee for Conservation: preprints of triennial meetings Published Online First: 1978.https://www.icom-cc-publications-online.org/search?wg=0&vy=2005+The+Hague&t=0&page=1
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Richmond A, Bracker AL, Victoria and Albert Museum, et al. Conservation: principles, dilemmas and uncomfortable truths. Amsterdam: : Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
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INCCA. "International Network for the Conservation of Contemporary Art.”. https://www.incca.org/about-incca
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Marstine J. New museum theory and practice: an introduction. Malden, MA: : Blackwell 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
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Lennard F. Behaving badly? The conservation of modern textile art. Restauro 2006;2006:328–34.https://eprints.gla.ac.uk/44887/
