American Institute for Conservation of Historic and Artistic Works. (2013). Ethics & critical thinking in conservation (P. Hatchfield, Ed.). American Institute for Conservation of Historic & Artistic Works.
Appadurai, A., American Council of Learned Societies, Ethnohistory Workshop, & Symposium on the Relationship between Commodities and Culture. (2013). The social life of things: commodities in cultural perspective. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.32141
Auslander, L. (2005). Beyond Words. The American Historical Review, 110(4), 1015–1045. https://doi.org/10.1086/ahr.110.4.1015
Australian Institute for Conservation of Cultural Material (AICCM). (n.d.). https://aiccm.org.au/
Beerkens, L. (2012). The artist interview: for conservation and presentation of contemporary art : guidelines and practice. JAP SAM Books.
Brodie, A. (2016). Marking and Memory: An Embroidered Sheet in the Collection of the Victoria and Albert Museum. TEXTILE, 14(2), 160–175. https://doi.org/10.1080/14759756.2016.1139381
Brooks, M. M. (2000). Textiles revealed: object lessons in historic textile and costume research. Archetype Publications.
Brooks, M. M. (2012). Seeing the sacred conflicting priorities in defining, interpreting, and conserving western sacred artifacts. Material Religion, 8(1), 10–28. https://doi.org/10.2752/175183412X13286288797818
Brown, A. K., Peers, L., & Richardson, H. (2010). Kaahsinnonniksi Ao’toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts. Pitt Rivers Museum.
Candlin, F., & Guins, R. (2009). The object reader. Routledge.
Clavir, M. & University of British Columbia. Museum of Anthropology. (2002). Preserving what is valued: museums, conservation, and First Nations. UBC Press.
Collecting the Troubles at the Ulster Museum. (n.d.). BBC Radio 4. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F124A45A6%3Fbcast%3D128011821
Collections Australia Network. (n.d.-a). Significance. A Guide to Assessing the Significance of Cultural Heritage Objects and Collections. http://www.significanceinternational.com/Portals/0/Documents/(significance)2001.pdf
Drago, A. (2011). ‘I feel included’: the exhibition at the British Museum. Journal of the Institute of Conservation, 34(1), 28–38. https://doi.org/10.1080/19455224.2011.566473
Dudley, S. H., & Pearce, S. M. (2012). Narrating objects, collecting stories: essays in honour of Professor Susan M. Pearce. Routledge.
Ebooks Corporation Limited. (2010a). Textile conservation: advances in practice (F. Lennard & P. Ewer, Eds.). Elsevier/Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
Ebooks Corporation Limited. (2010b). Textile conservation: advances in practice (F. Lennard & P. Ewer, Eds.). Elsevier/Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
Ebooks Corporation Limited. (2010c). Textile conservation: advances in practice (F. Lennard & P. Ewer, Eds.). Elsevier/Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068
Fairhurst, A. (Ed.). (2010). Mind the gap! : structural and aesthetic options for the treatment of loss in textiles : forum of the ICON textile group, 27 April 2009, The Victoria and Albert Museum, London. Icon.
Frey, B. S., & Kirshenblatt-Gimblett, B. (2002). The Dematerialization of Culture and the De-accessioning of Museum Collections. Museum International, 54(4), 58–63. https://doi.org/10.1111/1468-0033.00402
Gascoigne, L. (2006). Hidden Histories. Museum Practice, 36, 65–67.
Getty Conservation Institute. (2016). Refashioning and redress: conserving and displaying dress (M. M. Brooks & D. Eastop, Eds.). The Getty Conservation Institute.
Glasgow Museums Education Service. (n.d.). https://www.glasgowlife.org.uk/museums/learning
Goggin, M. D., & Tobin, B. F. (2009). Women and the material culture of needlework and textiles, 1750-1950. Ashgate.
Gordon, R., Hermens, E., & Lennard, F. (Eds.). (2014). Authenticity and replication: the ‘real thing’ in art and conservation : proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012. Archetype Publications.
Great Britain. Department for Culture, Media and Sport. (2005). Guidance for the care of human remains in museums. Department for Culture, Media and Sport. https://collectionstrust.org.uk/resource/guidance-for-the-care-of-human-remains-in-museums/
Hamilakis, Y. (2017). Sensorial Assemblages: Affect, Memory and Temporality in Assemblage Thinking. Cambridge Archaeological Journal, 27(01), 169–182. https://doi.org/10.1017/S0959774316000676
Hamilakis, Y., & Jones, A. M. (2017). Archaeology and Assemblage. Cambridge Archaeological Journal, 27(01), 77–84. https://doi.org/10.1017/S0959774316000688
Hayward, M., Kramer, E., & AHRC Research Centre for Textile Conservation and Textile Studies. Conference. (2007). Textiles and text: re-establishing the links between archival and object-based research : postprints. Archetype.
Human Tissue Authority. (n.d.-b). Public display guidance | Human Tissue Authority. https://www.hta.gov.uk/policies/public-display-guidance
Hummelen, Ij. M. C., & Sillé, D. (2005). Modern art: who cares?: an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art. Archetype.
ICOM Committee for Conservation, International Council of Museums, & J. Paul Getty Trust. (2008). Frame, Kate. "Communicating Conservation at the Historic Royal Palaces.” In ICOM CC, 15th Triennial Conference, New Delhi, 22-26 September 2008, Preprints, edited by Janet Bridgland, 1147-1153. In ICOM Committee for Conservation: preprints of triennial meetings. International Council of Museums in association with the J. Paul Getty Trust. https://www.icom-cc-publications-online.org/search?wg=0&vy=2008+New+Delhi&t=0&page=1
INCCA. "International Network for the Conservation of Contemporary Art.”. (n.d.). https://www.incca.org/about-incca
Ingold, T. (2002). Companion encyclopedia of anthropology ([2nd. ed.]). Routledge. http://lib.myilibrary.com/browse/open.asp?id=33142 &entityid=https://idp.gla.ac.uk/shibboleth
International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM). (n.d.). https://www.iccrom.org/
Introducing Collective Conversations at The Manchester Museum - YouTube. (n.d.). https://www.youtube.com/watch?v=Q0WFSINOjCw
Ishii, M. (2017). Developing Fabrics Made with Traditional Techniques for Textile Conservation within the Cultural Property Preservation Policy in Japan. In J. Bridgeland (Ed.), ICOM-CC 18th Triennial Conference, Copenhagen, 4–8 September 2017 Preprints. International Council of Museums. https://www.icom-cc-publications-online.org/search?wg=0&vy=2017+Copenhagen&t=0&page=1
Jenkins, T. & Ebooks Corporation Limited. (2011). Contesting human remains in museum collections: the crisis of cultural authority (Vol. 1). Routledge. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668153
Jones, S., Holden, J., & Demos (Organization : London, England). (2008). It’s a material world. Demos.
Lennard, F. (1978). The Impact of Artists’ Moral Rights Legislation on Conservation Practice in the UK and Beyond. In: ICOM CC 14th Triennial Meeting, The Hague 12-16 September 2005. ICOM Committee for Conservation: Preprints of Triennial Meetings. https://www.icom-cc-publications-online.org/search?wg=0&vy=2005+The+Hague&t=0&page=1
Lennard, F. (2006). Behaving badly? The conservation of modern textile art. Restauro, 2006(5), 328–334. https://eprints.gla.ac.uk/44887/
Lithgow, K., & Timbrell, H. (2014). How better volunteering can improve conservation: why we need to stop wondering whether volunteering in conservation is a good thing and just get better at doing it well. Journal of the Institute of Conservation, 37(1), 3–14. https://doi.org/10.1080/19455224.2013.873730
Maroević, I. (1995). Heritage Wreckers. Museums Journal, 95(10), 27–28.
Marstine, J. (2006a). New museum theory and practice: an introduction. Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
Marstine, J. (2006b). New museum theory and practice: an introduction. Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
Marstine, J. (2006c). New museum theory and practice: an introduction. Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859
Marstine, J. (2011a). Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
Marstine, J. (2011b). Routledge companion to museum ethics: redefining ethics for the twenty-first century museum. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514
McCarthy, C. (2007). Exhibiting Māori: a history of colonial cultures of display (English ed). Berg.
Mida, I., & Kim, A. (2015). The dress detective: a practical guide to object-based research in fashion. Bloomsbury. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=2194780
Museums Association (MA). (n.d.). https://www.museumsassociation.org/home
Museums Association. Museums Change Lives. 2013. (n.d.). https://www.museumsassociation.org/download?id=1001738
Oddy, W. A. & British Museum. Trustees. (1992). The art of the conservator. Published for the Trustees of the British Museum by British Museum Press.
Paine, C. (2013). Religious objects in museums: private lives and public duties. Bloomsbury Academic.
Palmer, A. (n.d.). "Restoration Tragedies.” The Sunday Telegraph, August 26, 2012, main section. https://www.telegraph.co.uk/culture/art/9498877/Restoration-tragedies.html
Pearce, S. M. (Ed.). (1994). Interpreting objects and collections. Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203428276
Pearce, S. M. & University of Leicester. School of Archaeological Studies. (2000). Researching material culture: Vol. no.8. University of Leicester School of Archaeological Studies.
Peers, L. (2000). Native Americans in museums: A review of the Chase Manhattan Gallery of North America. Anthropology Today, 16(6), 8–13. https://doi.org/10.1111/1467-8322.00032
Peers, L. L., & Brown, A. K. (2003). Museums and source communities: a Routledge reader. Routledge.
Pitt Rivers Museum project website. (n.d.). https://web.prm.ox.ac.uk/blackfootshirts/
Porter, J., & Martin, W. (1985). Learning from Objects. Museums Journal, 85(1), 35–37.
Prown, J. D., & Haltman, K. (2000). American artifacts: essays in material culture. Michigan State University Press.
Richardson, H. (2011). Taking the Ancestors on a Visit: the Role of Conservators in Reconnecting a Collection of Historic Blackfoot Shirts with the Community. In ICOM-CC : 16th triennial conference, Lisbon, 19-23 September 2011. ICOM CC. https://www.icom-cc-publications-online.org/search?wg=0&vy=2011+Lisbon&t=0&page=1
Richmond, A., Bracker, A. L., Victoria and Albert Museum, & Dawson Books. (2009a). Conservation: principles, dilemmas and uncomfortable truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
Richmond, A., Bracker, A. L., Victoria and Albert Museum, & Dawson Books. (2009b). Conservation: principles, dilemmas and uncomfortable truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
Richmond, A., Bracker, A. L., Victoria and Albert Museum, & Dawson Books. (2009c). Conservation: principles, dilemmas and uncomfortable truths. Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714
Roy, A., Smith, P., & International Institute for Conservation of Historic and Artistic Works. Congress. (1994). Preventive conservation practice, theory and research: preprints of the contributions to the Ottawa Congress, 12-16 September 1994. International Institute for Conservation of Historic and Artistic Works.
Roy, A., Smith, P., & International Institute for Conservation of Historic and Artistic Works. Congress. (2004). Modern art, new museums: contributions to the Bilbao Congress, 13-17 September 2004. International Institute for Conservation of Historic and Artistic Works.
Sandell, R. (2007). Museums, prejudice and the reframing of difference. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203020036
Sandell, R., & Nightingale, E. (Eds.). (2012). Museums, equality, and social justice. Routledge. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781136318702
Smith, L., & Akagawa, N. (2009). Intangible heritage. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370944
SpringerLink (Online service). (2014). Art and archaeology: collaborations, conversations, criticisms (A. Cochrane & I. Russell, Eds.). Springer. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-1-4614-8990-0
St Mungo Museum of Religious Life and Art — Glasgow Life. (n.d.). https://www.glasgowlife.org.uk/museums/venues/st-mungo-museum-of-religious-life-and-art
Steele, V. (1998). A Museum of Fashion Is More Than a Clothes-Bag. Fashion Theory, 2(4), 327–335. https://doi.org/10.2752/136270498779476109
Sully, D., & Cardoso, I. P. (2014). Painting Hinemihi by numbers: Peoples-based conservation and the paint analysis of Hinemihi’s carvings. Studies in Conservation, 59(3), 180–193. https://doi.org/10.1179/2047058413Y.0000000102
Sully, D. & University College, London. Institute of Archaeology. (2007). Decolonizing conservation: caring for Maori meeting houses outside New Zealand. Left Coast Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=677833
Talley Jr, M. K. (1999). The Delta Plan: a nationwide rescue operation. Museum International, 51(1), 11–15. https://doi.org/10.1111/1468-0033.00185
The Australian Dress Register. Online resource hosted by the Powerhouse Museum, Sydney. (n.d.). http://www.australiandressregister.org/
Tilley, C. Y., Keane, W., Küchler, S., Rowlands, M., & Spyer, P. (Eds.). (2006). Handbook of material culture. SAGE Publications. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1024140
UK Institute of Conservation (Icon). (n.d.). https://icon.org.uk/
United Nations Educational, Scientific and Cultural Organisation (UNESCO). (n.d.). https://en.unesco.org/
Watson, S. (2007). Museums and their communities. Routledge.
Wildgoose, J. (2002). The business of the flesh (The Guardian, October 31, 2002). Guardian. https://www.theguardian.com/society/2002/oct/31/1
