American Institute for Conservation of Historic and Artistic Works. 2013. Ethics & Critical Thinking in Conservation. Edited by Pamela Hatchfield. Washington, D.C.: American Institute for Conservation of Historic & Artistic Works.
Appadurai, Arjun, American Council of Learned Societies, Ethnohistory Workshop, and Symposium on the Relationship between Commodities and Culture. 2013. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.32141.
Auslander, Leora. 2005. ‘Beyond Words’. The American Historical Review 110 (4): 1015–45. https://doi.org/10.1086/ahr.110.4.1015.
‘Australian Institute for Conservation of Cultural Material (AICCM)’. n.d. https://aiccm.org.au/.
Beerkens, Lydia. 2012. The Artist Interview: For Conservation and Presentation of Contemporary Art : Guidelines and Practice. Heyningen: JAP SAM Books.
Brodie, Antonia. 2016. ‘Marking and Memory: An Embroidered Sheet in the Collection of the Victoria and Albert Museum’. TEXTILE 14 (2): 160–75. https://doi.org/10.1080/14759756.2016.1139381.
Brooks, Mary M. 2000. Textiles Revealed: Object Lessons in Historic Textile and Costume Research. London: Archetype Publications.
———. 2012. ‘Seeing the Sacred Conflicting Priorities in Defining, Interpreting, and Conserving Western Sacred Artifacts’. Material Religion 8 (1): 10–28. https://doi.org/10.2752/175183412X13286288797818.
Brown, Alison K., Laura Peers, and Heather Richardson. 2010. Kaahsinnonniksi Ao’toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts. Pitt Rivers Museum.
Candlin, Fiona, and Raiford Guins. 2009. The Object Reader. London: Routledge.
Clavir, Miriam and University of British Columbia. Museum of Anthropology. 2002. Preserving What Is Valued: Museums, Conservation, and First Nations. Vancouver, B.C.: UBC Press.
‘Collecting the Troubles at the Ulster Museum’. n.d. BBC Radio 4. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F124A45A6%3Fbcast%3D128011821.
Collections Australia Network. n.d. ‘Significance. A Guide to Assessing the Significance of Cultural Heritage Objects and Collections’. http://www.significanceinternational.com/Portals/0/Documents/(significance)2001.pdf.
Drago, Amy. 2011. ‘“I Feel Included”: The Exhibition at the British Museum’. Journal of the Institute of Conservation 34 (1): 28–38. https://doi.org/10.1080/19455224.2011.566473.
Dudley, Sandra H., and Susan M. Pearce. 2012. Narrating Objects, Collecting Stories: Essays in Honour of Professor Susan M. Pearce. London: Routledge.
Ebooks Corporation Limited. 2010a. Textile Conservation: Advances in Practice. Edited by Frances Lennard and Patricia Ewer. Oxford: Elsevier/Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068.
———. 2010b. Textile Conservation: Advances in Practice. Edited by Frances Lennard and Patricia Ewer. Oxford: Elsevier/Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068.
———. 2010c. Textile Conservation: Advances in Practice. Edited by Frances Lennard and Patricia Ewer. Oxford: Elsevier/Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=572068.
Fairhurst, Alison, ed. 2010. Mind the Gap! : Structural and Aesthetic Options for the Treatment of Loss in Textiles : Forum of the ICON Textile Group, 27 April 2009, The Victoria and Albert Museum, London. Icon.
Frey, Bruno S., and Barbara Kirshenblatt-Gimblett. 2002. ‘The Dematerialization of Culture and the De-Accessioning of Museum Collections’. Museum International 54 (4): 58–63. https://doi.org/10.1111/1468-0033.00402.
Gascoigne, L. 2006. ‘Hidden Histories’. Museum Practice 36: 65–67.
Getty Conservation Institute. 2016. Refashioning and Redress: Conserving and Displaying Dress. Edited by Mary M. Brooks and Dinah Eastop. Los Angeles, California: The Getty Conservation Institute.
‘Glasgow Museums Education Service’. n.d. https://www.glasgowlife.org.uk/museums/learning.
Goggin, Maureen Daly, and Beth Fowkes Tobin. 2009. Women and the Material Culture of Needlework and Textiles, 1750-1950. Farnham: Ashgate.
Gordon, Rebecca, Erma Hermens, and Frances Lennard, eds. 2014. Authenticity and Replication: The ‘Real Thing’ in Art and Conservation : Proceedings of the International Conference Held at the University of Glasgow, 6-7 December 2012. London: Archetype Publications.
Great Britain. Department for Culture, Media and Sport. 2005. ‘Guidance for the Care of Human Remains in Museums’. London: Department for Culture, Media and Sport. https://collectionstrust.org.uk/resource/guidance-for-the-care-of-human-remains-in-museums/.
Hamilakis, Yannis. 2017. ‘Sensorial Assemblages: Affect, Memory and Temporality in Assemblage Thinking’. Cambridge Archaeological Journal 27 (01): 169–82. https://doi.org/10.1017/S0959774316000676.
Hamilakis, Yannis, and Andrew Meirion Jones. 2017. ‘Archaeology and Assemblage’. Cambridge Archaeological Journal 27 (01): 77–84. https://doi.org/10.1017/S0959774316000688.
Hayward, Maria, Elizabeth Kramer, and AHRC Research Centre for Textile Conservation and Textile Studies. Conference. 2007. Textiles and Text: Re-Establishing the Links between Archival and Object-Based Research : Postprints. London: Archetype.
Human Tissue Authority. n.d. ‘Public Display Guidance | Human Tissue Authority’. https://www.hta.gov.uk/policies/public-display-guidance.
Hummelen, IJsbrand M. C., and Dionne Sillé. 2005. Modern Art: Who Cares?: An Interdisciplinary Research Project and an International Symposium on the Conservation of Modern and Contemporary Art. London: Archetype.
ICOM Committee for Conservation, International Council of Museums, and J. Paul Getty Trust. 2008. ‘Frame, Kate. "Communicating Conservation at the Historic Royal Palaces.” In ICOM CC, 15th Triennial Conference, New Delhi, 22-26 September 2008, Preprints, Edited by Janet Bridgland, 1147-1153.’ In ICOM Committee for Conservation: Preprints of Triennial Meetings. Paris: International Council of Museums in association with the J. Paul Getty Trust. https://www.icom-cc-publications-online.org/search?wg=0&vy=2008+New+Delhi&t=0&page=1.
‘INCCA. "International Network for the Conservation of Contemporary Art.”’. n.d. https://www.incca.org/about-incca.
Ingold, Tim. 2002. Companion Encyclopedia of Anthropology. [2nd. ed.]. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=33142 &entityid=https://idp.gla.ac.uk/shibboleth.
‘International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM)’. n.d. https://www.iccrom.org/.
‘Introducing Collective Conversations at The Manchester Museum - YouTube’. n.d. https://www.youtube.com/watch?v=Q0WFSINOjCw.
Ishii, Mie. 2017. ‘Developing Fabrics Made with Traditional Techniques for Textile Conservation within the Cultural Property Preservation Policy in Japan’. In ICOM-CC 18th Triennial Conference, Copenhagen, 4–8 September 2017 Preprints, edited by Janet Bridgeland. Paris: International Council of Museums. https://www.icom-cc-publications-online.org/search?wg=0&vy=2017+Copenhagen&t=0&page=1.
Jenkins, Tiffany and Ebooks Corporation Limited. 2011. Contesting Human Remains in Museum Collections: The Crisis of Cultural Authority. Vol. 1. New York, NY: Routledge. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668153.
Jones, Samuel, John Holden, and Demos (Organization : London, England). 2008. It’s a Material World. London: Demos.
Lennard, Frances. 1978. ‘The Impact of Artists’ Moral Rights Legislation on Conservation Practice in the UK and Beyond. In: ICOM CC 14th Triennial Meeting, The Hague 12-16 September 2005’. ICOM Committee for Conservation: Preprints of Triennial Meetings. https://www.icom-cc-publications-online.org/search?wg=0&vy=2005+The+Hague&t=0&page=1.
———. 2006. ‘Behaving Badly? The Conservation of Modern Textile Art’. Restauro 2006 (5): 328–34. https://eprints.gla.ac.uk/44887/.
Lithgow, Katy, and Helen Timbrell. 2014. ‘How Better Volunteering Can Improve Conservation: Why We Need to Stop Wondering Whether Volunteering in Conservation Is a Good Thing and Just Get Better at Doing It Well’. Journal of the Institute of Conservation 37 (1): 3–14. https://doi.org/10.1080/19455224.2013.873730.
Maroević, Ivo. 1995. ‘Heritage Wreckers’. Museums Journal 95 (10): 27–28.
Marstine, Janet. 2006a. New Museum Theory and Practice: An Introduction. Malden, MA: Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859.
———. 2006b. New Museum Theory and Practice: An Introduction. Malden, MA: Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859.
———. 2006c. New Museum Theory and Practice: An Introduction. Malden, MA: Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=239859.
———. 2011a. Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First Century Museum. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514.
———. 2011b. Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First Century Museum. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=716514.
McCarthy, Conal. 2007. Exhibiting Māori: A History of Colonial Cultures of Display. English ed. Oxford: Berg.
Mida, Ingrid, and Alexandra Kim. 2015. The Dress Detective: A Practical Guide to Object-Based Research in Fashion. London: Bloomsbury. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=2194780.
‘Museums Association (MA)’. n.d. https://www.museumsassociation.org/home.
‘Museums Association. Museums Change Lives. 2013.’ n.d. https://www.museumsassociation.org/download?id=1001738.
Oddy, W. A. and British Museum. Trustees. 1992. The Art of the Conservator. London: Published for the Trustees of the British Museum by British Museum Press.
Paine, Crispin. 2013. Religious Objects in Museums: Private Lives and Public Duties. London: Bloomsbury Academic.
Palmer, Alasdair. n.d. ‘"Restoration Tragedies.” The Sunday Telegraph, August 26, 2012, Main Section.’ https://www.telegraph.co.uk/culture/art/9498877/Restoration-tragedies.html.
Pearce, Susan M., ed. 1994. Interpreting Objects and Collections. London: Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203428276.
Pearce, Susan M. and University of Leicester. School of Archaeological Studies. 2000. Researching Material Culture. Vol. no.8. Leicester: University of Leicester School of Archaeological Studies.
Peers, Laura. 2000. ‘Native Americans in Museums: A Review of the Chase Manhattan Gallery of North America’. Anthropology Today 16 (6): 8–13. https://doi.org/10.1111/1467-8322.00032.
Peers, Laura L., and Alison K. Brown. 2003. Museums and Source Communities: A Routledge Reader. London: Routledge.
‘Pitt Rivers Museum Project Website’. n.d. https://web.prm.ox.ac.uk/blackfootshirts/.
Porter, Julia, and Wendy Martin. 1985. ‘Learning from Objects’. Museums Journal 85 (1): 35–37.
Prown, Jules David, and Kenneth Haltman. 2000. American Artifacts: Essays in Material Culture. East Lansing, Mich: Michigan State University Press.
Richardson, Heather. 2011. ‘Taking the Ancestors on a Visit: The Role of Conservators in Reconnecting a Collection of Historic Blackfoot Shirts with the Community.’ In ICOM-CC : 16th Triennial Conference, Lisbon, 19-23 September 2011. ICOM CC. https://www.icom-cc-publications-online.org/search?wg=0&vy=2011+Lisbon&t=0&page=1.
Richmond, Alison, Alison Lee Bracker, Victoria and Albert Museum, and Dawson Books. 2009a. Conservation: Principles, Dilemmas and Uncomfortable Truths. Amsterdam: Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714.
———. 2009b. Conservation: Principles, Dilemmas and Uncomfortable Truths. Amsterdam: Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714.
———. 2009c. Conservation: Principles, Dilemmas and Uncomfortable Truths. Amsterdam: Elsevier/Butterworth-Heinemann in association with the Victoria and Albert Museum London. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080941714.
Roy, Ashok, Perry Smith, and International Institute for Conservation of Historic and Artistic Works. Congress. 1994. Preventive Conservation Practice, Theory and Research: Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994. London: International Institute for Conservation of Historic and Artistic Works.
———. 2004. Modern Art, New Museums: Contributions to the Bilbao Congress, 13-17 September 2004. London: International Institute for Conservation of Historic and Artistic Works.
Sandell, Richard. 2007. Museums, Prejudice and the Reframing of Difference. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203020036.
Sandell, Richard, and Eithne Nightingale, eds. 2012. Museums, Equality, and Social Justice. Abingdon, Oxon: Routledge. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781136318702.
Smith, Laurajane, and Natsuko Akagawa. 2009. Intangible Heritage. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370944.
SpringerLink (Online service). 2014. Art and Archaeology: Collaborations, Conversations, Criticisms. Edited by Andrew Cochrane and Ian Russell. New York: Springer. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-1-4614-8990-0.
‘St Mungo Museum of Religious Life and Art — Glasgow Life’. n.d. https://www.glasgowlife.org.uk/museums/venues/st-mungo-museum-of-religious-life-and-art.
Steele, Valerie. 1998. ‘A Museum of Fashion Is More Than a Clothes-Bag’. Fashion Theory 2 (4): 327–35. https://doi.org/10.2752/136270498779476109.
Sully, Dean, and Isabel Pombo Cardoso. 2014. ‘Painting Hinemihi by Numbers: Peoples-Based Conservation and the Paint Analysis of Hinemihi’s Carvings’. Studies in Conservation 59 (3): 180–93. https://doi.org/10.1179/2047058413Y.0000000102.
Sully, Dean and University College, London. Institute of Archaeology. 2007. Decolonizing Conservation: Caring for Maori Meeting Houses Outside New Zealand. Walnut Creek, Calif: Left Coast Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=677833.
Talley Jr, M. Kirby. 1999. ‘The Delta Plan: A Nationwide Rescue Operation’. Museum International 51 (1): 11–15. https://doi.org/10.1111/1468-0033.00185.
‘The Australian Dress Register. Online Resource Hosted by the Powerhouse Museum, Sydney’. n.d. http://www.australiandressregister.org/.
Tilley, Christopher Y., Webb Keane, Susanne Küchler, Mike Rowlands, and Patricia Spyer, eds. 2006. Handbook of Material Culture. London: SAGE Publications. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1024140.
‘UK Institute of Conservation (Icon)’. n.d. https://icon.org.uk/.
‘United Nations Educational, Scientific and Cultural Organisation (UNESCO)’. n.d. https://en.unesco.org/.
Watson, Sheila. 2007. Museums and Their Communities. London: Routledge.
Wildgoose, Jane. 2002. ‘The Business of the Flesh (The Guardian, October 31, 2002)’. Guardian, October. https://www.theguardian.com/society/2002/oct/31/1.
