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Sadie Stanley, ed. Oxford Music Online. Macmillan; 2002. https://www.oxfordmusiconline.com/page/about
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Peter France, ed. The New Oxford Companion to Literature in French. Clarendon Press; 1995.
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Joyce M.H. Reid, ed. The Concise Oxford Dictionary of French Literature. Oxford University Press; 1976.
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Oxford Reference Online. Premium collection. Oxford University Press; 2002. https://ezproxy.lib.gla.ac.uk/login?url=https://www.oxfordreference.com/
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Roger Boutry et al. Révolution française: ‘La Marseillaise’. Published online 1988.
6.
Timothy Baycroft. France. Vol Series: Inventing the nation. Hodder Education; 2008.
7.
David Avrom Bell. The Cult of the Nation in France: Inventing Nationalism, 1680-1800. Harvard University Press; 2001. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06678
8.
Laura Mason. Singing the French Revolution: Popular Culture and Politics, 1787-1799. Cornell University Press; 1996. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08361
9.
Pierre Nora. Realms of Memory: Rethinking the French Past. Vol Series: European perspectives. (edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer, ed.). Columbia University Press; 1996.
10.
Fisher M. Party for your right to fight. New Statesman. 2010;139(4994). https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A224501280/AONE?u=glasuni&sid=bookmark-AONE&xid=c399267e
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Pierre Nora. Realms of Memory: Rethinking the French Past. Vol Series: European perspectives. (edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer, ed.). Columbia University Press; 1996.
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Chantal Crozet. Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics. 2010;30(1):131-140. doi:10.1080/07268600903134095
13.
Simon Gaunt and Sarah Kay, ed. The Cambridge Companion to Medieval French Literature. Vol Series: Cambridge Companions to Literature. Cambridge University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521861755
14.
E. Jane Burns et al, ed. Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado. Vol Series: Gallica. D.S. Brewer; 2007.
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Butterfield A. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Vol Series: Cambridge studies in medieval literature. Cambridge University Press; 2002.
16.
Judith Ann Peraino. Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut. Oxford University Press; 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199757244.001.0001
17.
Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt, ed. The Union of Words and Music in Medieval Poetry. University of Texas Press; 1991.
18.
Anne Walters Robertson. Guillaume de Machaut and Reims: Context and Meaning in His Musical Works. Cambridge University Press; 2002.
19.
Kevin Brownlee. Poetic Identity in Guillaume de Machaut. University of Wisconsin Press; 1984.
20.
Gilbert Reaney. Guillaume de Machaut. Vol Series: Oxford studies of composers. Oxford University Press; 1971.
21.
Deborah L. McGrady. Controlling Readers: Guillaume de Machaut and His Late Medieval Audience. Vol Series: Studies in book and print culture. University of Toronto Press; 2006.
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Laurence De Looze. Pseudo-Autobiography in the Fourteenth Century: Juan Ruiz, Guillaume de Machaut, Jean Froissart, and Geoffrey Chaucer. University Press of Florida; 1997.
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Guillaume. Motets. ECM new series.
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Guillaume de Machaut. Chansons: Vol. 1. Series: Reflexe.
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Guillaume de Machaut. Chansons II. Series: Reflexe.
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Guillaume de Machaut. The art of Guillaume de Machaut. Published online 1974.
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Elizabeth Eva Leach, ed. Machaut’s Music: New Interpretations. Vol Series: Studies in medieval and Renaissance music. Boydell Press; 2003.
28.
Guillaume Dufay. Complete secular music. Published online 1981.
29.
David Fallows. Dufay. Vol Series: The master musicians. Dent; 1982.
30.
Mark Chinca and Christopher Young, ed. Orality and Literacy in the Middle Ages: Essays on a Conjunction and Its Consequences in Honour of D.H. Green. Vol Series: Utrecht studies in medieval literacy. Brepols; 2005.
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Evelyn Birge Vitz. Orality and Performance in Early French Romance. D.S. Brewer; 1999.
32.
Theodore Karp. Aspects of Orality and Formularity in Gregorian Chant. Northwestern University Press; 2013.
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A.N. Doane and Carol Braun Pasternack, ed. Vox Intexta: Orality and Textuality in the Middle Ages. University of Wisconsin Press; 1991.
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Eric Alfred Havelock. The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present. Yale University Press; 1986.
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Deborah Tannen, ed. Spoken and Written Language: Exploring Orality and Literacy. Vol Series: Advances in discourse processes. Ablex; 1982.
36.
Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, ed. Opera and Society in Italy and France from Monteverdi to Bourdieu. Vol Series: Cambridge studies in opera. Cambridge University Press; 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07565
37.
Peter Cogman. Mérimée, Colomba and Carmen. Vol Series: Critical guides to French texts. Grant & Cutler; 1992.
38.
C. W. Thompson. French Romantic Travel Writing: Chateaubriand to Nerval. Oxford University Press; 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199233540.001.0001
39.
Jane F. Fulcher. The Nation’s Image: French Grand Opera as Politics and Politicized Art. Cambridge University Press; 1987.
40.
Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. University of California Press; 2001.
41.
The Opera Libretto Library: The Authentic Texts of the German, French, and Italian Operas with Music of the Principal Airs, with the Complete English and German, French, or Italian Parallel Texts. Avenel 1980 ed. Avenel Books; 1980.
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Prosper Mérimée, A. Prévost. Manon Lescaut. Carmen. Vol Series: Everyman’s library. Dent; 1929.
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Francesco Rosi ; by Georges Bizet ; booklet by Meilhac & Halévy ; screenplay and adaptation, Franceso Rosi and Tonino Guerra. Carmen. Published online 2011.
44.
Preminger O, Kleiner H, Hammerstein O, et al. Carmen Jones. Published online 2007. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00095AB8%3Fbcast%3D132062619
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Bizet G, Antonacci AC, Amsellem N, et al. Carmen. Published online 2011.
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Lars Eckstein. Reading Song Lyrics. Vol Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Editions Rodopi; 2010.
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Mehmet Şiray. Performance and Performativity. Vol Series: Europäische Hochschulschriften. Reihe XX, Philosophie. Peter Lang; 2009.
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James Loxley. Performativity. Vol Series: The New Critical Idiom. Taylor and Francis; 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=356147
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Canteloube J. Chants d’Auvergne: Songs of the Auvergne.
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Joseph Canteloube. Chants d’Auvergne: Vol.1: Series 1-3. Published online 1983.
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Jean-Bernard Cahours d’Aspry. Joseph Canteloube (1879-1957): Chantre d’Auvergne et d’ailleurs. Vol Series: Carré musique. Séguier; 2000.
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Jacques Vassal. La Chanson Bretonne. Vol Rock&folk. A. Michel; 1980.
53.
Peter Bailey, ed. Music Hall: The Business of Pleasure. Vol Series: Popular music in Britain. Open University Press; 1986. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.00972
54.
Timothy Baycroft. France. Vol Series: Inventing the nation. Hodder Education; 2008.
55.
Ian Biddle and Vanessa Knights, ed. Music, National Identity and the Politics of Location: Between the Global and the Local. Vol Ashgate popular and folk music series. Ashgate; 2007.
56.
Chantal Crozet. Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics. 2010;30(1):131-140. doi:10.1080/07268600903134095
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Ron Eyerman, Andrew Jamison. Music and Social Movements: Mobilizing Traditions in the Twentieth Century. Vol Series: Cambridge cultural social studies. Cambridge University Press; 1998.
58.
Sharif Gemie. French Muslims: New Voices in Contemporary France. Vol Series: French and francophone studies. University of Wales Press; 2010.
59.
Barbara L. Kelly, ed. French Music, Culture, and National Identity, 1870-1939. Vol Series: Eastman studies in music. University of Rochester Press; 2008.
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Edward Lee. Folksong & Music Hall. Vol Series: Routledge popular music. Routledge & Kegan Paul; 1982.
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Patricia M. E. Lorcin, ed. Algeria & France, 1800-2000: Identity, Memory, Nostalgia. Vol Series: Modern intellectual and political history of the Middle East. Syracuse University Press; 2006.
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Tony Mitchell. Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania. Leicester University Press; 1996.
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Sheila Perry and Máire Cross, ed. Voices of France: Social, Political, and Cultural Identity. Pinter; 1997.
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Charles Tshimanga, Didier Gondola, and Peter J. Bloom., ed. Frenchness and the African Diaspora: Identity and Uprising in Contemporary France. Indiana University Press; 2009.
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Andy Bennett. Popular Music and Youth Culture: Music, Identity and Place. Palgrave Macmillan; 2000.
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Gerry Bloustien, Margaret Peters, and Susan Luckman, ed. Sonic Synergies: Music, Technology and Community, Identity. Vol Series: Ashgate popular and folk music series. Ashgate; 2007.
67.
Hugh Dauncey and Steve Cannon, ed. Popular Music in France from Chanson to Techno: Culture, Identity, and Society. Vol Series: Ashgate popular and folk music series. Ashgate; 2003.
68.
Lars Eckstein. Reading Song Lyrics. Vol Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Editions Rodopi; 2010.
69.
Jane F. Fulcher. The Oxford Handbook of the New Cultural History of Music. Oxford University Press; 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195341867.001.0001
70.
David Hesmondalgh and Keith Negus, ed. Popular Music Studies. Arnold; 2002.
71.
Longhurst B, Bogdanović D. Popular Music and Society. Third Edition. Polity Press; 2014.
72.
Keith Negus. Popular Music in Theory: An Introduction. Polity Press in association with Blackwell Publishers; 1996.
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Ian Peddie. The Resisting Muse: Popular Music and Social Protest. Vol Series: Ashgate popular and folk music series. Ashgate; 2006.
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Roy Shuker. Understanding Popular Music Culture. 4th ed. Routledge; 2013.
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Roy Shuker. Popular Music Culture: The Key Concepts. Vol Series: Routledge key guides. 3rd ed. Routledge; 2012.
76.
John Storey. Cultural Theory and Popular Culture: An Introduction. 5th ed. Pearson Longman; 2009. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781408241578
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Tim Wall. Studying Popular Music Culture. 2nd ed. SAGE; 2013.
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Alain-Philippe Durand. Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World. Scarecrow Press; 2002.
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Tony Mitchell, ed. Global Noise: Rap and Hip-Hop Outside the USA. Vol Series: Music/culture. Wesleyan University Press; 2001.
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Karin van Nieuwkerk. Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World. University of Texas Press; 2012.
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Russell A. Potter. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Vol Series: SUNY series in postmodern culture. State University of New York Press; 1995.
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José-Louis Bocquet, Philippe Pierre-Adolphe. Rap Ta France. Vol Series: Document (J’ai lu). Éditions J’ai lu; 1997.
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Anthony Pecqueux. Voix Du Rap: Essai de Sociologie de l’action Musicale. Vol Series: Anthropologie du monde occidental. Harmattan; 2007.
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Jean-Claude Perrier. Le Rap Français: Anthologie. Vol Series: Petite vermillon. Table ronde; 2000.
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Mathias Vicherat. Pour Une Analyse Textuelle Du Rap Français. Vol Series: Collection Univers musical. Harmattan; 2001.