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Laura Mason, Singing the French Revolution: popular culture and politics, 1787-1799. Ithaca: Cornell University Press, 1996 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08361
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Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt, Ed., The union of words and music in medieval poetry. Austin: University of Texas Press, 1991.
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Peter Cogman, Mérimée, Colomba and Carmen, vol. Series: Critical guides to French texts. London: Grant & Cutler, 1992.
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Jane F. Fulcher, The nation’s image: French grand opera as politics and politicized art. Cambridge: Cambridge University Press, 1987.
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J. Canteloube, ‘Chants d’Auvergne: Songs of the Auvergne’. Erato, [Paris].
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Joseph Canteloube, ‘Chants d’Auvergne: Vol.1: Series 1-3’. Decca, London, 1983.
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Jean-Bernard Cahours d’Aspry, Joseph Canteloube (1879-1957): chantre d’Auvergne et d’ailleurs, vol. Series: Carré musique. Paris: Séguier, 2000.
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Jacques Vassal, La chanson bretonne, vol. Rock&folk. Paris: A. Michel, 1980.
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Peter Bailey, Ed., Music hall: the business of pleasure, vol. Series: Popular music in Britain. Milton Keynes, England: Open University Press, 1986 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.00972
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Timothy Baycroft, France, vol. Series: Inventing the nation. London: Hodder Education, 2008.
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Ian Biddle and Vanessa Knights, Ed., Music, national identity and the politics of location: between the global and the local, vol. Ashgate popular and folk music series. Aldershot, England: Ashgate, 2007.
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Chantal Crozet, ‘Centrality of Text, and Discourse Strategies in French Political Songs’, Australian Journal of Linguistics, vol. 30, no. 1, pp. 131–140, Jan. 2010, doi: 10.1080/07268600903134095.
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Ron Eyerman and Andrew Jamison, Music and social movements: mobilizing traditions in the twentieth century, vol. Series: Cambridge cultural social studies. Cambridge: Cambridge University Press, 1998.
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Sharif Gemie, French Muslims: new voices in contemporary France, vol. Series: French and francophone studies. Cardiff: University of Wales Press, 2010.
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Tony Mitchell, Popular music and local identity: rock, pop and rap in Europe and Oceania. London: Leicester University Press, 1996.
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Sheila Perry and Máire Cross, Ed., Voices of France: social, political, and cultural identity. London: Pinter, 1997.
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Charles Tshimanga, Didier Gondola, and Peter J. Bloom., Ed., Frenchness and the African diaspora: identity and uprising in contemporary France. Bloomington: Indiana University Press, 2009.
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Andy Bennett, Popular music and youth culture: music, identity and place. Basingstoke: Palgrave Macmillan, 2000.
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Gerry Bloustien, Margaret Peters, and Susan Luckman, Ed., Sonic synergies: music, technology and community, identity, vol. Series: Ashgate popular and folk music series. Aldershot, Hants, England: Ashgate, 2007.
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Hugh Dauncey and Steve Cannon, Ed., Popular music in France from chanson to techno: culture, identity, and society, vol. Series: Ashgate popular and folk music series. Aldershot: Ashgate, 2003.
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Jane F. Fulcher, The Oxford handbook of the new cultural history of music. New York: Oxford University Press, 2011 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195341867.001.0001
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David Hesmondalgh and Keith Negus, Ed., Popular music studies. London: Arnold, 2002.
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Keith Negus, Popular music in theory: an introduction. Cambridge: Polity Press in association with Blackwell Publishers, 1996.
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Ian Peddie, The resisting muse: popular music and social protest, vol. Series: Ashgate popular and folk music series. Aldershot, England: Ashgate, 2006.
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Roy Shuker, Understanding popular music culture, 4th ed. London: Routledge, 2013.
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Roy Shuker, Popular music culture: the key concepts, 3rd ed., vol. Series: Routledge key guides. London: Routledge, 2012.
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John Storey, Cultural theory and popular culture: an introduction, 5th ed. Harlow, Essex: Pearson Longman, 2009 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781408241578
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