Alain-Philippe Durand. (2002). Black, blanc, beur: rap music and hip-hop culture in the francophone world. Scarecrow Press.
A.N. Doane and Carol Braun Pasternack (Ed.). (1991a). Vox intexta: orality and textuality in the Middle Ages. University of Wisconsin Press.
Andy Bennett. (2000). Popular music and youth culture: music, identity and place. Palgrave Macmillan.
Anne Walters Robertson. (2002). Guillaume de Machaut and Reims: context and meaning in his musical works. Cambridge University Press.
Anthony Pecqueux. (2007). Voix du rap: essai de sociologie de l’action musicale: Vol. Series: Anthropologie du monde occidental. Harmattan.
Barbara L. Kelly (Ed.). (2008a). French music, culture, and national identity, 1870-1939: Vol. Series: Eastman studies in music. University of Rochester Press.
Bizet, G., Antonacci, A. C., Amsellem, N., Kaufmann, J., D’Arcangelo, I., Pappano, A., Zambello, F., McCallin, T., Constable, P., Pita, A., Haswell, J., Royal Opera House (London, England), BBC Video (Firm), & Decca Record Company. (2011). Carmen [Videorecording]. Decca.
Butterfield, A. (2002). Poetry and music in medieval France: from Jean Renart to Guillaume de Machaut: Vol. Series: Cambridge studies in medieval literature. Cambridge University Press.
C. W. Thompson. (2012). French romantic travel writing: Chateaubriand to Nerval [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199233540.001.0001
Canteloube, J. (n.d.). Chants d’Auvergne: Songs of the Auvergne [Sound recording]. Erato.
Chantal Crozet. (2010a). Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics, 30(1), 131–140. https://doi.org/10.1080/07268600903134095
Chantal Crozet. (2010b). Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics, 30(1), 131–140. https://doi.org/10.1080/07268600903134095
Charles Tshimanga, Didier Gondola, and Peter J. Bloom. (Ed.). (2009). Frenchness and the African diaspora: identity and uprising in contemporary France. Indiana University Press.
David Avrom Bell. (2001). The cult of the nation in France: inventing nationalism, 1680-1800 [Electronic resource]. Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06678
David Fallows. (1982). Dufay: Vol. Series: The master musicians. Dent.
David Hesmondalgh and Keith Negus (Ed.). (2002a). Popular music studies. Arnold.
Deborah L. McGrady. (2006). Controlling readers: Guillaume de Machaut and his late Medieval audience: Vol. Series: Studies in book and print culture. University of Toronto Press.
Deborah Tannen (Ed.). (1982). Spoken and written language: exploring orality and literacy: Vol. Series: Advances in discourse processes. Ablex.
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Edward Lee. (1982). Folksong & music hall: Vol. Series: Routledge popular music. Routledge & Kegan Paul.
Elizabeth Eva Leach (Ed.). (2003a). Machaut’s music: new interpretations: Vol. Series: Studies in medieval and Renaissance music. Boydell Press.
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Evelyn Birge Vitz. (1999). Orality and performance in early French romance. D.S. Brewer.
Fisher, M. (2010). Party for your right to fight. New Statesman, 139(4994). https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A224501280/AONE?u=glasuni&sid=bookmark-AONE&xid=c399267e
Francesco Rosi ; by Georges Bizet ; booklet by Meilhac & Halévy ; screenplay and adaptation, Franceso Rosi and Tonino Guerra. (2011). Carmen (Restored ed) [Videorecording]. Second Sight.
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Ian Biddle and Vanessa Knights (Ed.). (2007c). Music, national identity and the politics of location: between the global and the local: Vol. Ashgate popular and folk music series. Ashgate.
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Jacques Vassal. (1980). La chanson bretonne: Vol. Rock&folk. A. Michel.
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Jane F. Fulcher. (1987). The nation’s image: French grand opera as politics and politicized art. Cambridge University Press.
Jane F. Fulcher. (2011). The Oxford handbook of the new cultural history of music [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195341867.001.0001
Jean-Bernard Cahours d’Aspry. (2000). Joseph Canteloube (1879-1957): chantre d’Auvergne et d’ailleurs: Vol. Series: Carré musique. Séguier.
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John Storey. (2009). Cultural theory and popular culture: an introduction (5th ed) [Electronic resource]. Pearson Longman. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781408241578
José-Louis Bocquet & Philippe Pierre-Adolphe. (1997). Rap ta France: Vol. Series: Document (J’ai lu). Éditions J’ai lu.
Joseph Canteloube. (1983). Chants d’Auvergne: Vol.1: Series 1-3 [Sound recording]. Decca.
Joyce M.H. Reid (Ed.). (1976). The concise Oxford dictionary of French literature. Oxford University Press.
Judith Ann Peraino. (2011). Giving voice to love: song and self-expression from the troubadours to Guillaume de Machaut [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199757244.001.0001
Karin van Nieuwkerk. (2012). Muslim rap, halal soaps, and revolutionary theater: artistic developments in the Muslim world. University of Texas Press.
Keith Negus. (1996). Popular music in theory: an introduction. Polity Press in association with Blackwell Publishers.
Kevin Brownlee. (1984). Poetic identity in Guillaume de Machaut. University of Wisconsin Press.
Lars Eckstein. (2010a). Reading song lyrics: Vol. Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Editions Rodopi.
Lars Eckstein. (2010b). Reading song lyrics: Vol. Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Editions Rodopi.
Laura Mason. (1996). Singing the French Revolution: popular culture and politics, 1787-1799 [Electronic resource]. Cornell University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08361
Laurence De Looze. (1997). Pseudo-autobiography in the fourteenth century: Juan Ruiz, Guillaume de Machaut, Jean Froissart, and Geoffrey Chaucer. University Press of Florida.
Longhurst, B., & Bogdanović, D. (2014). Popular music and society (Third Edition). Polity Press.
Mark Chinca and Christopher Young (Ed.). (2005). Orality and literacy in the Middle Ages: essays on a conjunction and its consequences in honour of D.H. Green: Vol. Series: Utrecht studies in medieval literacy. Brepols.
Mathias Vicherat. (2001). Pour une analyse textuelle du rap français: Vol. Series: Collection Univers musical. Harmattan.
Mehmet Şiray. (2009). Performance and performativity: Vol. Series: Europäische Hochschulschriften. Reihe XX, Philosophie. Peter Lang.
Oxford reference online (Premium collection). (2002). [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://www.oxfordreference.com/
Patricia M. E. Lorcin (Ed.). (2006). Algeria & France, 1800-2000: identity, memory, nostalgia: Vol. Series: Modern intellectual and political history of the Middle East. Syracuse University Press.
Peter Bailey (Ed.). (1986). Music hall: the business of pleasure: Vol. Series: Popular music in Britain [Electronic resource]. Open University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.00972
Peter Cogman. (1992). Mérimée, Colomba and Carmen: Vol. Series: Critical guides to French texts. Grant & Cutler.
Peter France (Ed.). (1995). The new Oxford companion to literature in French. Clarendon Press.
Pierre Nora. (1996a). Realms of memory: rethinking the French past: Vol. Series: European perspectives (edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer, Ed.). Columbia University Press.
Pierre Nora. (1996b). Realms of memory: rethinking the French past: Vol. Series: European perspectives (edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer, Ed.). Columbia University Press.
Preminger, O., Kleiner, H., Hammerstein, O., Bizet, G., Belafonte, H., Dandridge, D., Bailey, P., James, O., Adams, J., Stewart, N., Glenn, R., Carroll, D., Leavitt, S., Nyberg, M. A., & Twentieth Century Fox Home Entertainment Italia. (2007). Carmen Jones [Videorecording]. Twentieth Century Fox Home Entertainment Italia. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00095AB8%3Fbcast%3D132062619
Prosper Mérimée & A. Prévost. (1929). Manon Lescaut. Carmen: Vol. Series: Everyman’s library. Dent.
Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt (Ed.). (1991b). The union of words and music in medieval poetry. University of Texas Press.
Roger Boutry et al. (1988). Révolution française: ‘La Marseillaise’ [Sound recording]. EMI.
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Roy Shuker. (2012). Popular music culture: the key concepts: Vol. Series: Routledge key guides (3rd ed). Routledge.
Roy Shuker. (2013). Understanding popular music culture (4th ed). Routledge.
Russell A. Potter. (1995). Spectacular vernaculars: hip-hop and the politics of postmodernism: Vol. Series: SUNY series in postmodern culture. State University of New York Press.
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Sheila Perry and Máire Cross (Ed.). (1997). Voices of France: social, political, and cultural identity. Pinter.
Simon Gaunt and Sarah Kay (Ed.). (2008b). The Cambridge Companion to Medieval French Literature: Vol. Series: Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521861755
The Opera libretto library: the authentic texts of the German, French, and Italian operas with music of the principal airs, with the complete English and German, French, or Italian parallel texts (Avenel 1980 ed). (1980). Avenel Books.
Theodore Karp. (2013). Aspects of Orality and Formularity in Gregorian Chant. Northwestern University Press.
Tim Wall. (2013). Studying popular music culture (2nd ed). SAGE.
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Timothy Baycroft. (2008b). France: Vol. Series: Inventing the nation. Hodder Education.
Tony Mitchell. (1996). Popular music and local identity: rock, pop and rap in Europe and Oceania. Leicester University Press.
Tony Mitchell (Ed.). (2001). Global noise: rap and hip-hop outside the USA: Vol. Series: Music/culture. Wesleyan University Press.
Victoria Johnson, Jane F. Fulcher, and Thomas Ertman (Ed.). (2007d). Opera and society in Italy and France from Monteverdi to Bourdieu: Vol. Series: Cambridge studies in opera [Electronic resource]. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07565