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Sadie Stanley, editor. Oxford music online. [Basingstoke, England]: : Macmillan 2002. https://www.oxfordmusiconline.com/page/about
2
Peter France, editor. The new Oxford companion to literature in French. Oxford: : Clarendon Press 1995.
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Joyce M.H. Reid, editor. The concise Oxford dictionary of French literature. Oxford: : Oxford University Press 1976.
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Oxford reference online. Premium collection. Oxford: : Oxford University Press 2002. https://ezproxy.lib.gla.ac.uk/login?url=https://www.oxfordreference.com/
5
Roger Boutry et al. Révolution française: ‘La Marseillaise’. 1988.
6
Timothy Baycroft. France. London: : Hodder Education 2008.
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David Avrom Bell. The cult of the nation in France: inventing nationalism, 1680-1800. Cambridge, Mass: : Harvard University Press 2001. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06678
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Laura Mason. Singing the French Revolution: popular culture and politics, 1787-1799. Ithaca: : Cornell University Press 1996. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08361
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Pierre Nora. Realms of memory: rethinking the French past. New York: : Columbia University Press 1996.
10
Fisher M. Party for your right to fight. New Statesman 2010;139.https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A224501280/AONE?u=glasuni&sid=bookmark-AONE&xid=c399267e
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Pierre Nora. Realms of memory: rethinking the French past. New York: : Columbia University Press 1996.
12
Chantal Crozet. Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics 2010;30:131–40. doi:10.1080/07268600903134095
13
Simon Gaunt and Sarah Kay, editor. The Cambridge Companion to Medieval French Literature. Cambridge: : Cambridge University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521861755
14
E. Jane Burns et al, editor. Cultural performances in medieval France: essays in honor of Nancy Freeman Regalado. Woodbrifge: : D.S. Brewer 2007.
15
Butterfield A. Poetry and music in medieval France: from Jean Renart to Guillaume de Machaut. Cambridge: : Cambridge University Press 2002.
16
Judith Ann Peraino. Giving voice to love: song and self-expression from the troubadours to Guillaume de Machaut. New York: : Oxford University Press 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199757244.001.0001
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Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt, editor. The union of words and music in medieval poetry. Austin: : University of Texas Press 1991.
18
Anne Walters Robertson. Guillaume de Machaut and Reims: context and meaning in his musical works. Cambridge: : Cambridge University Press 2002.
19
Kevin Brownlee. Poetic identity in Guillaume de Machaut. Madison, Wis: : University of Wisconsin Press 1984.
20
Gilbert Reaney. Guillaume de Machaut. London: : Oxford University Press 1971.
21
Deborah L. McGrady. Controlling readers: Guillaume de Machaut and his late Medieval audience. Toronto: : University of Toronto Press 2006.
22
Laurence De Looze. Pseudo-autobiography in the fourteenth century: Juan Ruiz, Guillaume de Machaut, Jean Froissart, and Geoffrey Chaucer. Gainesville: : University Press of Florida 1997.
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Guillaume. Motets. ;ECM new series.
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Guillaume de Machaut. Chansons: Vol. 1. ;Series: Reflexe.
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Guillaume de Machaut. Chansons II. ;Series: Reflexe.
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Guillaume de Machaut. The art of Guillaume de Machaut. 1974.
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Elizabeth Eva Leach, editor. Machaut’s music: new interpretations. Woodbridge, Suffolk, UK: : Boydell Press 2003.
28
Guillaume Dufay. Complete secular music. 1981.
29
David Fallows. Dufay. London: : Dent 1982.
30
Mark Chinca and Christopher Young, editor. Orality and literacy in the Middle Ages: essays on a conjunction and its consequences in honour of D.H. Green. Turnhout: : Brepols 2005.
31
Evelyn Birge Vitz. Orality and performance in early French romance. Woodbridge, Suffolk, U.K.: : D.S. Brewer 1999.
32
Theodore Karp. Aspects of Orality and Formularity in Gregorian Chant. Northwestern University Press 2013.
33
A.N. Doane and Carol Braun Pasternack, editor. Vox intexta: orality and textuality in the Middle Ages. Madison, Wis: : University of Wisconsin Press 1991.
34
Eric Alfred Havelock. The muse learns to write: reflections on orality and literacy from antiquity to the present. New Haven, CT: : Yale University Press 1986.
35
Deborah Tannen, editor. Spoken and written language: exploring orality and literacy. Norwood, N.J.: : Ablex 1982.
36
Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, editor. Opera and society in Italy and France from Monteverdi to Bourdieu. Cambridge, UK: : Cambridge University Press 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07565
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Peter Cogman. Mérimée, Colomba and Carmen. London: : Grant & Cutler 1992.
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C. W. Thompson. French romantic travel writing: Chateaubriand to Nerval. Oxford: : Oxford University Press 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199233540.001.0001
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Jane F. Fulcher. The nation’s image: French grand opera as politics and politicized art. Cambridge: : Cambridge University Press 1987.
40
Hervé Lacombe. The keys to French opera in the nineteenth century. Berkeley: : University of California Press 2001.
41
The Opera libretto library: the authentic texts of the German, French, and Italian operas with music of the principal airs, with the complete English and German, French, or Italian parallel texts. Avenel 1980 ed. New York: : Avenel Books 1980.
42
Prosper Mérimée, A. Prévost. Manon Lescaut. Carmen. London: : Dent 1929.
43
Francesco Rosi ; by Georges Bizet ; booklet by Meilhac & Halévy ; screenplay and adaptation, Franceso Rosi and Tonino Guerra. Carmen. 2011.
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Preminger O, Kleiner H, Hammerstein O, et al. Carmen Jones. 2007.https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00095AB8%3Fbcast%3D132062619
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Bizet G, Antonacci AC, Amsellem N, et al. Carmen. 2011.
46
Lars Eckstein. Reading song lyrics. Amsterdam: : Editions Rodopi 2010.
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Mehmet Şiray. Performance and performativity. Frankfurt am Main: : Peter Lang 2009.
48
James Loxley. Performativity. Hoboken: : Taylor and Francis 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=356147
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Canteloube J. Chants d’Auvergne: Songs of the Auvergne.
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Joseph Canteloube. Chants d’Auvergne: Vol.1: Series 1-3. 1983.
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Jean-Bernard Cahours d’Aspry. Joseph Canteloube (1879-1957): chantre d’Auvergne et d’ailleurs. Paris: : Séguier 2000.
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Jacques Vassal. La chanson bretonne. Paris: : A. Michel 1980.
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Peter Bailey, editor. Music hall: the business of pleasure. Milton Keynes, England: : Open University Press 1986. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.00972
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Timothy Baycroft. France. London: : Hodder Education 2008.
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Ian Biddle and Vanessa Knights, editor. Music, national identity and the politics of location: between the global and the local. Aldershot, England: : Ashgate 2007.
56
Chantal Crozet. Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics 2010;30:131–40. doi:10.1080/07268600903134095
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Ron Eyerman, Andrew Jamison. Music and social movements: mobilizing traditions in the twentieth century. Cambridge: : Cambridge University Press 1998.
58
Sharif Gemie. French Muslims: new voices in contemporary France. Cardiff: : University of Wales Press 2010.
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Barbara L. Kelly, editor. French music, culture, and national identity, 1870-1939. Rochester, N.Y.: : University of Rochester Press 2008.
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Edward Lee. Folksong & music hall. London: : Routledge & Kegan Paul 1982.
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Patricia M. E. Lorcin, editor. Algeria & France, 1800-2000: identity, memory, nostalgia. Syracuse, N.Y.: : Syracuse University Press 2006.
62
Tony Mitchell. Popular music and local identity: rock, pop and rap in Europe and Oceania. London: : Leicester University Press 1996.
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Sheila Perry and Máire Cross, editor. Voices of France: social, political, and cultural identity. London: : Pinter 1997.
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Charles Tshimanga, Didier Gondola, and Peter J. Bloom., editor. Frenchness and the African diaspora: identity and uprising in contemporary France. Bloomington: : Indiana University Press 2009.
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Andy Bennett. Popular music and youth culture: music, identity and place. Basingstoke: : Palgrave Macmillan 2000.
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Gerry Bloustien, Margaret Peters, and Susan Luckman, editor. Sonic synergies: music, technology and community, identity. Aldershot, Hants, England: : Ashgate 2007.
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Hugh Dauncey and Steve Cannon, editor. Popular music in France from chanson to techno: culture, identity, and society. Aldershot: : Ashgate 2003.
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Lars Eckstein. Reading song lyrics. Amsterdam: : Editions Rodopi 2010.
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Jane F. Fulcher. The Oxford handbook of the new cultural history of music. New York: : Oxford University Press 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195341867.001.0001
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David Hesmondalgh and Keith Negus, editor. Popular music studies. London: : Arnold 2002.
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Longhurst B, Bogdanović D. Popular music and society. Third Edition. Cambridge: : Polity Press 2014.
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Keith Negus. Popular music in theory: an introduction. Cambridge: : Polity Press in association with Blackwell Publishers 1996.
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Ian Peddie. The resisting muse: popular music and social protest. Aldershot, England: : Ashgate 2006.
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Roy Shuker. Understanding popular music culture. 4th ed. London: : Routledge 2013.
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Roy Shuker. Popular music culture: the key concepts. 3rd ed. London: : Routledge 2012.
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John Storey. Cultural theory and popular culture: an introduction. 5th ed. Harlow, Essex: : Pearson Longman 2009. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781408241578
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Tim Wall. Studying popular music culture. 2nd ed. Los Angeles, Calif: : SAGE 2013.
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Alain-Philippe Durand. Black, blanc, beur: rap music and hip-hop culture in the francophone world. Lanham, Md: : Scarecrow Press 2002.
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Tony Mitchell, editor. Global noise: rap and hip-hop outside the USA. Middletown, Conn: : Wesleyan University Press 2001.
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Karin van Nieuwkerk. Muslim rap, halal soaps, and revolutionary theater: artistic developments in the Muslim world. Austin, Tex: : University of Texas Press 2012.
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Russell A. Potter. Spectacular vernaculars: hip-hop and the politics of postmodernism. Albany: : State University of New York Press 1995.
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José-Louis Bocquet, Philippe Pierre-Adolphe. Rap ta France. [Paris?]: : Éditions J’ai lu 1997.
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Anthony Pecqueux. Voix du rap: essai de sociologie de l’action musicale. Paris: : Harmattan 2007.
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Jean-Claude Perrier. Le rap français: anthologie. Paris: : Table ronde 2000.
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Mathias Vicherat. Pour une analyse textuelle du rap français. Paris: : Harmattan 2001.