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Oxford reference online [Internet]. Premium collection. Oxford: Oxford University Press; 2002. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.oxfordreference.com/
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Roger Boutry et al. Révolution française: ‘La Marseillaise’. [S.l.]: EMI; 1988.
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Timothy Baycroft. France. London: Hodder Education; 2008.
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David Avrom Bell. The cult of the nation in France: inventing nationalism, 1680-1800 [Internet]. Cambridge, Mass: Harvard University Press; 2001. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06678
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Laura Mason. Singing the French Revolution: popular culture and politics, 1787-1799 [Internet]. Ithaca: Cornell University Press; 1996. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08361
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Pierre Nora. Realms of memory: rethinking the French past. edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer, editor. New York: Columbia University Press; 1996.
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Fisher M. Party for your right to fight. New Statesman [Internet]. 2010;139(4994). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A224501280/AONE?u=glasuni&sid=bookmark-AONE&xid=c399267e
11.
Pierre Nora. Realms of memory: rethinking the French past. edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer, editor. New York: Columbia University Press; 1996.
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Chantal Crozet. Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics. 2010 Jan;30(1):131–140.
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Simon Gaunt and Sarah Kay, editor. The Cambridge Companion to Medieval French Literature [Internet]. Cambridge: Cambridge University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521861755
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E. Jane Burns et al, editor. Cultural performances in medieval France: essays in honor of Nancy Freeman Regalado. Woodbrifge: D.S. Brewer; 2007.
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Butterfield A. Poetry and music in medieval France: from Jean Renart to Guillaume de Machaut. Cambridge: Cambridge University Press; 2002.
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Judith Ann Peraino. Giving voice to love: song and self-expression from the troubadours to Guillaume de Machaut [Internet]. New York: Oxford University Press; 2011. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199757244.001.0001
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Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt, editor. The union of words and music in medieval poetry. Austin: University of Texas Press; 1991.
18.
Anne Walters Robertson. Guillaume de Machaut and Reims: context and meaning in his musical works. Cambridge: Cambridge University Press; 2002.
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Kevin Brownlee. Poetic identity in Guillaume de Machaut. Madison, Wis: University of Wisconsin Press; 1984.
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Gilbert Reaney. Guillaume de Machaut. London: Oxford University Press; 1971.
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Deborah L. McGrady. Controlling readers: Guillaume de Machaut and his late Medieval audience. Toronto: University of Toronto Press; 2006.
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Laurence De Looze. Pseudo-autobiography in the fourteenth century: Juan Ruiz, Guillaume de Machaut, Jean Froissart, and Geoffrey Chaucer. Gainesville: University Press of Florida; 1997.
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Guillaume. Motets. München: ECM Records;
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Guillaume de Machaut. Chansons: Vol. 1. Köln: EMI;
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Guillaume de Machaut. The art of Guillaume de Machaut. Paris: Arion; 1974.
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Elizabeth Eva Leach, editor. Machaut’s music: new interpretations. Woodbridge, Suffolk, UK: Boydell Press; 2003.
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Guillaume Dufay. Complete secular music. London: Editions de L’Oiseau-Lyre; 1981.
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David Fallows. Dufay. London: Dent; 1982.
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Mark Chinca and Christopher Young, editor. Orality and literacy in the Middle Ages: essays on a conjunction and its consequences in honour of D.H. Green. Turnhout: Brepols; 2005.
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Evelyn Birge Vitz. Orality and performance in early French romance. Woodbridge, Suffolk, U.K.: D.S. Brewer; 1999.
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Theodore Karp. Aspects of Orality and Formularity in Gregorian Chant. Northwestern University Press; 2013.
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A.N. Doane and Carol Braun Pasternack, editor. Vox intexta: orality and textuality in the Middle Ages. Madison, Wis: University of Wisconsin Press; 1991.
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Eric Alfred Havelock. The muse learns to write: reflections on orality and literacy from antiquity to the present. New Haven, CT: Yale University Press; 1986.
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Deborah Tannen, editor. Spoken and written language: exploring orality and literacy. Norwood, N.J.: Ablex; 1982.
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Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, editor. Opera and society in Italy and France from Monteverdi to Bourdieu [Internet]. Cambridge, UK: Cambridge University Press; 2007. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07565
37.
Peter Cogman. Mérimée, Colomba and Carmen. London: Grant & Cutler; 1992.
38.
C. W. Thompson. French romantic travel writing: Chateaubriand to Nerval [Internet]. Oxford: Oxford University Press; 2012. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199233540.001.0001
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Jane F. Fulcher. The nation’s image: French grand opera as politics and politicized art. Cambridge: Cambridge University Press; 1987.
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Hervé Lacombe. The keys to French opera in the nineteenth century. Berkeley: University of California Press; 2001.
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The Opera libretto library: the authentic texts of the German, French, and Italian operas with music of the principal airs, with the complete English and German, French, or Italian parallel texts. Avenel 1980 ed. New York: Avenel Books; 1980.
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Prosper Mérimée, A. Prévost. Manon Lescaut. Carmen. London: Dent; 1929.
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Francesco Rosi ; by Georges Bizet ; booklet by Meilhac & Halévy ; screenplay and adaptation, Franceso Rosi and Tonino Guerra. Carmen. Restored ed. [United Kingdom]: Second Sight; 2011.
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Preminger O, Kleiner H, Hammerstein O, Bizet G, Belafonte H, Dandridge D, Bailey P, James O, Adams J, Stewart N, Glenn R, Carroll D, Leavitt S, Nyberg MA, Twentieth Century Fox Home Entertainment Italia. Carmen Jones [Internet]. Milano: Twentieth Century Fox Home Entertainment Italia; 2007. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00095AB8%3Fbcast%3D132062619
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Bizet G, Antonacci AC, Amsellem N, Kaufmann J, D’Arcangelo I, Pappano A, Zambello F, McCallin T, Constable P, Pita A, Haswell J, Royal Opera House (London, England), BBC Video (Firm), Decca Record Company. Carmen. [London]: Decca; 2011.
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Lars Eckstein. Reading song lyrics. Amsterdam: Editions Rodopi; 2010.
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Mehmet Şiray. Performance and performativity. Frankfurt am Main: Peter Lang; 2009.
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James Loxley. Performativity [Internet]. Hoboken: Taylor and Francis; 2006. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=356147
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Canteloube J. Chants d’Auvergne: Songs of the Auvergne. [Paris]: Erato;
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Joseph Canteloube. Chants d’Auvergne: Vol.1: Series 1-3. London: Decca; 1983.
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Jean-Bernard Cahours d’Aspry. Joseph Canteloube (1879-1957): chantre d’Auvergne et d’ailleurs. Paris: Séguier; 2000.
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Jacques Vassal. La chanson bretonne. Paris: A. Michel; 1980.
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Peter Bailey, editor. Music hall: the business of pleasure [Internet]. Milton Keynes, England: Open University Press; 1986. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.00972
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Timothy Baycroft. France. London: Hodder Education; 2008.
55.
Ian Biddle and Vanessa Knights, editor. Music, national identity and the politics of location: between the global and the local. Aldershot, England: Ashgate; 2007.
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Chantal Crozet. Centrality of Text, and Discourse Strategies in French Political Songs. Australian Journal of Linguistics. 2010 Jan;30(1):131–140.
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Ron Eyerman, Andrew Jamison. Music and social movements: mobilizing traditions in the twentieth century. Cambridge: Cambridge University Press; 1998.
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Sharif Gemie. French Muslims: new voices in contemporary France. Cardiff: University of Wales Press; 2010.
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Barbara L. Kelly, editor. French music, culture, and national identity, 1870-1939. Rochester, N.Y.: University of Rochester Press; 2008.
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Edward Lee. Folksong & music hall. London: Routledge & Kegan Paul; 1982.
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Patricia M. E. Lorcin, editor. Algeria & France, 1800-2000: identity, memory, nostalgia. Syracuse, N.Y.: Syracuse University Press; 2006.
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Tony Mitchell. Popular music and local identity: rock, pop and rap in Europe and Oceania. London: Leicester University Press; 1996.
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Sheila Perry and Máire Cross, editor. Voices of France: social, political, and cultural identity. London: Pinter; 1997.
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Charles Tshimanga, Didier Gondola, and Peter J. Bloom., editor. Frenchness and the African diaspora: identity and uprising in contemporary France. Bloomington: Indiana University Press; 2009.
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Andy Bennett. Popular music and youth culture: music, identity and place. Basingstoke: Palgrave Macmillan; 2000.
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Gerry Bloustien, Margaret Peters, and Susan Luckman, editor. Sonic synergies: music, technology and community, identity. Aldershot, Hants, England: Ashgate; 2007.
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Hugh Dauncey and Steve Cannon, editor. Popular music in France from chanson to techno: culture, identity, and society. Aldershot: Ashgate; 2003.
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Lars Eckstein. Reading song lyrics. Amsterdam: Editions Rodopi; 2010.
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Jane F. Fulcher. The Oxford handbook of the new cultural history of music [Internet]. New York: Oxford University Press; 2011. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195341867.001.0001
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David Hesmondalgh and Keith Negus, editor. Popular music studies. London: Arnold; 2002.
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Longhurst B, Bogdanović D. Popular music and society. Third Edition. Cambridge: Polity Press; 2014.
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Keith Negus. Popular music in theory: an introduction. Cambridge: Polity Press in association with Blackwell Publishers; 1996.
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Ian Peddie. The resisting muse: popular music and social protest. Aldershot, England: Ashgate; 2006.
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Roy Shuker. Understanding popular music culture. 4th ed. London: Routledge; 2013.
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Roy Shuker. Popular music culture: the key concepts. 3rd ed. London: Routledge; 2012.
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John Storey. Cultural theory and popular culture: an introduction [Internet]. 5th ed. Harlow, Essex: Pearson Longman; 2009. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781408241578
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Tim Wall. Studying popular music culture. 2nd ed. Los Angeles, Calif: SAGE; 2013.
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Alain-Philippe Durand. Black, blanc, beur: rap music and hip-hop culture in the francophone world. Lanham, Md: Scarecrow Press; 2002.
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Tony Mitchell, editor. Global noise: rap and hip-hop outside the USA. Middletown, Conn: Wesleyan University Press; 2001.
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Karin van Nieuwkerk. Muslim rap, halal soaps, and revolutionary theater: artistic developments in the Muslim world. Austin, Tex: University of Texas Press; 2012.
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Russell A. Potter. Spectacular vernaculars: hip-hop and the politics of postmodernism. Albany: State University of New York Press; 1995.
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José-Louis Bocquet, Philippe Pierre-Adolphe. Rap ta France. [Paris?]: Éditions J’ai lu; 1997.
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Anthony Pecqueux. Voix du rap: essai de sociologie de l’action musicale. Paris: Harmattan; 2007.
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Jean-Claude Perrier. Le rap français: anthologie. Paris: Table ronde; 2000.
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Mathias Vicherat. Pour une analyse textuelle du rap français. Paris: Harmattan; 2001.