Alain-Philippe Durand. 2002. Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World. Lanham, Md: Scarecrow Press.
A.N. Doane and Carol Braun Pasternack, ed. 1991a. Vox Intexta: Orality and Textuality in the Middle Ages. Madison, Wis: University of Wisconsin Press.
Andy Bennett. 2000. Popular Music and Youth Culture: Music, Identity and Place. Basingstoke: Palgrave Macmillan.
Anne Walters Robertson. 2002. Guillaume de Machaut and Reims: Context and Meaning in His Musical Works. Cambridge: Cambridge University Press.
Anthony Pecqueux. 2007. Voix Du Rap: Essai de Sociologie de l’action Musicale. Vol. Series: Anthropologie du monde occidental. Paris: Harmattan.
Barbara L. Kelly, ed. 2008a. French Music, Culture, and National Identity, 1870-1939. Vol. Series: Eastman studies in music. Rochester, N.Y.: University of Rochester Press.
Bizet, Georges, Anna Caterina Antonacci, Norah Amsellem, Jonas Kaufmann, Ildebrando D’Arcangelo, Antonio Pappano, Francesca Zambello, et al. 2011. ‘Carmen’. Videorecording. [London]: Decca.
Butterfield, Ardis. 2002. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Vol. Series: Cambridge studies in medieval literature. Cambridge: Cambridge University Press.
C. W. Thompson. 2012. French Romantic Travel Writing: Chateaubriand to Nerval. Electronic resource. Oxford: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199233540.001.0001.
Canteloube, Joseph. n.d. ‘Chants d’Auvergne: Songs of the Auvergne’. Sound recording. [Paris]: Erato.
Chantal Crozet. 2010a. ‘Centrality of Text, and Discourse Strategies in French Political Songs’. Australian Journal of Linguistics 30 (1): 131–40. https://doi.org/10.1080/07268600903134095.
———. 2010b. ‘Centrality of Text, and Discourse Strategies in French Political Songs’. Australian Journal of Linguistics 30 (1): 131–40. https://doi.org/10.1080/07268600903134095.
Charles Tshimanga, Didier Gondola, and Peter J. Bloom., ed. 2009. Frenchness and the African Diaspora: Identity and Uprising in Contemporary France. Bloomington: Indiana University Press.
David Avrom Bell. 2001. The Cult of the Nation in France: Inventing Nationalism, 1680-1800. Electronic resource. Cambridge, Mass: Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06678.
David Fallows. 1982. Dufay. Vol. Series: The master musicians. London: Dent.
David Hesmondalgh and Keith Negus, ed. 2002a. Popular Music Studies. London: Arnold.
Deborah L. McGrady. 2006. Controlling Readers: Guillaume de Machaut and His Late Medieval Audience. Vol. Series: Studies in book and print culture. Toronto: University of Toronto Press.
Deborah Tannen, ed. 1982. Spoken and Written Language: Exploring Orality and Literacy. Vol. Series: Advances in discourse processes. Norwood, N.J.: Ablex.
E. Jane Burns et al, ed. 2007a. Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado. Vol. Series: Gallica. Woodbrifge: D.S. Brewer.
Edward Lee. 1982. Folksong & Music Hall. Vol. Series: Routledge popular music. London: Routledge & Kegan Paul.
Elizabeth Eva Leach, ed. 2003a. Machaut’s Music: New Interpretations. Vol. Series: Studies in medieval and Renaissance music. Woodbridge, Suffolk, UK: Boydell Press.
Eric Alfred Havelock. 1986. The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present. New Haven, CT: Yale University Press.
Evelyn Birge Vitz. 1999. Orality and Performance in Early French Romance. Woodbridge, Suffolk, U.K.: D.S. Brewer.
Fisher, Mark. 2010. ‘Party for Your Right to Fight’. New Statesman 139 (4994). https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A224501280/AONE?u=glasuni&sid=bookmark-AONE&xid=c399267e.
Francesco Rosi ; by Georges Bizet ; booklet by Meilhac & Halévy ; screenplay and adaptation, Franceso Rosi and Tonino Guerra. 2011. ‘Carmen’. Videorecording. [United Kingdom]: Second Sight.
Gerry Bloustien, Margaret Peters, and Susan Luckman, ed. 2007b. Sonic Synergies: Music, Technology and Community, Identity. Vol. Series: Ashgate popular and folk music series. Aldershot, Hants, England: Ashgate.
Gilbert Reaney. 1971. Guillaume de Machaut. Vol. Series: Oxford studies of composers. London: Oxford University Press.
Guillaume. n.d. ‘Motets’. Sound recording. München: ECM Records.
Guillaume de Machaut. 1974. ‘The Art of Guillaume de Machaut’. Sound recording. Paris: Arion.
———. n.d. ‘Chansons II’. Sound recording. Köln: EMI Classics.
———. n.d. ‘Chansons: Vol. 1’. Sound recording. Köln: EMI.
Guillaume Dufay. 1981. ‘Complete Secular Music’. Sound recording. London: Editions de L’Oiseau-Lyre.
Hervé Lacombe. 2001. The Keys to French Opera in the Nineteenth Century. Berkeley: University of California Press.
Hugh Dauncey and Steve Cannon, ed. 2003b. Popular Music in France from Chanson to Techno: Culture, Identity, and Society. Vol. Series: Ashgate popular and folk music series. Aldershot: Ashgate.
Ian Biddle and Vanessa Knights, ed. 2007c. Music, National Identity and the Politics of Location: Between the Global and the Local. Vol. Ashgate popular and folk music series. Aldershot, England: Ashgate.
Ian Peddie. 2006. The Resisting Muse: Popular Music and Social Protest. Vol. Series: Ashgate popular and folk music series. Aldershot, England: Ashgate.
Jacques Vassal. 1980. La Chanson Bretonne. Vol. Rock&folk. Paris: A. Michel.
James Loxley. 2006. Performativity. Vol. Series: The New Critical Idiom. Hoboken: Taylor and Francis. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=356147.
Jane F. Fulcher. 1987. The Nation’s Image: French Grand Opera as Politics and Politicized Art. Cambridge: Cambridge University Press.
———. 2011. The Oxford Handbook of the New Cultural History of Music. Electronic resource. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195341867.001.0001.
Jean-Bernard Cahours d’Aspry. 2000. Joseph Canteloube (1879-1957): Chantre d’Auvergne et d’ailleurs. Vol. Series: Carré musique. Paris: Séguier.
Jean-Claude Perrier. 2000. Le Rap Français: Anthologie. Vol. Series: Petite vermillon. Paris: Table ronde.
John Storey. 2009. Cultural Theory and Popular Culture: An Introduction. Electronic resource. 5th ed. Harlow, Essex: Pearson Longman. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781408241578.
José-Louis Bocquet and Philippe Pierre-Adolphe. 1997. Rap Ta France. Vol. Series: Document (J’ai lu). [Paris?]: Éditions J’ai lu.
Joseph Canteloube. 1983. ‘Chants d’Auvergne: Vol.1: Series 1-3’. Sound recording. London: Decca.
Joyce M.H. Reid, ed. 1976. The Concise Oxford Dictionary of French Literature. Oxford: Oxford University Press.
Judith Ann Peraino. 2011. Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut. Electronic resource. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199757244.001.0001.
Karin van Nieuwkerk. 2012. Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World. Austin, Tex: University of Texas Press.
Keith Negus. 1996. Popular Music in Theory: An Introduction. Cambridge: Polity Press in association with Blackwell Publishers.
Kevin Brownlee. 1984. Poetic Identity in Guillaume de Machaut. Madison, Wis: University of Wisconsin Press.
Lars Eckstein. 2010a. Reading Song Lyrics. Vol. Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Editions Rodopi.
———. 2010b. Reading Song Lyrics. Vol. Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Editions Rodopi.
Laura Mason. 1996. Singing the French Revolution: Popular Culture and Politics, 1787-1799. Electronic resource. Ithaca: Cornell University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08361.
Laurence De Looze. 1997. Pseudo-Autobiography in the Fourteenth Century: Juan Ruiz, Guillaume de Machaut, Jean Froissart, and Geoffrey Chaucer. Gainesville: University Press of Florida.
Longhurst, Brian, and Danijela Bogdanović. 2014. Popular Music and Society. Third Edition. Cambridge: Polity Press.
Mark Chinca and Christopher Young, ed. 2005. Orality and Literacy in the Middle Ages: Essays on a Conjunction and Its Consequences in Honour of D.H. Green. Vol. Series: Utrecht studies in medieval literacy. Turnhout: Brepols.
Mathias Vicherat. 2001. Pour Une Analyse Textuelle Du Rap Français. Vol. Series: Collection Univers musical. Paris: Harmattan.
Mehmet Şiray. 2009. Performance and Performativity. Vol. Series: Europäische Hochschulschriften. Reihe XX, Philosophie. Frankfurt am Main: Peter Lang.
Oxford Reference Online. 2002. Electronic resource. Premium collection. Oxford: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://www.oxfordreference.com/.
Patricia M. E. Lorcin, ed. 2006. Algeria & France, 1800-2000: Identity, Memory, Nostalgia. Vol. Series: Modern intellectual and political history of the Middle East. Syracuse, N.Y.: Syracuse University Press.
Peter Bailey, ed. 1986. Music Hall: The Business of Pleasure. Electronic resource. Vol. Series: Popular music in Britain. Milton Keynes, England: Open University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.00972.
Peter Cogman. 1992. Mérimée, Colomba and Carmen. Vol. Series: Critical guides to French texts. London: Grant & Cutler.
Peter France, ed. 1995. The New Oxford Companion to Literature in French. Oxford: Clarendon Press.
Pierre Nora. 1996a. Realms of Memory: Rethinking the French Past. Edited by edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer. Vol. Series: European perspectives. New York: Columbia University Press.
———. 1996b. Realms of Memory: Rethinking the French Past. Edited by edited and with a foreword by Lawrence D. Kritzman ; translated by Arthur Goldhammer. Vol. Series: European perspectives. New York: Columbia University Press.
Preminger, Otto, Harry Kleiner, Oscar Hammerstein, Georges Bizet, Harry Belafonte, Dorothy Dandridge, Pearl Bailey, et al. 2007. ‘Carmen Jones’. Videorecording. Milano: Twentieth Century Fox Home Entertainment Italia. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00095AB8%3Fbcast%3D132062619.
Prosper Mérimée and A. Prévost. 1929. Manon Lescaut. Carmen. Vol. Series: Everyman’s library. London: Dent.
Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt, ed. 1991b. The Union of Words and Music in Medieval Poetry. Austin: University of Texas Press.
Roger Boutry et al. 1988. ‘Révolution Française: “La Marseillaise”’. Sound recording. [S.l.]: EMI.
Ron Eyerman and Andrew Jamison. 1998. Music and Social Movements: Mobilizing Traditions in the Twentieth Century. Vol. Series: Cambridge cultural social studies. Cambridge: Cambridge University Press.
Roy Shuker. 2012. Popular Music Culture: The Key Concepts. 3rd ed. Vol. Series: Routledge key guides. London: Routledge.
———. 2013. Understanding Popular Music Culture. 4th ed. London: Routledge.
Russell A. Potter. 1995. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Vol. Series: SUNY series in postmodern culture. Albany: State University of New York Press.
Sadie Stanley, ed. 2002b. Oxford Music Online. Electronic resource. [Basingstoke, England]: Macmillan. https://www.oxfordmusiconline.com/page/about.
Sharif Gemie. 2010. French Muslims: New Voices in Contemporary France. Vol. Series: French and francophone studies. Cardiff: University of Wales Press.
Sheila Perry and Máire Cross, ed. 1997. Voices of France: Social, Political, and Cultural Identity. London: Pinter.
Simon Gaunt and Sarah Kay, ed. 2008b. The Cambridge Companion to Medieval French Literature. Electronic resource. Vol. Series: Cambridge Companions to Literature. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521861755.
The Opera Libretto Library: The Authentic Texts of the German, French, and Italian Operas with Music of the Principal Airs, with the Complete English and German, French, or Italian Parallel Texts. 1980. Avenel 1980 ed. New York: Avenel Books.
Theodore Karp. 2013. Aspects of Orality and Formularity in Gregorian Chant. Northwestern University Press.
Tim Wall. 2013. Studying Popular Music Culture. 2nd ed. Los Angeles, Calif: SAGE.
Timothy Baycroft. 2008a. France. Vol. Series: Inventing the nation. London: Hodder Education.
———. 2008b. France. Vol. Series: Inventing the nation. London: Hodder Education.
Tony Mitchell. 1996. Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania. London: Leicester University Press.
———, ed. 2001. Global Noise: Rap and Hip-Hop Outside the USA. Vol. Series: Music/culture. Middletown, Conn: Wesleyan University Press.
Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, ed. 2007d. Opera and Society in Italy and France from Monteverdi to Bourdieu. Electronic resource. Vol. Series: Cambridge studies in opera. Cambridge, UK: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07565.
