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Skam, Season 1, Episode 1, English Subtitles. https://www.dailymotion.com/video/x6ngh5u
2.
Skam, Season 1, Episode 2, English Subtitles. https://www.dailymotion.com/video/x6bvn9w
3.
Awkward Black Girl | Episode 1 - The Stop Sign. http://www.awkwardblackgirl.com/season-1/episode-1
4.
Awkward Black Girl | Episode 2 - The Job. http://www.awkwardblackgirl.com/season-1/episode-2
5.
Awkward Black Girl | Episode 3 - The Hallway. http://www.awkwardblackgirl.com/season-1/episode-3
6.
Awkward Black Girl | Episode 4 - The Icebreaker. http://www.awkwardblackgirl.com/season-1/episode-4
7.
Awkward Black Girl | Episode 5 - The Dance. http://www.awkwardblackgirl.com/season-1/episode-5
8.
How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube. https://www.youtube.com/watch?v=dZPY14u71mA
9.
Fashion and Beauty | Pls Like - Episode 2 - YouTube. https://www.youtube.com/watch?v=-3d7JPqEXws
10.
BBC - The Social, The Response to Blair’s Story. https://www.bbc.co.uk/programmes/p06kgc1v
11.
BBC - The Social, The Joys Of Family Life | Planet Janet. https://www.bbc.co.uk/programmes/p06c4vm9
12.
BBC - The Social, Marjolein Robertson | BBC The Social Short Stuff’s COMEDY BATTLE. https://www.bbc.co.uk/programmes/p06j5j5g
13.
BBC - The Social, I Got My Own House Elf! https://www.bbc.co.uk/programmes/p06h3jk4
14.
Creeber G. It’s not TV, it’s online drama: The return of the intimate screen. International Journal of Cultural Studies. 2011;14(6):591-606. doi:10.1177/1367877911402589
15.
Arnold S. It’s Not all Content: Television as Television in Industry and Education. Published 2015. http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/
16.
Jenkins H. The Cultural Logic of Media Convergence. International Journal of Cultural Studies. 2004;7(1):33-43. doi:10.1177/1367877904040603
17.
Bennett J, Strange N, eds. Television as Digital Media. Vol Console-ing Passions. Duke University Press; 2011. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
18.
Shooting Stars. Published 1928. https://www.imdb.com/title/tt0018392/
19.
Mabel at the Wheel (1914). https://www.youtube.com/watch?v=Rk_yg4ZQn3U
20.
Street S. British Cinema in Documents. Routledge; 2000.
21.
Gledhill C. Reframing British Cinema, 1918-1928: Between Restraint and Passion. British Film Institute; 2003. https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099
22.
‘Shooting Stars’: Mr. Anthony Asquith’s First Film. The Manchester Guardian. Published online 3 February 1928. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540
23.
Morgan C. Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale. New York Times. Published online 4 March 1928. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540
24.
Hutchinson P. ‘This slapstick looks ridiculous in the making’: when silent movies went meta. Published 5 October 2015. https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith
25.
Harrison R. Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-ray and DVD. Published 19 May 2016. http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd
26.
The Angels’ Share (2012). https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227
27.
Donald J, Renov M, eds. The Sage Handbook of Film Studies. SAGE; 2008. http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027
28.
Mazierska E. Contemporary Cinema and Neoliberal Ideology. (Kristensen LLF, ed.). Routledge; 2018. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076
29.
Au revoir Taipei. Published 2010. https://www.imdb.com/title/tt1291125/
30.
Dennison S, Lim SH. Remapping World Cinema: Identity, Culture and Politics in Film. Wallflower; 2006.
31.
Thomas R. Indian Cinema: Pleasures and Popularity. Screen. 1985;26(3-4):116-131. doi:10.1093/screen/26.3-4.116
32.
Shohat E, Stam R. Unthinking Eurocentrism: Multiculturalism and the Media. Vol Sightlines. Second edition. Routledge; 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455
33.
Martin-Jones D. Deleuze and World Cinemas: Transworld Cinema/Transworld Deleuze. Continuum International Publishing Group; 2011. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201
34.
Nagib L, Bloomsbury (Firm). World Cinema and the Ethics of Realism. Continuum; 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections
35.
McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan. https://www.youtube.com/watch?v=s6cXeNDCy-k
36.
Kittler FA. Gramophone, Film, Typewriter. Vol Writing science. Stanford University Press; 1999.
37.
Parikka J. What Is Media Archaeology? Polity Press; 2012. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391
38.
ProQuest (Firm). Media Archaeology: Approaches, Applications, and Implications. (Huhtamo E, Parikka J, eds.). University of California Press; 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730
39.
What Makes a Video Essay Great? - Kevin B Lee. https://vimeo.com/199577445
40.
Elements of the Essay Film on Vimeo. Published online 26 March 2014. https://vimeo.com/90150897
41.
Pass the Salt - Christian Keathley. https://vimeo.com/23266798
42.
TRANSFORMERS: THE PREMAKE (complete version) - Kevin B Lee. https://www.youtube.com/watch?v=dD3K1eWXI54
43.
Necsus | Film studies in the groove? Rhythmising perception in Carnal Locomotive - Catherine Grant. https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/
44.
McGoff J. Women’s Time-Image | [in]Transition. http://mediacommons.org/intransition/2018/04/30/womens-time-image
45.
de Fren A. Fembot in a Red Dress | [in]Transition. http://mediacommons.org/intransition/fembot-red-dress
46.
Necsus | Videographic scene analyses, part 1. https://necsus-ejms.org/videographic-scene-analyses-part-1/
47.
Clayton A, Klevan A, eds. The Language and Style of Film Criticism. Routledge; 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088
48.
Kiss M, van den Berg T. Film Studies in Motion: From Audiovisual Essay to Academic Research. http://scalar.usc.edu/works/film-studies-in-motion/index
49.
Sherlock (2013): Season 3 Episode 1 - The Empty Hearse. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829
50.
‘America’s Next Top Model’ The Girl Who Gets Pwn’d (TV Episode. Published online 2012. https://www.dailymotion.com/video/x3gnjfr
51.
Johnson D. INVITING AUDIENCES IN. New Review of Film and Television Studies. 2007;5(1):61-80. doi:10.1080/17400300601140183
52.
Caldwell JT, Everett A, eds. New Media: Theories and Practices of Digitextuality. Routledge; 2015. http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442
53.
Hills M. FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF. New Review of Film and Television Studies. 2007;5(1):41-60. doi:10.1080/17400300601140167
54.
Jenkins H. Convergence Culture: Where Old and New Media Collide. New York University Press; 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
55.
Doctor Who (1963) - An Unearthly Child: Part One. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535
56.
Doctor Who (2014) - World Enough and Time. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275
57.
Doctor Who (2014) - The Doctor Falls. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039
58.
Ellis J. Seeing Things: Television in the Age of Uncertainty. I.B. Tauris; 2000. https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099
59.
Mittell, Jason. Narrative Complexity in Contemporary American Television. Velvet Light Trap.:29-40. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon
60.
Ghostwatch. Published 1992. https://www.imdb.com/title/tt0200659/
61.
Bite Back on Ghostwatch (Part 1) - YouTube. https://www.youtube.com/watch?v=UUyhN-gq8xk
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Bite Back on Ghostwatch (Part 2) - YouTube. https://www.youtube.com/watch?v=vgrI5ZRuKdc
63.
Spigel L. Make Room for TV: Television and the Family Ideal in Postwar America. University of Chicago Press; 1992. http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240
64.
Sconce J. Haunted Media: Electronic Presence from Telegraphy to Television. Vol Console-ing passions. Duke University Press; 2000. https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099
65.
Steward T, Zborowski J. (G)hosting Television: Ghostwatch and its Medium. Journal of British Cinema and Television. 2014;11(2-3):189-212. doi:10.3366/jbctv.2014.0203
66.
McCarthy A, American Council of Learned Societies. Ambient Television: Visual Culture and Public Space. Duke University Press; 2001. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241
67.
Modern Times (1936). https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776
68.
Fantômas: In the Shadow of the Guillotine. Published 1913. https://www.imdb.com/title/tt0002844/
69.
Maltby R, Stokes M, Allen RC. Going to the Movies: Hollywood and the Social Experience of Cinema. University of Exeter Press; 2007. https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099
70.
Wiley Online Library (Online service). Explorations in New Cinema History: Approaches and Case Studies. (Maltby R, Biltereyst D, Meers P, eds.). Wiley-Blackwell; 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416
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Rushton R. Early, classical and modern cinema: absorption and theatricality. Screen. 2004;45(3):226-244. doi:10.1093/screen/45.3.226
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Cannadine D. History and the Media. Palgrave Macmillan; 2004. https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099
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Cannadine D. History and the Media. Palgrave Macmillan; 2004. https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099
74.
Bell E, Gray A. Televising History: Mediating the Past in Postwar Europe. Palgrave Macmillan; 2010. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205
75.
Macdonald M. Performing memory on television: documentary and the 1960s. Screen. 2006;47(3):327-345. doi:10.1093/screen/hjl025
76.
Jensen KB, ed. A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies. Second edition. Routledge; 2012. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225
77.
Szczepanik P, Vonderau P. Behind the Screen: Inside European Production Cultures. Palgrave Macmillan; 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187
78.
Paterson C, Lee D, Saha A, Zoellner A, eds. Advancing Media Production Research: Shifting Sites, Methods, and Politics. Vol Global transformations in media and communication research. Palgrave Macmillan; 2016. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949
79.
Morley D. Unanswered Questions in Audience Research. The Communication Review. 2006;9(2):101-121. doi:10.1080/10714420600663286
80.
Geraghty C, Lusted D. The Television Studies Book. Arnold; 1998. https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099
81.
Bordwell D, Thompson K, Smith J. Film Art: An Introduction. 10th international ed. McGraw-Hill; 2013. https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099
82.
Lury K. Interpreting Television. Hodder Arnold; 2005. https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099
83.
Berridge S. Serialised Sexual Violence in Teen Television Drama Series.; 2010. https://theses.gla.ac.uk/2326/
84.
Deamer D. Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility. Vol Thinking cinema. Bloomsbury; 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523
