1
Skam, Season 1, Episode 1, English Subtitles. https://www.dailymotion.com/video/x6ngh5u
2
Skam, Season 1, Episode 2, English Subtitles. https://www.dailymotion.com/video/x6bvn9w
3
Awkward Black Girl | Episode 1 - The Stop Sign. http://www.awkwardblackgirl.com/season-1/episode-1
4
Awkward Black Girl | Episode 2 - The Job. http://www.awkwardblackgirl.com/season-1/episode-2
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Awkward Black Girl | Episode 3 - The Hallway. http://www.awkwardblackgirl.com/season-1/episode-3
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Awkward Black Girl | Episode 4 - The Icebreaker. http://www.awkwardblackgirl.com/season-1/episode-4
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Awkward Black Girl | Episode 5 - The Dance. http://www.awkwardblackgirl.com/season-1/episode-5
8
How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube. https://www.youtube.com/watch?v=dZPY14u71mA
9
Fashion and Beauty | Pls Like - Episode 2 - YouTube. https://www.youtube.com/watch?v=-3d7JPqEXws
10
BBC - The Social, The Response to Blair’s Story. https://www.bbc.co.uk/programmes/p06kgc1v
11
BBC - The Social, The Joys Of Family Life | Planet Janet. https://www.bbc.co.uk/programmes/p06c4vm9
12
BBC - The Social, Marjolein Robertson | BBC The Social Short Stuff’s COMEDY BATTLE. https://www.bbc.co.uk/programmes/p06j5j5g
13
BBC - The Social, I Got My Own House Elf! https://www.bbc.co.uk/programmes/p06h3jk4
14
Creeber G. It’s not TV, it’s online drama: The return of the intimate screen. International Journal of Cultural Studies 2011;14:591–606. doi:10.1177/1367877911402589
15
Arnold S. It’s Not all Content: Television as Television in Industry and Education. 2015.http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/
16
Jenkins H. The Cultural Logic of Media Convergence. International Journal of Cultural Studies 2004;7:33–43. doi:10.1177/1367877904040603
17
Bennett J, Strange N, editors. Television as digital media. Durham, NC: : Duke University Press 2011. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
18
Shooting Stars. 1928.https://www.imdb.com/title/tt0018392/
19
Mabel at the Wheel (1914). https://www.youtube.com/watch?v=Rk_yg4ZQn3U
20
Street S. British cinema in documents. London: : Routledge 2000.
21
Gledhill C. Reframing British cinema, 1918-1928: between restraint and passion. London: : British Film Institute 2003. https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099
22
‘Shooting Stars’: Mr. Anthony Asquith’s First Film. The Manchester Guardian Published Online First: 3 February 1928.http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540
23
Morgan C. Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale. New York Times Published Online First: 4 March 1928.http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540
24
Hutchinson P. ‘This slapstick looks ridiculous in the making’: when silent movies went meta. 2015.https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith
25
Harrison R. Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-ray and DVD. 2016.http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd
26
The Angels’ Share (2012). https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227
27
Donald J, Renov M, editors. The Sage handbook of film studies. London: : SAGE 2008. http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027
28
Mazierska E. Contemporary cinema and neoliberal ideology. Abingdon, Oxon: : Routledge 2018. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076
29
Au revoir Taipei. 2010.https://www.imdb.com/title/tt1291125/
30
Dennison S, Lim SH. Remapping world cinema: identity, culture and politics in film. London: : Wallflower 2006.
31
Thomas R. Indian Cinema: Pleasures and Popularity. Screen 1985;26:116–31. doi:10.1093/screen/26.3-4.116
32
Shohat E, Stam R. Unthinking Eurocentrism: multiculturalism and the media. Second edition. London: : Routledge 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455
33
Martin-Jones D. Deleuze and world cinemas: transworld cinema/transworld Deleuze. London: : Continuum International Publishing Group 2011. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201
34
Nagib L, Bloomsbury (Firm). World cinema and the ethics of realism. London: : Continuum 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections
35
McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan. https://www.youtube.com/watch?v=s6cXeNDCy-k
36
Kittler FA. Gramophone, film, typewriter. Stanford, Calif: : Stanford University Press 1999.
37
Parikka J. What is media archaeology? Cambridge: : Polity Press 2012. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391
38
ProQuest (Firm). Media archaeology: approaches, applications, and implications. Berkeley, Calif: : University of California Press 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730
39
What Makes a Video Essay Great? - Kevin B Lee. https://vimeo.com/199577445
40
Elements of the Essay Film on Vimeo. 2014.https://vimeo.com/90150897
41
Pass the Salt - Christian Keathley. https://vimeo.com/23266798
42
TRANSFORMERS: THE PREMAKE (complete version) - Kevin B Lee. https://www.youtube.com/watch?v=dD3K1eWXI54
43
Necsus | Film studies in the groove? Rhythmising perception in Carnal Locomotive - Catherine Grant. https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/
44
McGoff J. Women’s Time-Image | [in]Transition. http://mediacommons.org/intransition/2018/04/30/womens-time-image
45
de Fren A. Fembot in a Red Dress | [in]Transition. http://mediacommons.org/intransition/fembot-red-dress
46
Necsus | Videographic scene analyses, part 1. https://necsus-ejms.org/videographic-scene-analyses-part-1/
47
Clayton A, Klevan A, editors. The language and style of film criticism. London: : Routledge 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088
48
Kiss M, van den Berg T. Film Studies in Motion: From Audiovisual Essay to Academic Research. http://scalar.usc.edu/works/film-studies-in-motion/index
49
Sherlock (2013): Season 3 Episode 1 - The Empty Hearse. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829
50
‘America’s Next Top Model’ The Girl Who Gets Pwn’d (TV Episode. 2012.https://www.dailymotion.com/video/x3gnjfr
51
Johnson D. INVITING AUDIENCES IN. New Review of Film and Television Studies 2007;5:61–80. doi:10.1080/17400300601140183
52
Caldwell JT, Everett A, editors. New media: theories and practices of digitextuality. London: : Routledge 2015. http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442
53
Hills M. FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF. New Review of Film and Television Studies 2007;5:41–60. doi:10.1080/17400300601140167
54
Jenkins H. Convergence culture: where old and new media collide. New York: : New York University Press 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
55
Doctor Who (1963) - An Unearthly Child: Part One. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535
56
Doctor Who (2014) - World Enough and Time. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275
57
Doctor Who (2014) - The Doctor Falls. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039
58
Ellis J. Seeing things: television in the age of uncertainty. London: : I.B. Tauris 2000. https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099
59
Mittell, Jason. Narrative Complexity in Contemporary American Television. Velvet Light Trap;:29–40.http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon
60
Ghostwatch. 1992.https://www.imdb.com/title/tt0200659/
61
Bite Back on Ghostwatch (Part 1) - YouTube. https://www.youtube.com/watch?v=UUyhN-gq8xk
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Bite Back on Ghostwatch (Part 2) - YouTube. https://www.youtube.com/watch?v=vgrI5ZRuKdc
63
Spigel L. Make room for TV: television and the family ideal in postwar America. University of Chicago Press 1992. http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240
64
Sconce J. Haunted media: electronic presence from telegraphy to television. Durham, N.C.: : Duke University Press 2000. https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099
65
Steward T, Zborowski J. (G)hosting Television: Ghostwatch and its Medium. Journal of British Cinema and Television 2014;11:189–212. doi:10.3366/jbctv.2014.0203
66
McCarthy A, American Council of Learned Societies. Ambient television: visual culture and public space. Durham, NC: : Duke University Press 2001. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241
67
Modern Times (1936). https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776
68
Fantômas: In the Shadow of the Guillotine. 1913.https://www.imdb.com/title/tt0002844/
69
Maltby R, Stokes M, Allen RC. Going to the movies: Hollywood and the social experience of cinema. Exeter: : University of Exeter Press 2007. https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099
70
Wiley Online Library (Online service). Explorations in new cinema history: approaches and case studies. Chichester, West Sussex: : Wiley-Blackwell 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416
71
Rushton R. Early, classical and modern cinema: absorption and theatricality. Screen 2004;45:226–44. doi:10.1093/screen/45.3.226
72
Cannadine D. History and the media. Basingstoke: : Palgrave Macmillan 2004. https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099
73
Cannadine D. History and the media. Basingstoke: : Palgrave Macmillan 2004. https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099
74
Bell E, Gray A. Televising history: mediating the past in postwar Europe. Basingstoke, Hampshire: : Palgrave Macmillan 2010. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205
75
Macdonald M. Performing memory on television: documentary and the 1960s. Screen 2006;47:327–45. doi:10.1093/screen/hjl025
76
Jensen KB, editor. A handbook of media and communication research: qualitative and quantitative methodologies. Second edition. London: : Routledge 2012. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225
77
Szczepanik P, Vonderau P. Behind the screen: inside European production cultures. Basingstoke: : Palgrave Macmillan 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187
78
Paterson C, Lee D, Saha A, et al., editors. Advancing media production research: shifting sites, methods, and politics. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2016. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949
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Morley D. Unanswered Questions in Audience Research. The Communication Review 2006;9:101–21. doi:10.1080/10714420600663286
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Geraghty C, Lusted D. The television studies book. London: : Arnold 1998. https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099
81
Bordwell D, Thompson K, Smith J. Film art: an introduction. 10th international ed. New York: : McGraw-Hill 2013. https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099
82
Lury K. Interpreting television. London: : Hodder Arnold 2005. https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099
83
Berridge S. Serialised sexual violence in teen television drama series. 2010. https://theses.gla.ac.uk/2326/
84
Deamer D. Deleuze, Japanese cinema, and the atom bomb: the spectre of impossibility. New York: : Bloomsbury 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523
