‘“America’s Next Top Model” The Girl Who Gets Pwn’d (TV Episode’. 2012. https://www.dailymotion.com/video/x3gnjfr.
Arnold, Sarah. 2015. ‘It’s Not All Content: Television as Television in Industry and Education’. 2015. http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/.
‘Au Revoir Taipei’. 2010. 2010. https://www.imdb.com/title/tt1291125/.
‘Awkward Black Girl | Episode 1 - The Stop Sign’. n.d. http://www.awkwardblackgirl.com/season-1/episode-1.
‘Awkward Black Girl | Episode 2 - The Job’. n.d. http://www.awkwardblackgirl.com/season-1/episode-2.
‘Awkward Black Girl | Episode 3 - The Hallway’. n.d. http://www.awkwardblackgirl.com/season-1/episode-3.
‘Awkward Black Girl | Episode 4 - The Icebreaker’. n.d. http://www.awkwardblackgirl.com/season-1/episode-4.
‘Awkward Black Girl | Episode 5 - The Dance’. n.d. http://www.awkwardblackgirl.com/season-1/episode-5.
‘BBC - The Social, I Got My Own House Elf!’ n.d. https://www.bbc.co.uk/programmes/p06h3jk4.
‘BBC - The Social, Marjolein Robertson | BBC The Social Short Stuff’s COMEDY BATTLE’. n.d. https://www.bbc.co.uk/programmes/p06j5j5g.
‘BBC - The Social, The Joys Of Family Life | Planet Janet’. n.d. https://www.bbc.co.uk/programmes/p06c4vm9.
‘BBC - The Social, The Response to Blair’s Story’. n.d. https://www.bbc.co.uk/programmes/p06kgc1v.
Bell, Erin, and Ann Gray. 2010. Televising History: Mediating the Past in Postwar Europe. Basingstoke, Hampshire: Palgrave Macmillan. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205.
Bennett, James, and Niki Strange, eds. 2011. Television as Digital Media. Vol. Console-ing Passions. Durham, NC: Duke University Press. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303.
Berridge, Susan. 2010. Serialised Sexual Violence in Teen Television Drama Series. https://theses.gla.ac.uk/2326/.
‘Bite Back on Ghostwatch (Part 1) - YouTube’. n.d. https://www.youtube.com/watch?v=UUyhN-gq8xk.
‘Bite Back on Ghostwatch (Part 2) - YouTube’. n.d. https://www.youtube.com/watch?v=vgrI5ZRuKdc.
Bordwell, David, Kristin Thompson, and Jeff Smith. 2013. Film Art: An Introduction. 10th international ed. New York: McGraw-Hill. https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099.
Caldwell, John Thornton, and Anna Everett, eds. 2015. New Media: Theories and Practices of Digitextuality. London: Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442.
Cannadine, David. 2004a. History and the Media. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099.
———. 2004b. History and the Media. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099.
Clayton, Alex, and Andrew Klevan, eds. 2011. The Language and Style of Film Criticism. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088.
Creeber, Glen. 2011. ‘It’s Not TV, It’s Online Drama: The Return of the Intimate Screen’. International Journal of Cultural Studies 14 (6): 591–606. https://doi.org/10.1177/1367877911402589.
Deamer, David. 2014. Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility. Vol. Thinking cinema. New York: Bloomsbury. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523.
Dennison, Stephanie, and Song Hwee Lim. 2006. Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower.
‘Doctor Who (1963) - An Unearthly Child: Part One’. n.d. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535.
‘Doctor Who (2014) - The Doctor Falls’. n.d. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039.
‘Doctor Who (2014) - World Enough and Time’. n.d. BBC1 London. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275.
Donald, James, and Michael Renov, eds. 2008. The Sage Handbook of Film Studies. London: SAGE. http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027.
‘Elements of the Essay Film on Vimeo’. 2014. https://vimeo.com/90150897.
Ellis, John. 2000. Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris. https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099.
‘Fantômas: In the Shadow of the Guillotine’. 1913. 1913. https://www.imdb.com/title/tt0002844/.
‘Fashion and Beauty | Pls Like - Episode 2 - YouTube’. n.d. https://www.youtube.com/watch?v=-3d7JPqEXws.
Fren, Allison de. n.d. ‘Fembot in a Red Dress | [in]Transition’. http://mediacommons.org/intransition/fembot-red-dress.
Geraghty, Christine, and David Lusted. 1998. The Television Studies Book. London: Arnold. https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099.
‘Ghostwatch’. 1992. 1992. https://www.imdb.com/title/tt0200659/.
Gledhill, Christine. 2003. Reframing British Cinema, 1918-1928: Between Restraint and Passion. London: British Film Institute. https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099.
Harrison, Rebecca. 2016. ‘Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-Ray and DVD’. 19 May 2016. http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd.
Hills, Matt. 2007. ‘FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF’. New Review of Film and Television Studies 5 (1): 41–60. https://doi.org/10.1080/17400300601140167.
‘How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube’. n.d. https://www.youtube.com/watch?v=dZPY14u71mA.
Hutchinson, Pamela. 2015. ‘“This Slapstick Looks Ridiculous in the Making”: When Silent Movies Went Meta’. 5 October 2015. https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith.
Jenkins, Henry. 2004. ‘The Cultural Logic of Media Convergence’. International Journal of Cultural Studies 7 (1): 33–43. https://doi.org/10.1177/1367877904040603.
———. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936.
Jensen, Klaus Bruhn, ed. 2012. A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies. Second edition. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225.
Johnson, Derek. 2007. ‘INVITING AUDIENCES IN’. New Review of Film and Television Studies 5 (1): 61–80. https://doi.org/10.1080/17400300601140183.
Kiss, Miklos, and Thomas van den Berg. n.d. ‘Film Studies in Motion: From Audiovisual Essay to Academic Research’. http://scalar.usc.edu/works/film-studies-in-motion/index.
Kittler, Friedrich A. 1999. Gramophone, Film, Typewriter. Vol. Writing science. Stanford, Calif: Stanford University Press.
Lury, Karen. 2005. Interpreting Television. London: Hodder Arnold. https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099.
‘Mabel at the Wheel (1914)’. n.d. https://www.youtube.com/watch?v=Rk_yg4ZQn3U.
Macdonald, Myra. 2006. ‘Performing Memory on Television: Documentary and the 1960s’. Screen 47 (3): 327–45. https://doi.org/10.1093/screen/hjl025.
Maltby, Richard, Melvyn Stokes, and Robert Clyde Allen. 2007. Going to the Movies: Hollywood and the Social Experience of Cinema. Exeter: University of Exeter Press. https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099.
Martin-Jones, David. 2011. Deleuze and World Cinemas: Transworld Cinema/Transworld Deleuze. London: Continuum International Publishing Group. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201.
Mazierska, Ewa. 2018. Contemporary Cinema and Neoliberal Ideology. Edited by Lars Lyngsgaard Fjord Kristensen. Abingdon, Oxon: Routledge. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076.
McCarthy, Anna and American Council of Learned Societies. 2001. Ambient Television: Visual Culture and Public Space. Durham, NC: Duke University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241.
McGoff, Jessica. n.d. ‘Women’s Time-Image | [in]Transition’. http://mediacommons.org/intransition/2018/04/30/womens-time-image.
‘McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan’. n.d. https://www.youtube.com/watch?v=s6cXeNDCy-k.
Mittell, Jason. n.d. ‘Narrative Complexity in Contemporary American Television’. Velvet Light Trap, 29–40. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon.
‘Modern Times (1936)’. n.d. Arte. https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776.
Morgan, Charles. 1928. ‘Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale’. New York Times, March. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540.
Morley, David. 2006. ‘Unanswered Questions in Audience Research’. The Communication Review 9 (2): 101–21. https://doi.org/10.1080/10714420600663286.
Nagib, Lúcia and Bloomsbury (Firm). 2011. World Cinema and the Ethics of Realism. London: Continuum. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections.
‘Necsus | Film Studies in the Groove? Rhythmising Perception in Carnal Locomotive - Catherine Grant’. n.d. https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/.
‘Necsus | Videographic Scene Analyses, Part 1’. n.d. https://necsus-ejms.org/videographic-scene-analyses-part-1/.
Parikka, Jussi. 2012. What Is Media Archaeology? Cambridge: Polity Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391.
‘Pass the Salt - Christian Keathley’. n.d. https://vimeo.com/23266798.
Paterson, Chris, David Lee, Anamik Saha, and Anna Zoellner, eds. 2016. Advancing Media Production Research: Shifting Sites, Methods, and Politics. Vol. Global transformations in media and communication research. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949.
ProQuest (Firm). 2011. Media Archaeology: Approaches, Applications, and Implications. Edited by Erkki Huhtamo and Jussi Parikka. Berkeley, Calif: University of California Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730.
Rushton, R. 2004. ‘Early, Classical and Modern Cinema: Absorption and Theatricality’. Screen 45 (3): 226–44. https://doi.org/10.1093/screen/45.3.226.
Sconce, Jeffrey. 2000. Haunted Media: Electronic Presence from Telegraphy to Television. Vol. Console-ing passions. Durham, N.C.: Duke University Press. https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099.
‘Sherlock (2013): Season 3 Episode 1 - The Empty Hearse’. n.d. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829.
Shohat, Ella, and Robert Stam. 2014. Unthinking Eurocentrism: Multiculturalism and the Media. Second edition. Vol. Sightlines. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455.
‘Shooting Stars’. 1928. 1928. https://www.imdb.com/title/tt0018392/.
‘“Shooting Stars”: Mr. Anthony Asquith’s First Film’. 1928. The Manchester Guardian, February. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540.
‘Skam, Season 1, Episode 1, English Subtitles’. n.d. https://www.dailymotion.com/video/x6ngh5u.
‘Skam, Season 1, Episode 2, English Subtitles’. n.d. https://www.dailymotion.com/video/x6bvn9w.
Spigel, Lynn. 1992. Make Room for TV: Television and the Family Ideal in Postwar America. University of Chicago Press. http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240.
Steward, Tom, and James Zborowski. 2014. ‘(G)Hosting Television: Ghostwatch and Its Medium’. Journal of British Cinema and Television 11 (2–3): 189–212. https://doi.org/10.3366/jbctv.2014.0203.
Street, Sarah. 2000. British Cinema in Documents. London: Routledge.
Szczepanik, Petr, and Patrick Vonderau. 2013. Behind the Screen: Inside European Production Cultures. Basingstoke: Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187.
‘The Angels’ Share (2012)’. n.d. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227.
Thomas, Rosie. 1985. ‘Indian Cinema: Pleasures and Popularity’. Screen 26 (3–4): 116–31. https://doi.org/10.1093/screen/26.3-4.116.
‘TRANSFORMERS: THE PREMAKE (Complete Version) - Kevin B Lee’. n.d. https://www.youtube.com/watch?v=dD3K1eWXI54.
‘What Makes a Video Essay Great? - Kevin B Lee’. n.d. https://vimeo.com/199577445.
Wiley Online Library (Online service). 2011. Explorations in New Cinema History: Approaches and Case Studies. Edited by Richard Maltby, Daniël Biltereyst, and Philippe Meers. Chichester, West Sussex: Wiley-Blackwell. http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416.
