Bibliography for MLitt in Film & TV Studies: Core Course BETA

‘America’s Next Top Model’ The Girl Who Gets Pwn’d (TV Episode. (2012). https://www.dailymotion.com/video/x3gnjfr

Arnold, S. (2015). It’s Not all Content: Television as Television in Industry and Education. http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/

Au revoir Taipei. (2010). https://www.imdb.com/title/tt1291125/

Awkward Black Girl | Episode 1 - The Stop Sign. (n.d.). http://www.awkwardblackgirl.com/season-1/episode-1

Awkward Black Girl | Episode 2 - The Job. (n.d.). http://www.awkwardblackgirl.com/season-1/episode-2

Awkward Black Girl | Episode 3 - The Hallway. (n.d.). http://www.awkwardblackgirl.com/season-1/episode-3

Awkward Black Girl | Episode 4 - The Icebreaker. (n.d.). http://www.awkwardblackgirl.com/season-1/episode-4

Awkward Black Girl | Episode 5 - The Dance. (n.d.). http://www.awkwardblackgirl.com/season-1/episode-5

BBC - The Social, I Got My Own House Elf! (n.d.). https://www.bbc.co.uk/programmes/p06h3jk4

BBC - The Social, Marjolein Robertson | BBC The Social  Short Stuff’s COMEDY BATTLE. (n.d.). https://www.bbc.co.uk/programmes/p06j5j5g

BBC - The Social, The Joys Of Family Life | Planet Janet. (n.d.). https://www.bbc.co.uk/programmes/p06c4vm9

BBC - The Social, The Response to Blair’s Story. (n.d.). https://www.bbc.co.uk/programmes/p06kgc1v

Bell, E., & Gray, A. (2010). Televising history: mediating the past in postwar Europe. Palgrave Macmillan. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205

Bennett, J., & Strange, N. (Eds.). (2011). Television as digital media: Vol. Console-ing Passions. Duke University Press. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303

Berridge, S. (2010). Serialised sexual violence in teen television drama series. https://theses.gla.ac.uk/2326/

Bite Back on Ghostwatch (Part 1) - YouTube. (n.d.). https://www.youtube.com/watch?v=UUyhN-gq8xk

Bite Back on Ghostwatch (Part 2) - YouTube. (n.d.). https://www.youtube.com/watch?v=vgrI5ZRuKdc

Bordwell, D., Thompson, K., & Smith, J. (2013). Film art: an introduction (10th international ed). McGraw-Hill. https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099

Caldwell, J. T., & Everett, A. (Eds.). (2015). New media: theories and practices of digitextuality. Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442

Cannadine, D. (2004a). History and the media. Palgrave Macmillan. https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099

Cannadine, D. (2004b). History and the media. Palgrave Macmillan. https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099

Clayton, A., & Klevan, A. (Eds.). (2011). The language and style of film criticism. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088

Creeber, G. (2011). It’s not TV, it’s online drama: The return of the intimate screen. International Journal of Cultural Studies, 14(6), 591–606. https://doi.org/10.1177/1367877911402589

de Fren, A. (n.d.). Fembot in a Red Dress | [in]Transition. http://mediacommons.org/intransition/fembot-red-dress

Deamer, D. (2014). Deleuze, Japanese cinema, and the atom bomb: the spectre of impossibility: Vol. Thinking cinema. Bloomsbury. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523

Dennison, S., & Lim, S. H. (2006). Remapping world cinema: identity, culture and politics in film. Wallflower.

Doctor Who (1963) - An Unearthly Child: Part One. (n.d.). https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535

Doctor Who (2014) - The Doctor Falls. (n.d.). https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039

Doctor Who (2014) - World Enough and Time. (n.d.). BBC1 London. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275

Donald, J., & Renov, M. (Eds.). (2008). The Sage handbook of film studies. SAGE. http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027

Elements of the Essay Film on Vimeo. (2014). https://vimeo.com/90150897

Ellis, J. (2000). Seeing things: television in the age of uncertainty. I.B. Tauris. https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099

Fantômas: In the Shadow of the Guillotine. (1913). https://www.imdb.com/title/tt0002844/

Fashion and Beauty | Pls Like - Episode 2 - YouTube. (n.d.). https://www.youtube.com/watch?v=-3d7JPqEXws

Geraghty, C., & Lusted, D. (1998). The television studies book. Arnold. https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099

Ghostwatch. (1992). https://www.imdb.com/title/tt0200659/

Gledhill, C. (2003). Reframing British cinema, 1918-1928: between restraint and passion. British Film Institute. https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099

Harrison, R. (2016, May 19). Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-ray and DVD. http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd

Hills, M. (2007). FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF. New Review of Film and Television Studies, 5(1), 41–60. https://doi.org/10.1080/17400300601140167

How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube. (n.d.). https://www.youtube.com/watch?v=dZPY14u71mA

Hutchinson, P. (2015, October 5). ‘This slapstick looks ridiculous in the making’: when silent movies went meta. https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith

Jenkins, H. (2004). The Cultural Logic of Media Convergence. International Journal of Cultural Studies, 7(1), 33–43. https://doi.org/10.1177/1367877904040603

Jenkins, H. (2006). Convergence culture: where old and new media collide. New York University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936

Jensen, K. B. (Ed.). (2012). A handbook of media and communication research: qualitative and quantitative methodologies (Second edition). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225

Johnson, D. (2007). INVITING AUDIENCES IN. New Review of Film and Television Studies, 5(1), 61–80. https://doi.org/10.1080/17400300601140183

Kiss, M., & van den Berg, T. (n.d.). Film Studies in Motion: From Audiovisual Essay to Academic Research. http://scalar.usc.edu/works/film-studies-in-motion/index

Kittler, F. A. (1999). Gramophone, film, typewriter: Vol. Writing science. Stanford University Press.

Lury, K. (2005). Interpreting television. Hodder Arnold. https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099

Mabel at the Wheel (1914). (n.d.). https://www.youtube.com/watch?v=Rk_yg4ZQn3U

Macdonald, M. (2006). Performing memory on television: documentary and the 1960s. Screen, 47(3), 327–345. https://doi.org/10.1093/screen/hjl025

Maltby, R., Stokes, M., & Allen, R. C. (2007). Going to the movies: Hollywood and the social experience of cinema. University of Exeter Press. https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099

Martin-Jones, D. (2011). Deleuze and world cinemas: transworld cinema/transworld Deleuze. Continuum International Publishing Group. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201

Mazierska, E. (2018). Contemporary cinema and neoliberal ideology (L. L. F. Kristensen, Ed.). Routledge. http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076

McCarthy, A. & American Council of Learned Societies. (2001). Ambient television: visual culture and public space. Duke University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241

McGoff, J. (n.d.). Women’s Time-Image | [in]Transition. http://mediacommons.org/intransition/2018/04/30/womens-time-image

McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan. (n.d.). https://www.youtube.com/watch?v=s6cXeNDCy-k

Mittell, Jason. (n.d.). Narrative Complexity in Contemporary American Television. Velvet Light Trap, 29–40. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon

Modern Times (1936). (n.d.). Arte. https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776

Morgan, C. (1928). Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale. New York Times. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540

Morley, D. (2006). Unanswered Questions in Audience Research. The Communication Review, 9(2), 101–121. https://doi.org/10.1080/10714420600663286

Nagib, L. & Bloomsbury (Firm). (2011). World cinema and the ethics of realism. Continuum. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections

Necsus | Film studies in the groove? Rhythmising perception in Carnal Locomotive - Catherine Grant. (n.d.). https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/

Necsus | Videographic scene analyses, part 1. (n.d.). https://necsus-ejms.org/videographic-scene-analyses-part-1/

Parikka, J. (2012). What is media archaeology? Polity Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391

Pass the Salt - Christian Keathley. (n.d.). https://vimeo.com/23266798

Paterson, C., Lee, D., Saha, A., & Zoellner, A. (Eds.). (2016). Advancing media production research: shifting sites, methods, and politics: Vol. Global transformations in media and communication research. Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949

ProQuest (Firm). (2011). Media archaeology: approaches, applications, and implications (E. Huhtamo & J. Parikka, Eds.). University of California Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730

Rushton, R. (2004). Early, classical and modern cinema: absorption and theatricality. Screen, 45(3), 226–244. https://doi.org/10.1093/screen/45.3.226

Sconce, J. (2000). Haunted media: electronic presence from telegraphy to television: Vol. Console-ing passions. Duke University Press. https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099

Sherlock (2013): Season 3 Episode 1 - The Empty Hearse. (n.d.). https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829

Shohat, E., & Stam, R. (2014). Unthinking Eurocentrism: multiculturalism and the media: Vol. Sightlines (Second edition). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455

Shooting Stars. (1928). https://www.imdb.com/title/tt0018392/

‘Shooting Stars’: Mr. Anthony Asquith’s First Film. (1928). The Manchester Guardian. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540

Skam, Season 1, Episode 1, English Subtitles. (n.d.). https://www.dailymotion.com/video/x6ngh5u

Skam, Season 1, Episode 2, English Subtitles. (n.d.). https://www.dailymotion.com/video/x6bvn9w

Spigel, L. (1992). Make room for TV: television and the family ideal in postwar America. University of Chicago Press. http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240

Steward, T., & Zborowski, J. (2014). (G)hosting Television: Ghostwatch and its Medium. Journal of British Cinema and Television, 11(2–3), 189–212. https://doi.org/10.3366/jbctv.2014.0203

Street, S. (2000). British cinema in documents. Routledge.

Szczepanik, P., & Vonderau, P. (2013). Behind the screen: inside European production cultures. Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187

The Angels’ Share (2012). (n.d.). https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227

Thomas, R. (1985). Indian Cinema: Pleasures and Popularity. Screen, 26(3–4), 116–131. https://doi.org/10.1093/screen/26.3-4.116

TRANSFORMERS: THE PREMAKE (complete version) - Kevin B Lee. (n.d.). https://www.youtube.com/watch?v=dD3K1eWXI54

What Makes a Video Essay Great? - Kevin B Lee. (n.d.). https://vimeo.com/199577445

Wiley Online Library (Online service). (2011). Explorations in new cinema history: approaches and case studies (R. Maltby, D. Biltereyst, & P. Meers, Eds.). Wiley-Blackwell. http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416