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‘Skam, Season 1, Episode 1, English Subtitles’. [Online]. Available: https://www.dailymotion.com/video/x6ngh5u
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‘Awkward Black Girl | Episode 1 - The Stop Sign’. [Online]. Available: http://www.awkwardblackgirl.com/season-1/episode-1
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‘Awkward Black Girl | Episode 2 - The Job’. [Online]. Available: http://www.awkwardblackgirl.com/season-1/episode-2
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‘Awkward Black Girl | Episode 3 - The Hallway’. [Online]. Available: http://www.awkwardblackgirl.com/season-1/episode-3
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‘Awkward Black Girl | Episode 4 - The Icebreaker’. [Online]. Available: http://www.awkwardblackgirl.com/season-1/episode-4
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‘Awkward Black Girl | Episode 5 - The Dance’. [Online]. Available: http://www.awkwardblackgirl.com/season-1/episode-5
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‘How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=dZPY14u71mA
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‘Fashion and Beauty | Pls Like - Episode 2 - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=-3d7JPqEXws
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‘BBC - The Social, The Response to Blair’s Story’. [Online]. Available: https://www.bbc.co.uk/programmes/p06kgc1v
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‘BBC - The Social, The Joys Of Family Life | Planet Janet’. [Online]. Available: https://www.bbc.co.uk/programmes/p06c4vm9
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‘BBC - The Social, Marjolein Robertson | BBC The Social Short Stuff’s COMEDY BATTLE’. [Online]. Available: https://www.bbc.co.uk/programmes/p06j5j5g
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‘BBC - The Social, I Got My Own House Elf!’ [Online]. Available: https://www.bbc.co.uk/programmes/p06h3jk4
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G. Creeber, ‘It’s not TV, it’s online drama: The return of the intimate screen’, International Journal of Cultural Studies, vol. 14, no. 6, pp. 591–606, Nov. 2011, doi: 10.1177/1367877911402589.
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S. Arnold, ‘It’s Not all Content: Television as Television in Industry and Education’, 2015. [Online]. Available: http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/
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H. Jenkins, ‘The Cultural Logic of Media Convergence’, International Journal of Cultural Studies, vol. 7, no. 1, pp. 33–43, Mar. 2004, doi: 10.1177/1367877904040603.
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J. Bennett and N. Strange, Eds., Television as digital media, vol. Console-ing Passions. Durham, NC: Duke University Press, 2011 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
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‘Shooting Stars’, 1928. [Online]. Available: https://www.imdb.com/title/tt0018392/
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‘Mabel at the Wheel (1914)’. [Online]. Available: https://www.youtube.com/watch?v=Rk_yg4ZQn3U
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S. Street, British cinema in documents. London: Routledge, 2000.
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C. Gledhill, Reframing British cinema, 1918-1928: between restraint and passion. London: British Film Institute, 2003 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099
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‘“Shooting Stars”: Mr. Anthony Asquith’s First Film’, The Manchester Guardian, Feb. 1928 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540
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C. Morgan, ‘Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale’, New York Times, Mar. 1928 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540
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P. Hutchinson, ‘“This slapstick looks ridiculous in the making”: when silent movies went meta’, Oct. 05, 2015. [Online]. Available: https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith
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R. Harrison, ‘Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-ray and DVD’, May 19, 2016. [Online]. Available: http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd
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‘The Angels’ Share (2012)’. [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227
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J. Donald and M. Renov, Eds., The Sage handbook of film studies. London: SAGE, 2008 [Online]. Available: http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027
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E. Mazierska, Contemporary cinema and neoliberal ideology. Abingdon, Oxon: Routledge, 2018 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076
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‘Au revoir Taipei’, 2010. [Online]. Available: https://www.imdb.com/title/tt1291125/
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S. Dennison and S. H. Lim, Remapping world cinema: identity, culture and politics in film. London: Wallflower, 2006.
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R. Thomas, ‘Indian Cinema: Pleasures and Popularity’, Screen, vol. 26, no. 3–4, pp. 116–131, May 1985, doi: 10.1093/screen/26.3-4.116.
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E. Shohat and R. Stam, Unthinking Eurocentrism: multiculturalism and the media, Second edition., vol. Sightlines. London: Routledge, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455
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D. Martin-Jones, Deleuze and world cinemas: transworld cinema/transworld Deleuze. London: Continuum International Publishing Group, 2011 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201
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L. Nagib and Bloomsbury (Firm), World cinema and the ethics of realism. London: Continuum, 2011 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections
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‘McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan’. [Online]. Available: https://www.youtube.com/watch?v=s6cXeNDCy-k
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F. A. Kittler, Gramophone, film, typewriter, vol. Writing science. Stanford, Calif: Stanford University Press, 1999.
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J. Parikka, What is media archaeology? Cambridge: Polity Press, 2012 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391
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ProQuest (Firm), Media archaeology: approaches, applications, and implications. Berkeley, Calif: University of California Press, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730
[39]
‘What Makes a Video Essay Great? - Kevin B Lee’. [Online]. Available: https://vimeo.com/199577445
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‘Elements of the Essay Film on Vimeo’. Mar. 26, 2014 [Online]. Available: https://vimeo.com/90150897
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‘Pass the Salt - Christian Keathley’. [Online]. Available: https://vimeo.com/23266798
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‘TRANSFORMERS: THE PREMAKE (complete version) - Kevin B Lee’. [Online]. Available: https://www.youtube.com/watch?v=dD3K1eWXI54
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‘Necsus | Film studies in the groove? Rhythmising perception in Carnal Locomotive - Catherine Grant’. [Online]. Available: https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/
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J. McGoff, ‘Women’s Time-Image | [in]Transition’. [Online]. Available: http://mediacommons.org/intransition/2018/04/30/womens-time-image
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A. de Fren, ‘Fembot in a Red Dress | [in]Transition’. [Online]. Available: http://mediacommons.org/intransition/fembot-red-dress
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‘Necsus | Videographic scene analyses, part 1’. [Online]. Available: https://necsus-ejms.org/videographic-scene-analyses-part-1/
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A. Clayton and A. Klevan, Eds., The language and style of film criticism. London: Routledge, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088
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M. Kiss and T. van den Berg, ‘Film Studies in Motion: From Audiovisual Essay to Academic Research’. [Online]. Available: http://scalar.usc.edu/works/film-studies-in-motion/index
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‘Sherlock (2013): Season 3 Episode 1 - The Empty Hearse’. [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829
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‘“America’s Next Top Model” The Girl Who Gets Pwn’d (TV Episode’. 2012 [Online]. Available: https://www.dailymotion.com/video/x3gnjfr
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D. Johnson, ‘INVITING AUDIENCES IN’, New Review of Film and Television Studies, vol. 5, no. 1, pp. 61–80, Apr. 2007, doi: 10.1080/17400300601140183.
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J. T. Caldwell and A. Everett, Eds., New media: theories and practices of digitextuality. London: Routledge, 2015 [Online]. Available: http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442
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M. Hills, ‘FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF’, New Review of Film and Television Studies, vol. 5, no. 1, pp. 41–60, Apr. 2007, doi: 10.1080/17400300601140167.
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H. Jenkins, Convergence culture: where old and new media collide. New York: New York University Press, 2006 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
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‘Doctor Who (1963) - An Unearthly Child: Part One’. [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535
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‘Doctor Who (2014) - World Enough and Time’. BBC1 London [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275
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‘Doctor Who (2014) - The Doctor Falls’. [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039
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J. Ellis, Seeing things: television in the age of uncertainty. London: I.B. Tauris, 2000 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099
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Mittell, Jason, ‘Narrative Complexity in Contemporary American Television’, Velvet Light Trap, pp. 29–40 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon
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‘Ghostwatch’, 1992. [Online]. Available: https://www.imdb.com/title/tt0200659/
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‘Bite Back on Ghostwatch (Part 1) - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=UUyhN-gq8xk
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‘Bite Back on Ghostwatch (Part 2) - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=vgrI5ZRuKdc
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L. Spigel, Make room for TV: television and the family ideal in postwar America. University of Chicago Press, 1992 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240
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J. Sconce, Haunted media: electronic presence from telegraphy to television, vol. Console-ing passions. Durham, N.C.: Duke University Press, 2000 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099
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T. Steward and J. Zborowski, ‘(G)hosting Television: Ghostwatch and its Medium’, Journal of British Cinema and Television, vol. 11, no. 2–3, pp. 189–212, Jul. 2014, doi: 10.3366/jbctv.2014.0203.
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A. McCarthy and American Council of Learned Societies, Ambient television: visual culture and public space. Durham, NC: Duke University Press, 2001 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241
[67]
‘Modern Times (1936)’. Arte [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776
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‘Fantômas: In the Shadow of the Guillotine’, 1913. [Online]. Available: https://www.imdb.com/title/tt0002844/
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R. Maltby, M. Stokes, and R. C. Allen, Going to the movies: Hollywood and the social experience of cinema. Exeter: University of Exeter Press, 2007 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099
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Wiley Online Library (Online service), Explorations in new cinema history: approaches and case studies. Chichester, West Sussex: Wiley-Blackwell, 2011 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416
[71]
R. Rushton, ‘Early, classical and modern cinema: absorption and theatricality’, Screen, vol. 45, no. 3, pp. 226–244, Sep. 2004, doi: 10.1093/screen/45.3.226.
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D. Cannadine, History and the media. Basingstoke: Palgrave Macmillan, 2004 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099
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D. Cannadine, History and the media. Basingstoke: Palgrave Macmillan, 2004 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099
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E. Bell and A. Gray, Televising history: mediating the past in postwar Europe. Basingstoke, Hampshire: Palgrave Macmillan, 2010 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205
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M. Macdonald, ‘Performing memory on television: documentary and the 1960s’, Screen, vol. 47, no. 3, pp. 327–345, Jan. 2006, doi: 10.1093/screen/hjl025.
[76]
K. B. Jensen, Ed., A handbook of media and communication research: qualitative and quantitative methodologies, Second edition. London: Routledge, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225
[77]
P. Szczepanik and P. Vonderau, Behind the screen: inside European production cultures. Basingstoke: Palgrave Macmillan, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187
[78]
C. Paterson, D. Lee, A. Saha, and A. Zoellner, Eds., Advancing media production research: shifting sites, methods, and politics, vol. Global transformations in media and communication research. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2016 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949
[79]
D. Morley, ‘Unanswered Questions in Audience Research’, The Communication Review, vol. 9, no. 2, pp. 101–121, Jul. 2006, doi: 10.1080/10714420600663286.
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C. Geraghty and D. Lusted, The television studies book. London: Arnold, 1998 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099
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D. Bordwell, K. Thompson, and J. Smith, Film art: an introduction, 10th international ed. New York: McGraw-Hill, 2013 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099
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K. Lury, Interpreting television. London: Hodder Arnold, 2005 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099
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S. Berridge, Serialised sexual violence in teen television drama series. 2010 [Online]. Available: https://theses.gla.ac.uk/2326/
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D. Deamer, Deleuze, Japanese cinema, and the atom bomb: the spectre of impossibility, vol. Thinking cinema. New York: Bloomsbury, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523
