‘“America’s Next Top Model” The Girl Who Gets Pwn’d (TV Episode’. 2012. Web. <https://www.dailymotion.com/video/x3gnjfr>.
Arnold, Sarah. ‘It’s Not All Content: Television as Television in Industry and Education’. N.p., 2015. Web. <http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/>.
‘Au Revoir Taipei’. N.p., 2010. Web. <https://www.imdb.com/title/tt1291125/>.
‘Awkward Black Girl | Episode 1 - The Stop Sign’. Web. <http://www.awkwardblackgirl.com/season-1/episode-1>.
‘Awkward Black Girl | Episode 2 - The Job’. Web. <http://www.awkwardblackgirl.com/season-1/episode-2>.
‘Awkward Black Girl | Episode 3 - The Hallway’. Web. <http://www.awkwardblackgirl.com/season-1/episode-3>.
‘Awkward Black Girl | Episode 4 - The Icebreaker’. Web. <http://www.awkwardblackgirl.com/season-1/episode-4>.
‘Awkward Black Girl | Episode 5 - The Dance’. Web. <http://www.awkwardblackgirl.com/season-1/episode-5>.
‘BBC - The Social, I Got My Own House Elf!’ Web. <https://www.bbc.co.uk/programmes/p06h3jk4>.
‘BBC - The Social, Marjolein Robertson | BBC The Social Short Stuff’s COMEDY BATTLE’. Web. <https://www.bbc.co.uk/programmes/p06j5j5g>.
‘BBC - The Social, The Joys Of Family Life | Planet Janet’. Web. <https://www.bbc.co.uk/programmes/p06c4vm9>.
‘BBC - The Social, The Response to Blair’s Story’. Web. <https://www.bbc.co.uk/programmes/p06kgc1v>.
Bell, Erin, and Ann Gray. Televising History: Mediating the Past in Postwar Europe. Basingstoke, Hampshire: Palgrave Macmillan, 2010. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205>.
Bennett, James, and Niki Strange, eds. Television as Digital Media. Console-ing Passions. Durham, NC: Duke University Press, 2011. Web. <http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303>.
Berridge, Susan. Serialised Sexual Violence in Teen Television Drama Series. N.p., 2010. Web. <https://theses.gla.ac.uk/2326/>.
‘Bite Back on Ghostwatch (Part 1) - YouTube’. Web. <https://www.youtube.com/watch?v=UUyhN-gq8xk>.
‘Bite Back on Ghostwatch (Part 2) - YouTube’. Web. <https://www.youtube.com/watch?v=vgrI5ZRuKdc>.
Bordwell, David, Kristin Thompson, and Jeff Smith. Film Art: An Introduction. 10th international ed. New York: McGraw-Hill, 2013. Web. <https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099>.
Caldwell, John Thornton, and Anna Everett, eds. New Media: Theories and Practices of Digitextuality. London: Routledge, 2015. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442>.
Cannadine, David. History and the Media. Basingstoke: Palgrave Macmillan, 2004. Web. <https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099>.
---. History and the Media. Basingstoke: Palgrave Macmillan, 2004. Web. <https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099>.
Clayton, Alex, and Andrew Klevan, eds. The Language and Style of Film Criticism. London: Routledge, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088>.
Creeber, Glen. ‘It’s Not TV, It’s Online Drama: The Return of the Intimate Screen’. International Journal of Cultural Studies 14.6 (2011): 591–606. Web.
de Fren, Allison. ‘Fembot in a Red Dress | [in]Transition’. N.p., n.d. Web. <http://mediacommons.org/intransition/fembot-red-dress>.
Deamer, David. Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility. Thinking cinema. New York: Bloomsbury, 2014. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523>.
Dennison, Stephanie, and Song Hwee Lim. Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower, 2006. Print.
‘Doctor Who (1963) - An Unearthly Child: Part One’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535>.
‘Doctor Who (2014) - The Doctor Falls’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039>.
‘Doctor Who (2014) - World Enough and Time’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275>.
Donald, James, and Michael Renov, eds. The Sage Handbook of Film Studies. London: SAGE, 2008. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027>.
‘Elements of the Essay Film on Vimeo’. 26 Mar. 2014. Web. <https://vimeo.com/90150897>.
Ellis, John. Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris, 2000. Web. <https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099>.
‘Fantômas: In the Shadow of the Guillotine’. N.p., 1913. Web. <https://www.imdb.com/title/tt0002844/>.
‘Fashion and Beauty | Pls Like - Episode 2 - YouTube’. Web. <https://www.youtube.com/watch?v=-3d7JPqEXws>.
Geraghty, Christine, and David Lusted. The Television Studies Book. London: Arnold, 1998. Web. <https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099>.
‘Ghostwatch’. N.p., 1992. Web. <https://www.imdb.com/title/tt0200659/>.
Gledhill, Christine. Reframing British Cinema, 1918-1928: Between Restraint and Passion. London: British Film Institute, 2003. Web. <https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099>.
Harrison, Rebecca. ‘Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-Ray and DVD’. N.p., 19 May 2016. Web. <http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd>.
Hills, Matt. ‘FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF’. New Review of Film and Television Studies 5.1 (2007): 41–60. Web.
‘How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube’. Web. <https://www.youtube.com/watch?v=dZPY14u71mA>.
Hutchinson, Pamela. ‘“This Slapstick Looks Ridiculous in the Making”: When Silent Movies Went Meta’. N.p., 5 Oct. 2015. Web. <https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith>.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936>.
---. ‘The Cultural Logic of Media Convergence’. International Journal of Cultural Studies 7.1 (2004): 33–43. Web.
Jensen, Klaus Bruhn, ed. A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies. Second edition. London: Routledge, 2012. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225>.
Johnson, Derek. ‘INVITING AUDIENCES IN’. New Review of Film and Television Studies 5.1 (2007): 61–80. Web.
Kiss, Miklos, and Thomas van den Berg. ‘Film Studies in Motion: From Audiovisual Essay to Academic Research’. N.p., n.d. Web. <http://scalar.usc.edu/works/film-studies-in-motion/index>.
Kittler, Friedrich A. Gramophone, Film, Typewriter. Writing science. Stanford, Calif: Stanford University Press, 1999. Print.
Lury, Karen. Interpreting Television. London: Hodder Arnold, 2005. Web. <https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099>.
‘Mabel at the Wheel (1914)’. Web. <https://www.youtube.com/watch?v=Rk_yg4ZQn3U>.
Macdonald, Myra. ‘Performing Memory on Television: Documentary and the 1960s’. Screen 47.3 (2006): 327–345. Web.
Maltby, Richard, Melvyn Stokes, and Robert Clyde Allen. Going to the Movies: Hollywood and the Social Experience of Cinema. Exeter: University of Exeter Press, 2007. Web. <https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099>.
Martin-Jones, David. Deleuze and World Cinemas: Transworld Cinema/Transworld Deleuze. London: Continuum International Publishing Group, 2011. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201>.
Mazierska, Ewa. Contemporary Cinema and Neoliberal Ideology. Ed. Lars Lyngsgaard Fjord Kristensen. Abingdon, Oxon: Routledge, 2018. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076>.
McCarthy, Anna and American Council of Learned Societies. Ambient Television: Visual Culture and Public Space. Durham, NC: Duke University Press, 2001. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241>.
McGoff, Jessica. ‘Women’s Time-Image | [in]Transition’. N.p., n.d. Web. <http://mediacommons.org/intransition/2018/04/30/womens-time-image>.
‘McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan’. Web. <https://www.youtube.com/watch?v=s6cXeNDCy-k>.
Mittell, Jason. ‘Narrative Complexity in Contemporary American Television’. Velvet Light Trap 29–40. Web. <http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon>.
‘Modern Times (1936)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776>.
Morgan, Charles. ‘Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale’. New York Times (1928): n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540>.
Morley, David. ‘Unanswered Questions in Audience Research’. The Communication Review 9.2 (2006): 101–121. Web.
Nagib, Lúcia and Bloomsbury (Firm). World Cinema and the Ethics of Realism. London: Continuum, 2011. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections>.
‘Necsus | Film Studies in the Groove? Rhythmising Perception in Carnal Locomotive - Catherine Grant’. N.p., n.d. Web. <https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/>.
‘Necsus | Videographic Scene Analyses, Part 1’. N.p., n.d. Web. <https://necsus-ejms.org/videographic-scene-analyses-part-1/>.
Parikka, Jussi. What Is Media Archaeology? Cambridge: Polity Press, 2012. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391>.
‘Pass the Salt - Christian Keathley’. Web. <https://vimeo.com/23266798>.
Paterson, Chris et al., eds. Advancing Media Production Research: Shifting Sites, Methods, and Politics. Global transformations in media and communication research. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2016. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949>.
ProQuest (Firm). Media Archaeology: Approaches, Applications, and Implications. Ed. Erkki Huhtamo and Jussi Parikka. Berkeley, Calif: University of California Press, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730>.
Rushton, R. ‘Early, Classical and Modern Cinema: Absorption and Theatricality’. Screen 45.3 (2004): 226–244. Web.
Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Console-ing passions. Durham, N.C.: Duke University Press, 2000. Web. <https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099>.
‘Sherlock (2013): Season 3 Episode 1 - The Empty Hearse’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829>.
Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. Second edition. Sightlines. London: Routledge, 2014. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455>.
‘Shooting Stars’. N.p., 1928. Web. <https://www.imdb.com/title/tt0018392/>.
‘“Shooting Stars”: Mr. Anthony Asquith’s First Film’. The Manchester Guardian (1928): n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540>.
‘Skam, Season 1, Episode 1, English Subtitles’. Web. <https://www.dailymotion.com/video/x6ngh5u>.
‘Skam, Season 1, Episode 2, English Subtitles’. Web. <https://www.dailymotion.com/video/x6bvn9w>.
Spigel, Lynn. Make Room for TV: Television and the Family Ideal in Postwar America. University of Chicago Press, 1992. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240>.
Steward, Tom, and James Zborowski. ‘(G)Hosting Television: Ghostwatch and Its Medium’. Journal of British Cinema and Television 11.2–3 (2014): 189–212. Web.
Street, Sarah. British Cinema in Documents. London: Routledge, 2000. Print.
Szczepanik, Petr, and Patrick Vonderau. Behind the Screen: Inside European Production Cultures. Basingstoke: Palgrave Macmillan, 2013. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187>.
‘The Angels’ Share (2012)’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227>.
Thomas, Rosie. ‘Indian Cinema: Pleasures and Popularity’. Screen 26.3–4 (1985): 116–131. Web.
‘TRANSFORMERS: THE PREMAKE (Complete Version) - Kevin B Lee’. Web. <https://www.youtube.com/watch?v=dD3K1eWXI54>.
‘What Makes a Video Essay Great? - Kevin B Lee’. Web. <https://vimeo.com/199577445>.
Wiley Online Library (Online service). Explorations in New Cinema History: Approaches and Case Studies. Ed. Richard Maltby, Daniël Biltereyst, and Philippe Meers. Chichester, West Sussex: Wiley-Blackwell, 2011. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416>.
