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Digital Theatre (Firm), Routledge (Firm), Taylor & Francis Online. Routledge performance archive. Published online 2012. http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/
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Plato The Republic (Book 10). http://classics.mit.edu/Plato/republic.11.x.html
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Aristotle, 384 BCE-322 BCE. The Poetics of Aristotle /A Translation By S. H. Butcher. https://www.gutenberg.org/ebooks/1974?msg=welcome_stranger
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Barish JA. The Antitheatrical Prejudice. University of California Press; 1981.
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Diamond E, Ebooks Corporation Limited. Unmaking Mimesis: Essays on Feminism and Theater. Routledge; 1997. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=179061
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Fuchs E. The Death of Character: Perspectives on Theater after Modernism. Vol Drama and performance studies. Indiana University Press; 1996.
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Rancière J. The Future of the Image. English ed. Verso; 2007.
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Williams R. Keywords: A Vocabulary of Culture and Society. Fontana; 1988. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=679632
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Pavis P. Theatre Analysis: Some Questions and a Questionnaire. New Theatre Quarterly. 1985;1(02). doi:10.1017/S0266464X00001573
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Reynolds B, ed. Performance Studies: Key Words, Concepts and Theories. Palgrave; 2014.
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Fortier M. Theory/Theatre: An Introduction. Third edition. Routledge; 2016.
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Pavis P. Analyzing Performance: Theater, Dance, and Film. University of Michigan Press; 2003.
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Pavis P, Dawson Books. Contemporary Mise En Scene: Staging Theatre Today. Routledge; 2012. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137
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Reason M. Documentation, Disappearance and the Representation of Live Performance. Palgrave Macmillan; 2006. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230598560
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States BO, American Council of Learned Societies. Great Reckonings in Little Rooms: On the Phenomenology of Theater. University of California Press; 1985. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08071
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Turner C, Behrndt SK. Dramaturgy and Performance. Vol Theatre and performance practices. Palgrave Macmillan; 2008.
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Dillon B. Ruins. Vol Documents of contemporary art. Whitechapel Gallery; 2011.
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Lavery C, Gough R. Special issue On Ruins and Ruination. Introduction. Performance Research. 2015;20(3):1-8. doi:10.1080/13528165.2015.1049031
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Pearson M, Shanks M. Theatre/Archaeology: Disciplinary Dialogues. Routledge; 2001. http://GLA.eblib.com/patron/FullRecord.aspx?p=242211
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Smith P. Counter-Tourism: A Pocketbook : 50 Odd Things to Do in a Heritage Site (and Other Places). Triarchy Press; 2012.
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Dillon B. Ruin Lust: Artists’ Fascination with Ruins, from Turner to the Present Day. Tate Publishing; 2014.
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Ebooks Corporation Limited. Ruins of Modernity. Vol Politics, history, and culture : a series from the International Institute at the University of Michigan. (Hell J, Schönle A, eds.). Duke University Press; 2010. http://GLA.eblib.com/patron/FullRecord.aspx?p=1170517
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Kershaw B. The Politics of Performance: Radical Theatre as Cultural Intervention. Routledge; 1992. http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.gla.ac.uk/shibboleth
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Ebooks Corporation Limited. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Vol Methuen drama engage. (Jürs-Munby K, Carroll J, Giles S, eds.). Bloomsbury; 2013. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662
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Ebooks Corporation Limited. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Vol Methuen drama engage. (Jürs-Munby K, Carroll J, Giles S, eds.). Bloomsbury; 2013. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662
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Bailes SJ, Ebooks Corporation Limited. Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service. Vol Routledge advances in theatre and performance studies. Routledge; 2011. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668438
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Greer S. Contemporary British Queer Performance. Vol Performance interventions. Palgrave Macmillan; 2012. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137027337
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Adams R, Savran D. The Masculinity Studies Reader. Vol Keyworks in cultural studies. Blackwell; 2002.
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Davis TC. The Cambridge Companion to Performance Studies. Vol Cambridge Companions to Literature. Cambridge University Press; 2008. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521874014
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Mangan M. Staging Masculinities: History, Gender, Performance. Palgrave Macmillan; 2003.
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Taylor D. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Duke University Press; 1997.
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Fusco C, Heredia P, Gómez-Peña G, Art Institute of Chicago. Video Data Bank. The couple in the cage: a Guatianaui odyssey. Published online 200AD.
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Kirshenblatt-Gimblett B. The Ethnographic Burlesque. TDR (1988-). 1998;42(2):175-180. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1146706
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Madison DS. Critical Ethnography: Methods, Ethics, and Performance. SAGE; 2005. http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/critical-ethnography/SAGE.xml
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Taylor D. A savage performance: Guillermo Gomez-Pena and Coco Fusco’s ‘Couple in the Cage.’ TDR (Cambridge, Mass). 1998;42(2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA21017529&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=f463227dc38565ca46b490b8d880062e
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Benjamin T. Encyclopedia of Western Colonialism since 1450. 1st ed. Macmillan Reference USA; 2007.
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Corbey R. Ethnographic Showcases, 1870-1930. Cultural Anthropology. 1993;8(3):338-369. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/656317
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Bohme G. Atmosphere as the Fundamental Concept of a New Aesthetics. Thesis Eleven. 1993;36(1):113-126. doi:10.1177/072551369303600107
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Phelan P, Dawson Books. Unmarked: The Politics of Performance. Routledge; 1993. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203359433
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Thompson J, Ebooks Corporation Limited. Performance Affects: Applied Theatre and the End of Effect. Palgrave Macmillan; 2009. http://GLA.eblib.com/patron/FullRecord.aspx?p=485379
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Thrift NJ, Askews & Holts Library Services. Non-Representational Theory: Space, Politics, Affect. Vol International library of sociology. Routledge; 2008. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203946565
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Welton M. Feeling Theatre. Palgrave Macmillan; 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230355538
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Arons W, May TJ. Readings in Performance and Ecology. Vol What is theatre? Palgrave Macmillan; 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137011695
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Chaudhuri U. ‘There Must Be a Lot of Fish in That Lake’: Toward an Ecological Theater. Theater. 1994;25(1):23-31. doi:10.1215/01610775-25-1-23
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Lavery C. The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio. French Cultural Studies. 2013;24(3):264-278. doi:10.1177/0957155813489095
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Lavery C, Whitehead S. Bringing It All Back Home: Towards an ecology of place. Performance Research. 2012;17(4):111-119. doi:10.1080/13528165.2012.712337
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Marranca B. Ecologies of Theater: Essays at the Century Turning. Vol PAJ books. Johns Hopkins University Press; 1996.
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Morton T. Guest Column: Queer Ecology. PMLA. 2010;125(2):273-282. doi:10.1632/pmla.2010.125.2.273