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Digital Theatre (Firm), Routledge (Firm), and Taylor & Francis Online, ‘Routledge performance archive’. Routledge, [Great Britain], 2012 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/
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Plato The Republic (book 10). [Online]. Available: http://classics.mit.edu/Plato/republic.11.x.html
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E. Fuchs, The death of character: perspectives on theater after modernism, vol. Drama and performance studies. Bloomington, Ind: Indiana University Press, 1996.
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M. Reason, Documentation, disappearance and the representation of live performance. Basingstoke, Hampshire: Palgrave Macmillan, 2006 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230598560
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B. O. States and American Council of Learned Societies, Great reckonings in little rooms: on the phenomenology of theater. Berkeley: University of California Press, 1985 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08071
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C. Turner and S. K. Behrndt, Dramaturgy and performance, vol. Theatre and performance practices. Houndmills: Palgrave Macmillan, 2008.
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S. J. Bailes and Ebooks Corporation Limited, Performance theatre and the poetics of failure: forced entertainment, Goat Island, elevator repair service, vol. Routledge advances in theatre and performance studies. Abingdon, Oxon: Routledge, 2011 [Online]. Available: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668438
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R. Adams and D. Savran, The masculinity studies reader, vol. Keyworks in cultural studies. Malden, Mass: Blackwell, 2002.
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M. Mangan, Staging masculinities: history, gender, performance. Basingstoke, Hampshire: Palgrave Macmillan, 2003.
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D. S. Madison, Critical ethnography: methods, ethics, and performance. London: SAGE, 2005 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/critical-ethnography/SAGE.xml
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D. Taylor, ‘A savage performance: Guillermo Gomez-Pena and Coco Fusco’s “Couple in the Cage.”’, TDR (Cambridge, Mass.), vol. 42, no. 2, 1998 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA21017529&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=f463227dc38565ca46b490b8d880062e
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M. Welton, Feeling theatre. Basingstoke: Palgrave Macmillan, 2011 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230355538
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W. Arons and T. J. May, Readings in performance and ecology, vol. What is theatre? Basingstoke: Palgrave Macmillan, 2012 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137011695
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U. Chaudhuri, ‘“There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater’, Theater, vol. 25, no. 1, pp. 23–31, Mar. 1994, doi: 10.1215/01610775-25-1-23.
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C. Lavery, ‘The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio’, French Cultural Studies, vol. 24, no. 3, pp. 264–278, Aug. 2013, doi: 10.1177/0957155813489095.
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U. Chaudhuri and S. Enelow, Research theatre, climate change, and the ecocide project, First edition., vol. Palgrave pivot. New York, NY: Palgrave Macmillan, 2014.
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B. Kershaw, Theatre ecology: environments and performance events. Cambridge: Cambridge University Press, 2007.
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B. Marranca, Ecologies of theater: essays at the Century Turning, vol. PAJ books. Baltimore, Md: Johns Hopkins University Press, 1996.
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T. Morton, ‘Guest Column: Queer Ecology’, PMLA, vol. 125, no. 2, pp. 273–282, Mar. 2010, doi: 10.1632/pmla.2010.125.2.273.
