Adams, R. and Savran, D. (2002) The masculinity studies reader. Malden, Mass: Blackwell.
Adorno, T. (1974) ‘Commitment’, New Left Review, 87. Available at: http://newleftreview.org/I/87-88/theodor-adorno-commitment.
Aristotle, 384 BCE-322 BCE (no date) The Poetics of Aristotle /A Translation By S. H. Butcher. Available at: https://www.gutenberg.org/ebooks/1974?msg=welcome_stranger.
Arons, W. and May, T.J. (2012) Readings in performance and ecology [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137011695.
Bailes, S.J. and Ebooks Corporation Limited (2011) Performance theatre and the poetics of failure: forced entertainment, Goat Island, elevator repair service [electronic resource]. Abingdon, Oxon: Routledge. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668438.
Barish, J.A. (1981) The antitheatrical prejudice. Berkeley, Calif: University of California Press.
Barthes, R. and Heath, S. (1977) Image music text. London: Fontana Press.
Benjamin, T. (2007) Encyclopedia of Western colonialism since 1450. 1st ed. Detroit: Macmillan Reference USA.
Bohme, G. (1993) ‘Atmosphere as the Fundamental Concept of a New Aesthetics’, Thesis Eleven, 36(1), pp. 113–126. Available at: https://doi.org/10.1177/072551369303600107.
Case, S.-E. (1990) Performing feminisms: feminist critical theory and theatre. Baltimore, MD: Johns Hopkins University Press.
Chaudhuri, U. (1994) ‘“There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater’, Theater, 25(1), pp. 23–31. Available at: https://doi.org/10.1215/01610775-25-1-23.
Chaudhuri, U. and Enelow, S. (2014) Research theatre, climate change, and the ecocide project. First edition. New York, NY: Palgrave Macmillan.
Clark, L.B. (2009) ‘Coming to Terms with Trauma Tourism’, Performance Paradigm [Preprint], (5.2). Available at: http://www.performanceparadigm.net/index.php/journal/article/view/76.
Corbey, R. (1993) ‘Ethnographic Showcases, 1870-1930’, Cultural Anthropology, 8(3), pp. 338–369. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/656317.
Davis, T.C. (2008) The Cambridge Companion to Performance Studies [electronic resource]. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521874014.
Diamond, E. and Ebooks Corporation Limited (1997a) Unmaking mimesis: essays on feminism and theater [electronic resource]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=179061.
Diamond, E. and Ebooks Corporation Limited (1997b) Unmaking mimesis: essays on feminism and theater [electronic resource]. London: Routledge. Available at: http://www.gla.eblib.com/patron/FullRecord.aspx?p=179061.
Digital Theatre (Firm), Routledge (Firm), and Taylor & Francis Online (2012) ‘Routledge performance archive’. [Great Britain]: Routledge. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/.
Dillon, B. (2011a) Ruins. London: Whitechapel Gallery.
Dillon, B. (2011b) Ruins. London: Whitechapel Gallery.
Dillon, B. (2011c) Ruins. London: Whitechapel Gallery.
Dillon, B. (2014) Ruin lust: artists’ fascination with ruins, from Turner to the present day. London: Tate Publishing.
Eagleton, T. (1976) Marxism and literary criticism. London: Methuen.
Ebooks Corporation Limited (2010) Ruins of modernity. Edited by J. Hell and A. Schönle. Durham, NC: Duke University Press. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1170517.
Ebooks Corporation Limited (2013a) Postdramatic theatre and the political: international perspectives on contemporary performance. Edited by K. Jürs-Munby, J. Carroll, and S. Giles. London: Bloomsbury. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=1507662.
Ebooks Corporation Limited (2013b) Postdramatic theatre and the political: international perspectives on contemporary performance. Edited by K. Jürs-Munby, J. Carroll, and S. Giles. London: Bloomsbury. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=1507662.
Ebooks Corporation Limited (2013c) Postdramatic theatre and the political: international perspectives on contemporary performance. Edited by K. Jürs-Munby, J. Carroll, and S. Giles. London: Bloomsbury. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=1507662.
Fortier, M. (2016) Theory/theatre: an introduction. Third edition. London: Routledge.
Fuchs, E. (1996) The death of character: perspectives on theater after modernism. Bloomington, Ind: Indiana University Press.
Fusco, C. et al. (200AD) ‘The couple in the cage: a Guatianaui odyssey’. Chicago, Ill: Video Data Bank.
Greer, S. (2012) Contemporary British queer performance [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137027337.
Heddon, D. and Klein, J. (2012) Histories and practices of live art. Basingstoke: Palgrave Macmillan.
Joe Sachs (no date) Aristotle: Poetics | Internet Encyclopedia of Philosophy. Available at: http://www.iep.utm.edu/aris-poe/.
Kelleher, J. (2009) Theatre & politics. Basingstoke: Palgrave Macmillan.
Kershaw, B. (1992) The politics of performance: radical theatre as cultural intervention [electronic resource]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.gla.ac.uk/shibboleth.
Kershaw, B. (1999) The radical in performance: between Brecht and Baudrillard. London: Routledge. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1486766.
Kershaw, B. (2007) Theatre ecology: environments and performance events. Cambridge: Cambridge University Press.
Kirshenblatt-Gimblett, B. (1998) ‘The Ethnographic Burlesque’, TDR (1988-), 42(2), pp. 175–180. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1146706.
Lavery, C. (2013) ‘The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio’, French Cultural Studies, 24(3), pp. 264–278. Available at: https://doi.org/10.1177/0957155813489095.
Lavery, C. and Gough, R. (2015) ‘Special issue On Ruins and Ruination. Introduction’, Performance Research, 20(3), pp. 1–8. Available at: https://doi.org/10.1080/13528165.2015.1049031.
Lavery, C. and Whitehead, S. (2012) ‘Bringing It All Back Home: Towards an ecology of place’, Performance Research, 17(4), pp. 111–119. Available at: https://doi.org/10.1080/13528165.2012.712337.
Machon, J. (2013) Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke: Palgrave Macmillan.
Madison, D.S. (2005) Critical ethnography: methods, ethics, and performance [electronic resource]. London: SAGE. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/critical-ethnography/SAGE.xml.
Mangan, M. (2003) Staging masculinities: history, gender, performance. Basingstoke, Hampshire: Palgrave Macmillan.
Marranca, B. (1996) Ecologies of theater: essays at the Century Turning. Baltimore, Md: Johns Hopkins University Press.
Morton, T. (2010) ‘Guest Column: Queer Ecology’, PMLA, 125(2), pp. 273–282. Available at: https://doi.org/10.1632/pmla.2010.125.2.273.
Pavis, P. (1985) ‘Theatre Analysis: Some Questions and a Questionnaire’, New Theatre Quarterly, 1(02). Available at: https://doi.org/10.1017/S0266464X00001573.
Pavis, P. (2003) Analyzing performance: theater, dance, and film. Ann Arbor: University of Michigan Press.
Pavis, P. and Dawson Books (2012) Contemporary mise en scene: staging theatre today [electronic resource]. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137.
Pearson, M. and Shanks, M. (2001) Theatre/archaeology: disciplinary dialogues. London: Routledge. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=242211.
Phelan, P. and Dawson Books (1993) Unmarked: the politics of performance [electronic resource]. London: Routledge. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203359433.
Plato The Republic (book 10) (no date). Available at: http://classics.mit.edu/Plato/republic.11.x.html.
Rancière, J. (2007) The future of the image. English ed. London: Verso.
Rancière, J. (2009) The emancipated spectator. London: Verso.
Reason, M. (2006) Documentation, disappearance and the representation of live performance. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230598560.
Reynolds, B. (ed.) (2014a) Performance studies: key words, concepts and theories. London: Palgrave.
Reynolds, B. (ed.) (2014b) Performance studies: key words, concepts and theories. London: Palgrave.
Ridout, N.P. and Askews & Holts Library Services (2006) Stage fright, animals, and other theatrical problems. Cambridge: Cambridge University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107165366.
Schneider, R. and Cody, G.H. (2002) Re:direction: a theoretical and practical guide. London: Routledge. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1397103.
Seigworth, G.J. and Ebooks Corporation Limited (2010) The affect theory reader. Edited by M. Gregg. Durham, NC: Duke University Press. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1172305.
Smith, P. (2012) Counter-tourism: a pocketbook : 50 odd things to do in a heritage site (and other places). Axminster: Triarchy Press.
States, B.O. and American Council of Learned Societies (1985) Great reckonings in little rooms: on the phenomenology of theater [electronic resource]. Berkeley: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08071.
Taylor, D. (1997) Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Durham, N.C.: Duke University Press.
Taylor, D. (1998) ‘A savage performance: Guillermo Gomez-Pena and Coco Fusco’s “Couple in the Cage.”’, TDR (Cambridge, Mass.), 42(2). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA21017529&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=f463227dc38565ca46b490b8d880062e.
Thompson, J. and Ebooks Corporation Limited (2009) Performance affects: applied theatre and the end of effect. Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=485379.
Thrift, N.J. and Askews & Holts Library Services (2008) Non-representational theory: space, politics, affect. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203946565.
Turner, C. and Behrndt, S.K. (2008) Dramaturgy and performance. Houndmills: Palgrave Macmillan.
Viney, W. (2014) Waste: a philosophy of things. London: Bloomsbury Academic.
Welton, M. (2011) Feeling theatre [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230355538.
White, G. (2012) ‘On Immersive Theatre’, Theatre Research International, 37(03), pp. 221–235. Available at: https://doi.org/10.1017/S0307883312000880.
Williams, R. (1988a) Keywords: a vocabulary of culture and society [electronic resource]. London: Fontana. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=679632.
Williams, R. (1988b) Keywords: a vocabulary of culture and society [electronic resource]. London: Fontana. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=679632.
