1.
Digital Theatre (Firm), Routledge (Firm), Taylor & Francis Online: Routledge performance archive, http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/, (2012).
2.
Plato The Republic (book 10).
3.
Aristotle, 384 BCE-322 BCE: The Poetics of Aristotle /A Translation By S. H. Butcher.
4.
Joe Sachs: Aristotle: Poetics | Internet Encyclopedia of Philosophy, http://www.iep.utm.edu/aris-poe/.
5.
Barish, J.A.: The antitheatrical prejudice. University of California Press, Berkeley, Calif (1981).
6.
Diamond, E., Ebooks Corporation Limited: Unmaking mimesis: essays on feminism and theater. Routledge, London (1997).
7.
Fuchs, E.: The death of character: perspectives on theater after modernism. Indiana University Press, Bloomington, Ind (1996).
8.
Rancière, J.: The future of the image. Verso, London (2007).
9.
Williams, R.: Keywords: a vocabulary of culture and society. Fontana, London (1988).
10.
Pavis, P.: Theatre Analysis: Some Questions and a Questionnaire. New Theatre Quarterly. 1, (1985). https://doi.org/10.1017/S0266464X00001573.
11.
Reynolds, B. ed: Performance studies: key words, concepts and theories. Palgrave, London (2014).
12.
Fortier, M.: Theory/theatre: an introduction. Routledge, London (2016).
13.
Pavis, P.: Analyzing performance: theater, dance, and film. University of Michigan Press, Ann Arbor (2003).
14.
Pavis, P., Dawson Books: Contemporary mise en scene: staging theatre today. Routledge, London (2012).
15.
Reason, M.: Documentation, disappearance and the representation of live performance. Palgrave Macmillan, Basingstoke, Hampshire (2006).
16.
States, B.O., American Council of Learned Societies: Great reckonings in little rooms: on the phenomenology of theater. University of California Press, Berkeley (1985).
17.
Turner, C., Behrndt, S.K.: Dramaturgy and performance. Palgrave Macmillan, Houndmills (2008).
18.
Dillon, B.: Ruins. Whitechapel Gallery, London (2011).
19.
Lavery, C., Gough, R.: Special issue On Ruins and Ruination. Introduction. Performance Research. 20, 1–8 (2015). https://doi.org/10.1080/13528165.2015.1049031.
20.
Pearson, M., Shanks, M.: Theatre/archaeology: disciplinary dialogues. Routledge, London (2001).
21.
Smith, P.: Counter-tourism: a pocketbook : 50 odd things to do in a heritage site (and other places). Triarchy Press, Axminster (2012).
22.
Dillon, B.: Ruin lust: artists’ fascination with ruins, from Turner to the present day. Tate Publishing, London (2014).
23.
Ebooks Corporation Limited: Ruins of modernity. Duke University Press, Durham, NC (2010).
24.
Dillon, B.: Ruins. Whitechapel Gallery, London (2011).
25.
Dillon, B.: Ruins. Whitechapel Gallery, London (2011).
26.
Viney, W.: Waste: a philosophy of things. Bloomsbury Academic, London (2014).
27.
Clark, L.B.: Coming to Terms with Trauma Tourism. Performance Paradigm. (2009).
28.
Adorno, T.: Commitment. New Left Review. 87, (1974).
29.
Rancière, J.: The emancipated spectator. Verso, London (2009).
30.
Williams, R.: Keywords: a vocabulary of culture and society. Fontana, London (1988).
31.
Eagleton, T.: Marxism and literary criticism. Methuen, London (1976).
32.
Kelleher, J.: Theatre & politics. Palgrave Macmillan, Basingstoke (2009).
33.
Kershaw, B.: The radical in performance: between Brecht and Baudrillard. Routledge, London (1999).
34.
Kershaw, B.: The politics of performance: radical theatre as cultural intervention. Routledge, London (1992).
35.
Ebooks Corporation Limited: Postdramatic theatre and the political: international perspectives on contemporary performance. Bloomsbury, London (2013).
36.
Ebooks Corporation Limited: Postdramatic theatre and the political: international perspectives on contemporary performance. Bloomsbury, London (2013).
37.
Reynolds, B. ed: Performance studies: key words, concepts and theories. Palgrave, London (2014).
38.
Bailes, S.J., Ebooks Corporation Limited: Performance theatre and the poetics of failure: forced entertainment, Goat Island, elevator repair service. Routledge, Abingdon, Oxon (2011).
39.
Barthes, R., Heath, S.: Image music text. Fontana Press, London (1977).
40.
Heddon, D., Klein, J.: Histories and practices of live art. Palgrave Macmillan, Basingstoke (2012).
41.
Ebooks Corporation Limited: Postdramatic theatre and the political: international perspectives on contemporary performance. Bloomsbury, London (2013).
42.
Case, S.-E.: Performing feminisms: feminist critical theory and theatre. Johns Hopkins University Press, Baltimore, MD (1990).
43.
Greer, S.: Contemporary British queer performance. Palgrave Macmillan, Basingstoke (2012).
44.
Adams, R., Savran, D.: The masculinity studies reader. Blackwell, Malden, Mass (2002).
45.
Diamond, E., Ebooks Corporation Limited: Unmaking mimesis: essays on feminism and theater. Routledge, London (1997).
46.
Davis, T.C.: The Cambridge Companion to Performance Studies. Cambridge University Press, Cambridge (2008).
47.
Mangan, M.: Staging masculinities: history, gender, performance. Palgrave Macmillan, Basingstoke, Hampshire (2003).
48.
Taylor, D.: Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Duke University Press, Durham, N.C. (1997).
49.
Fusco, C., Heredia, P., Gómez-Peña, G., Art Institute of Chicago. Video Data Bank: The couple in the cage: a Guatianaui odyssey, (200)AD.
50.
Schneider, R., Cody, G.H.: Re:direction: a theoretical and practical guide. Routledge, London (2002).
51.
Kirshenblatt-Gimblett, B.: The Ethnographic Burlesque. TDR (1988-). 42, 175–180 (1998).
52.
Madison, D.S.: Critical ethnography: methods, ethics, and performance. SAGE, London (2005).
53.
Taylor, D.: A savage performance: Guillermo Gomez-Pena and Coco Fusco’s ‘Couple in the Cage.’ TDR (Cambridge, Mass.). 42, (1998).
54.
Benjamin, T.: Encyclopedia of Western colonialism since 1450. Macmillan Reference USA, Detroit (2007).
55.
Corbey, R.: Ethnographic Showcases, 1870-1930. Cultural Anthropology. 8, 338–369 (1993).
56.
Bohme, G.: Atmosphere as the Fundamental Concept of a New Aesthetics. Thesis Eleven. 36, 113–126 (1993). https://doi.org/10.1177/072551369303600107.
57.
Seigworth, G.J., Ebooks Corporation Limited: The affect theory reader. Duke University Press, Durham, NC (2010).
58.
Phelan, P., Dawson Books: Unmarked: the politics of performance. Routledge, London (1993).
59.
White, G.: On Immersive Theatre. Theatre Research International. 37, 221–235 (2012). https://doi.org/10.1017/S0307883312000880.
60.
Machon, J.: Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan, Basingstoke (2013).
61.
Ridout, N.P., Askews & Holts Library Services: Stage fright, animals, and other theatrical problems. Cambridge University Press, Cambridge (2006).
62.
Thompson, J., Ebooks Corporation Limited: Performance affects: applied theatre and the end of effect. Palgrave Macmillan, Basingstoke, Hampshire (2009).
63.
Thrift, N.J., Askews & Holts Library Services: Non-representational theory: space, politics, affect. Routledge, London (2008).
64.
Welton, M.: Feeling theatre. Palgrave Macmillan, Basingstoke (2011).
65.
Arons, W., May, T.J.: Readings in performance and ecology. Palgrave Macmillan, Basingstoke (2012).
66.
Chaudhuri, U.: ‘There Must Be a Lot of Fish in That Lake’: Toward an Ecological Theater. Theater. 25, 23–31 (1994). https://doi.org/10.1215/01610775-25-1-23.
67.
Lavery, C.: The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio. French Cultural Studies. 24, 264–278 (2013). https://doi.org/10.1177/0957155813489095.
68.
Chaudhuri, U., Enelow, S.: Research theatre, climate change, and the ecocide project. Palgrave Macmillan, New York, NY (2014).
69.
Kershaw, B.: Theatre ecology: environments and performance events. Cambridge University Press, Cambridge (2007).
70.
Lavery, C., Whitehead, S.: Bringing It All Back Home: Towards an ecology of place. Performance Research. 17, 111–119 (2012). https://doi.org/10.1080/13528165.2012.712337.
71.
Marranca, B.: Ecologies of theater: essays at the Century Turning. Johns Hopkins University Press, Baltimore, Md (1996).
72.
Morton, T.: Guest Column: Queer Ecology. PMLA. 125, 273–282 (2010). https://doi.org/10.1632/pmla.2010.125.2.273.
