Adams, Rachel, and David Savran. 2002. The Masculinity Studies Reader. Vol. Keyworks in cultural studies. Malden, Mass: Blackwell.
Adorno, Theodor. 1974. ‘Commitment’. New Left Review 87. http://newleftreview.org/I/87-88/theodor-adorno-commitment.
Aristotle, 384 BCE-322 BCE. n.d. The Poetics of Aristotle /A Translation By S. H. Butcher. https://www.gutenberg.org/ebooks/1974?msg=welcome_stranger.
Arons, Wendy, and Theresa J. May. 2012. Readings in Performance and Ecology. Electronic resource. Vol. What is theatre? Basingstoke: Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137011695.
Bailes, Sara Jane and Ebooks Corporation Limited. 2011. Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service. Electronic resource. Vol. Routledge advances in theatre and performance studies. Abingdon, Oxon: Routledge. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668438.
Barish, Jonas A. 1981. The Antitheatrical Prejudice. Berkeley, Calif: University of California Press.
Barthes, Roland, and Stephen Heath. 1977. Image Music Text. Vol. Fontana communications series. London: Fontana Press.
Benjamin, Thomas. 2007. Encyclopedia of Western Colonialism since 1450. 1st ed. Detroit: Macmillan Reference USA.
Bohme, G. 1993. ‘Atmosphere as the Fundamental Concept of a New Aesthetics’. Thesis Eleven 36 (1): 113–26. https://doi.org/10.1177/072551369303600107.
Case, Sue-Ellen. 1990. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore, MD: Johns Hopkins University Press.
Chaudhuri, U. 1994. ‘“There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater’. Theater 25 (1): 23–31. https://doi.org/10.1215/01610775-25-1-23.
Chaudhuri, Una, and Shonni Enelow. 2014. Research Theatre, Climate Change, and the Ecocide Project. First edition. Vol. Palgrave pivot. New York, NY: Palgrave Macmillan.
Clark, Laura Beth. 2009. ‘Coming to Terms with Trauma Tourism’. Performance Paradigm, no. 5.2. http://www.performanceparadigm.net/index.php/journal/article/view/76.
Corbey, Raymond. 1993. ‘Ethnographic Showcases, 1870-1930’. Cultural Anthropology 8 (3): 338–69. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/656317.
Davis, Tracy C. 2008. The Cambridge Companion to Performance Studies. Electronic resource. Vol. Cambridge Companions to Literature. Cambridge: Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521874014.
Diamond, Elin and Ebooks Corporation Limited. 1997a. Unmaking Mimesis: Essays on Feminism and Theater. Electronic resource. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=179061.
———. 1997b. Unmaking Mimesis: Essays on Feminism and Theater. Electronic resource. London: Routledge. http://www.gla.eblib.com/patron/FullRecord.aspx?p=179061.
Digital Theatre (Firm), Routledge (Firm), and Taylor & Francis Online. 2012. ‘Routledge Performance Archive’. [Great Britain]: Routledge. http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/.
Dillon, Brian. 2011a. Ruins. Vol. Documents of contemporary art. London: Whitechapel Gallery.
———. 2011b. Ruins. Vol. Documents of contemporary art. London: Whitechapel Gallery.
———. 2011c. Ruins. Vol. Documents of contemporary art. London: Whitechapel Gallery.
———. 2014. Ruin Lust: Artists’ Fascination with Ruins, from Turner to the Present Day. London: Tate Publishing.
Eagleton, Terry. 1976. Marxism and Literary Criticism. London: Methuen.
Ebooks Corporation Limited. 2010. Ruins of Modernity. Edited by Julia Hell and Andreas Schönle. Vol. Politics, history, and culture : a series from the International Institute at the University of Michigan. Durham, NC: Duke University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1170517.
———. 2013a. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Edited by Karen Jürs-Munby, Jerome Carroll, and Steven Giles. Vol. Methuen drama engage. London: Bloomsbury. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662.
———. 2013b. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Edited by Karen Jürs-Munby, Jerome Carroll, and Steven Giles. Vol. Methuen drama engage. London: Bloomsbury. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662.
———. 2013c. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Edited by Karen Jürs-Munby, Jerome Carroll, and Steven Giles. Vol. Methuen drama engage. London: Bloomsbury. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662.
Fortier, Mark. 2016. Theory/Theatre: An Introduction. Third edition. London: Routledge.
Fuchs, Elinor. 1996. The Death of Character: Perspectives on Theater after Modernism. Vol. Drama and performance studies. Bloomington, Ind: Indiana University Press.
Fusco, Coco, Paula Heredia, Guillermo Gómez-Peña, and Art Institute of Chicago. Video Data Bank. 200AD. ‘The Couple in the Cage: A Guatianaui Odyssey’. Videorecording. Chicago, Ill: Video Data Bank.
Greer, Stephen. 2012. Contemporary British Queer Performance. Electronic resource. Vol. Performance interventions. Basingstoke: Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137027337.
Heddon, Deirdre, and Jennie Klein. 2012. Histories and Practices of Live Art. Basingstoke: Palgrave Macmillan.
Joe Sachs. n.d. ‘Aristotle: Poetics | Internet Encyclopedia of Philosophy’. http://www.iep.utm.edu/aris-poe/.
Kelleher, Joe. 2009. Theatre & Politics. Vol. Theatre&. Basingstoke: Palgrave Macmillan.
Kershaw, Baz. 1992. The Politics of Performance: Radical Theatre as Cultural Intervention. Electronic resource. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.gla.ac.uk/shibboleth.
———. 1999. The Radical in Performance: Between Brecht and Baudrillard. London: Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=1486766.
———. 2007. Theatre Ecology: Environments and Performance Events. Cambridge: Cambridge University Press.
Kirshenblatt-Gimblett, Barbara. 1998. ‘The Ethnographic Burlesque’. TDR (1988-) 42 (2): 175–80. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1146706.
Lavery, C. 2013. ‘The Ecology of the Image: The Environmental Politics of Philippe Quesne and Vivarium Studio’. French Cultural Studies 24 (3): 264–78. https://doi.org/10.1177/0957155813489095.
Lavery, Carl, and Richard Gough. 2015. ‘Special Issue On Ruins and Ruination. Introduction’. Performance Research 20 (3): 1–8. https://doi.org/10.1080/13528165.2015.1049031.
Lavery, Carl, and Simon Whitehead. 2012. ‘Bringing It All Back Home: Towards an Ecology of Place’. Performance Research 17 (4): 111–19. https://doi.org/10.1080/13528165.2012.712337.
Machon, Josephine. 2013. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave Macmillan.
Madison, D. Soyini. 2005. Critical Ethnography: Methods, Ethics, and Performance. Electronic resource. London: SAGE. http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/critical-ethnography/SAGE.xml.
Mangan, Michael. 2003. Staging Masculinities: History, Gender, Performance. Basingstoke, Hampshire: Palgrave Macmillan.
Marranca, Bonnie. 1996. Ecologies of Theater: Essays at the Century Turning. Vol. PAJ books. Baltimore, Md: Johns Hopkins University Press.
Morton, Timothy. 2010. ‘Guest Column: Queer Ecology’. PMLA 125 (2): 273–82. https://doi.org/10.1632/pmla.2010.125.2.273.
Pavis, Patrice. 1985. ‘Theatre Analysis: Some Questions and a Questionnaire’. New Theatre Quarterly 1 (02). https://doi.org/10.1017/S0266464X00001573.
———. 2003. Analyzing Performance: Theater, Dance, and Film. Ann Arbor: University of Michigan Press.
Pavis, Patrice and Dawson Books. 2012. Contemporary Mise En Scene: Staging Theatre Today. Electronic resource. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137.
Pearson, Mike, and Michael Shanks. 2001. Theatre/Archaeology: Disciplinary Dialogues. London: Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=242211.
Phelan, Peggy and Dawson Books. 1993. Unmarked: The Politics of Performance. Electronic resource. London: Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203359433.
Plato The Republic (Book 10). n.d. http://classics.mit.edu/Plato/republic.11.x.html.
Rancière, Jacques. 2007. The Future of the Image. English ed. London: Verso.
———. 2009. The Emancipated Spectator. London: Verso.
Reason, Matthew. 2006. Documentation, Disappearance and the Representation of Live Performance. Basingstoke, Hampshire: Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230598560.
Reynolds, Bryan, ed. 2014a. Performance Studies: Key Words, Concepts and Theories. London: Palgrave.
———, ed. 2014b. Performance Studies: Key Words, Concepts and Theories. London: Palgrave.
Ridout, Nicholas Peter and Askews & Holts Library Services. 2006. Stage Fright, Animals, and Other Theatrical Problems. Vol. Theatre and performance theory. Cambridge: Cambridge University Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107165366.
Schneider, Rebecca, and Gabrielle H. Cody. 2002. Re:Direction: A Theoretical and Practical Guide. Vol. Worlds of performance. London: Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=1397103.
Seigworth, Gregory J. and Ebooks Corporation Limited. 2010. The Affect Theory Reader. Edited by Melissa Gregg. Durham, NC: Duke University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1172305.
Smith, Phil. 2012. Counter-Tourism: A Pocketbook : 50 Odd Things to Do in a Heritage Site (and Other Places). Axminster: Triarchy Press.
States, Bert O. and American Council of Learned Societies. 1985. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Electronic resource. Berkeley: University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08071.
Taylor, Diana. 1997. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Durham, N.C.: Duke University Press.
———. 1998. ‘A Savage Performance: Guillermo Gomez-Pena and Coco Fusco’s “Couple in the Cage.”’ TDR (Cambridge, Mass.) 42 (2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA21017529&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=f463227dc38565ca46b490b8d880062e.
Thompson, James and Ebooks Corporation Limited. 2009. Performance Affects: Applied Theatre and the End of Effect. Basingstoke, Hampshire: Palgrave Macmillan. http://GLA.eblib.com/patron/FullRecord.aspx?p=485379.
Thrift, N. J. and Askews & Holts Library Services. 2008. Non-Representational Theory: Space, Politics, Affect. Vol. International library of sociology. London: Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203946565.
Turner, Cathy, and Synne K. Behrndt. 2008. Dramaturgy and Performance. Vol. Theatre and performance practices. Houndmills: Palgrave Macmillan.
Viney, William. 2014. Waste: A Philosophy of Things. London: Bloomsbury Academic.
Welton, Martin. 2011. Feeling Theatre. Electronic resource. Basingstoke: Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230355538.
White, Gareth. 2012. ‘On Immersive Theatre’. Theatre Research International 37 (03): 221–35. https://doi.org/10.1017/S0307883312000880.
Williams, Raymond. 1988a. Keywords: A Vocabulary of Culture and Society. Electronic resource. London: Fontana. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=679632.
———. 1988b. Keywords: A Vocabulary of Culture and Society. Electronic resource. London: Fontana. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=679632.
