Adams, Rachel, and David Savran. The Masculinity Studies Reader. Keyworks in cultural studies. Malden, Mass: Blackwell, 2002. Print.
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Aristotle, 384 BCE-322 BCE. The Poetics of Aristotle /A Translation By S. H. Butcher. N.p. Web. <https://www.gutenberg.org/ebooks/1974?msg=welcome_stranger>.
Arons, Wendy, and Theresa J. May. Readings in Performance and Ecology. What is theatre? Basingstoke: Palgrave Macmillan, 2012. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137011695>.
Bailes, Sara Jane and Ebooks Corporation Limited. Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service. Routledge advances in theatre and performance studies. Abingdon, Oxon: Routledge, 2011. Web. <http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668438>.
Barish, Jonas A. The Antitheatrical Prejudice. Berkeley, Calif: University of California Press, 1981. Print.
Barthes, Roland, and Stephen Heath. Image Music Text. Fontana communications series. London: Fontana Press, 1977. Print.
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Bohme, G. ‘Atmosphere as the Fundamental Concept of a New Aesthetics’. Thesis Eleven 36.1 (1993): 113–126. Web.
Case, Sue-Ellen. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore, MD: Johns Hopkins University Press, 1990. Print.
Chaudhuri, U. ‘“There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater’. Theater 25.1 (1994): 23–31. Web.
Chaudhuri, Una, and Shonni Enelow. Research Theatre, Climate Change, and the Ecocide Project. First edition. Palgrave pivot. New York, NY: Palgrave Macmillan, 2014. Print.
Clark, Laura Beth. ‘Coming to Terms with Trauma Tourism’. Performance Paradigm 5.2 (2009): n. pag. Web. <http://www.performanceparadigm.net/index.php/journal/article/view/76>.
Corbey, Raymond. ‘Ethnographic Showcases, 1870-1930’. Cultural Anthropology 8.3 (1993): 338–369. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/656317>.
Davis, Tracy C. The Cambridge Companion to Performance Studies. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 2008. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521874014>.
Diamond, Elin and Ebooks Corporation Limited. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge, 1997. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=179061>.
---. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge, 1997. Web. <http://www.gla.eblib.com/patron/FullRecord.aspx?p=179061>.
Digital Theatre (Firm), Routledge (Firm), and Taylor & Francis Online. ‘Routledge Performance Archive’. 2012. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/>.
Dillon, Brian. Ruin Lust: Artists’ Fascination with Ruins, from Turner to the Present Day. London: Tate Publishing, 2014. Print.
---. Ruins. Documents of contemporary art. London: Whitechapel Gallery, 2011. Print.
---. Ruins. Documents of contemporary art. London: Whitechapel Gallery, 2011. Print.
---. Ruins. Documents of contemporary art. London: Whitechapel Gallery, 2011. Print.
Eagleton, Terry. Marxism and Literary Criticism. London: Methuen, 1976. Print.
Ebooks Corporation Limited. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Ed. Karen Jürs-Munby, Jerome Carroll, and Steven Giles. Methuen drama engage. London: Bloomsbury, 2013. Web. <http://gla.eblib.com/patron/FullRecord.aspx?p=1507662>.
---. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Ed. Karen Jürs-Munby, Jerome Carroll, and Steven Giles. Methuen drama engage. London: Bloomsbury, 2013. Web. <http://gla.eblib.com/patron/FullRecord.aspx?p=1507662>.
---. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Ed. Karen Jürs-Munby, Jerome Carroll, and Steven Giles. Methuen drama engage. London: Bloomsbury, 2013. Web. <http://gla.eblib.com/patron/FullRecord.aspx?p=1507662>.
---. Ruins of Modernity. Ed. Julia Hell and Andreas Schönle. Politics, history, and culture : a series from the International Institute at the University of Michigan. Durham, NC: Duke University Press, 2010. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=1170517>.
Fortier, Mark. Theory/Theatre: An Introduction. Third edition. London: Routledge, 2016. Print.
Fuchs, Elinor. The Death of Character: Perspectives on Theater after Modernism. Drama and performance studies. Bloomington, Ind: Indiana University Press, 1996. Print.
Fusco, Coco et al. ‘The Couple in the Cage: A Guatianaui Odyssey’. 200AD : n. pag. Print.
Greer, Stephen. Contemporary British Queer Performance. Performance interventions. Basingstoke: Palgrave Macmillan, 2012. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137027337>.
Heddon, Deirdre, and Jennie Klein. Histories and Practices of Live Art. Basingstoke: Palgrave Macmillan, 2012. Print.
Joe Sachs. ‘Aristotle: Poetics | Internet Encyclopedia of Philosophy’. N.p., n.d. Web. <http://www.iep.utm.edu/aris-poe/>.
Kelleher, Joe. Theatre & Politics. Theatre&. Basingstoke: Palgrave Macmillan, 2009. Print.
Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. London: Routledge, 1992. Web. <http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.gla.ac.uk/shibboleth>.
---. The Radical in Performance: Between Brecht and Baudrillard. London: Routledge, 1999. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=1486766>.
---. Theatre Ecology: Environments and Performance Events. Cambridge: Cambridge University Press, 2007. Print.
Kirshenblatt-Gimblett, Barbara. ‘The Ethnographic Burlesque’. TDR (1988-) 42.2 (1998): 175–180. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1146706>.
Lavery, C. ‘The Ecology of the Image: The Environmental Politics of Philippe Quesne and Vivarium Studio’. French Cultural Studies 24.3 (2013): 264–278. Web.
Lavery, Carl, and Richard Gough. ‘Special Issue On Ruins and Ruination. Introduction’. Performance Research 20.3 (2015): 1–8. Web.
Lavery, Carl, and Simon Whitehead. ‘Bringing It All Back Home: Towards an Ecology of Place’. Performance Research 17.4 (2012): 111–119. Web.
Machon, Josephine. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave Macmillan, 2013. Print.
Madison, D. Soyini. Critical Ethnography: Methods, Ethics, and Performance. London: SAGE, 2005. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/critical-ethnography/SAGE.xml>.
Mangan, Michael. Staging Masculinities: History, Gender, Performance. Basingstoke, Hampshire: Palgrave Macmillan, 2003. Print.
Marranca, Bonnie. Ecologies of Theater: Essays at the Century Turning. PAJ books. Baltimore, Md: Johns Hopkins University Press, 1996. Print.
Morton, Timothy. ‘Guest Column: Queer Ecology’. PMLA 125.2 (2010): 273–282. Web.
Pavis, Patrice. Analyzing Performance: Theater, Dance, and Film. Ann Arbor: University of Michigan Press, 2003. Print.
---. ‘Theatre Analysis: Some Questions and a Questionnaire’. New Theatre Quarterly 1.02 (1985): n. pag. Web.
Pavis, Patrice and Dawson Books. Contemporary Mise En Scene: Staging Theatre Today. London: Routledge, 2012. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137>.
Pearson, Mike, and Michael Shanks. Theatre/Archaeology: Disciplinary Dialogues. London: Routledge, 2001. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=242211>.
Phelan, Peggy and Dawson Books. Unmarked: The Politics of Performance. London: Routledge, 1993. Web. <http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203359433>.
Plato The Republic (Book 10). N.p. Web. <http://classics.mit.edu/Plato/republic.11.x.html>.
Rancière, Jacques. The Emancipated Spectator. London: Verso, 2009. Print.
---. The Future of the Image. English ed. London: Verso, 2007. Print.
Reason, Matthew. Documentation, Disappearance and the Representation of Live Performance. Basingstoke, Hampshire: Palgrave Macmillan, 2006. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230598560>.
Reynolds, Bryan, ed. Performance Studies: Key Words, Concepts and Theories. London: Palgrave, 2014. Print.
---, ed. Performance Studies: Key Words, Concepts and Theories. London: Palgrave, 2014. Print.
Ridout, Nicholas Peter and Askews & Holts Library Services. Stage Fright, Animals, and Other Theatrical Problems. Theatre and performance theory. Cambridge: Cambridge University Press, 2006. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107165366>.
Schneider, Rebecca, and Gabrielle H. Cody. Re:Direction: A Theoretical and Practical Guide. Worlds of performance. London: Routledge, 2002. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=1397103>.
Seigworth, Gregory J. and Ebooks Corporation Limited. The Affect Theory Reader. Ed. Melissa Gregg. Durham, NC: Duke University Press, 2010. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=1172305>.
Smith, Phil. Counter-Tourism: A Pocketbook : 50 Odd Things to Do in a Heritage Site (and Other Places). Axminster: Triarchy Press, 2012. Print.
States, Bert O. and American Council of Learned Societies. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Berkeley: University of California Press, 1985. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08071>.
Taylor, Diana. ‘A Savage Performance: Guillermo Gomez-Pena and Coco Fusco’s “Couple in the Cage.”’ TDR (Cambridge, Mass.) 42.2 (1998): n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA21017529&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=f463227dc38565ca46b490b8d880062e>.
---. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Durham, N.C.: Duke University Press, 1997. Print.
Thompson, James and Ebooks Corporation Limited. Performance Affects: Applied Theatre and the End of Effect. Basingstoke, Hampshire: Palgrave Macmillan, 2009. Web. <http://GLA.eblib.com/patron/FullRecord.aspx?p=485379>.
Thrift, N. J. and Askews & Holts Library Services. Non-Representational Theory: Space, Politics, Affect. International library of sociology. London: Routledge, 2008. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203946565>.
Turner, Cathy, and Synne K. Behrndt. Dramaturgy and Performance. Theatre and performance practices. Houndmills: Palgrave Macmillan, 2008. Print.
Viney, William. Waste: A Philosophy of Things. London: Bloomsbury Academic, 2014. Print.
Welton, Martin. Feeling Theatre. Basingstoke: Palgrave Macmillan, 2011. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230355538>.
White, Gareth. ‘On Immersive Theatre’. Theatre Research International 37.03 (2012): 221–235. Web.
Williams, Raymond. Keywords: A Vocabulary of Culture and Society. London: Fontana, 1988. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=679632>.
---. Keywords: A Vocabulary of Culture and Society. London: Fontana, 1988. Web. <http://www.GLA.eblib.com/patron/FullRecord.aspx?p=679632>.
