Adams, R., & Savran, D. (2002). The masculinity studies reader: Vol. Keyworks in cultural studies. Blackwell.
Adorno, T. (1974). Commitment. New Left Review, 87. http://newleftreview.org/I/87-88/theodor-adorno-commitment
Aristotle, 384 BCE-322 BCE. (n.d.). The Poetics of Aristotle /A Translation By S. H. Butcher. https://www.gutenberg.org/ebooks/1974?msg=welcome_stranger
Arons, W., & May, T. J. (2012). Readings in performance and ecology: Vol. What is theatre? [Electronic resource]. Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137011695
Bailes, S. J. & Ebooks Corporation Limited. (2011). Performance theatre and the poetics of failure: forced entertainment, Goat Island, elevator repair service: Vol. Routledge advances in theatre and performance studies [Electronic resource]. Routledge. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=668438
Barish, J. A. (1981). The antitheatrical prejudice. University of California Press.
Barthes, R., & Heath, S. (1977). Image music text: Vol. Fontana communications series. Fontana Press.
Benjamin, T. (2007). Encyclopedia of Western colonialism since 1450 (1st ed). Macmillan Reference USA.
Bohme, G. (1993). Atmosphere as the Fundamental Concept of a New Aesthetics. Thesis Eleven, 36(1), 113–126. https://doi.org/10.1177/072551369303600107
Case, S.-E. (1990). Performing feminisms: feminist critical theory and theatre. Johns Hopkins University Press.
Chaudhuri, U. (1994). ‘There Must Be a Lot of Fish in That Lake’: Toward an Ecological Theater. Theater, 25(1), 23–31. https://doi.org/10.1215/01610775-25-1-23
Chaudhuri, U., & Enelow, S. (2014). Research theatre, climate change, and the ecocide project: Vol. Palgrave pivot (First edition). Palgrave Macmillan.
Clark, L. B. (2009). Coming to Terms with Trauma Tourism. Performance Paradigm, 5.2. http://www.performanceparadigm.net/index.php/journal/article/view/76
Corbey, R. (1993). Ethnographic Showcases, 1870-1930. Cultural Anthropology, 8(3), 338–369. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/656317
Davis, T. C. (2008). The Cambridge Companion to Performance Studies: Vol. Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521874014
Diamond, E. & Ebooks Corporation Limited. (1997a). Unmaking mimesis: essays on feminism and theater [Electronic resource]. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=179061
Diamond, E. & Ebooks Corporation Limited. (1997b). Unmaking mimesis: essays on feminism and theater [Electronic resource]. Routledge. http://www.gla.eblib.com/patron/FullRecord.aspx?p=179061
Digital Theatre (Firm), Routledge (Firm), & Taylor & Francis Online. (2012). Routledge performance archive. Routledge. http://ezproxy.lib.gla.ac.uk/login?url=http://www.routledgeperformancearchive.com/
Dillon, B. (2011a). Ruins: Vol. Documents of contemporary art. Whitechapel Gallery.
Dillon, B. (2011b). Ruins: Vol. Documents of contemporary art. Whitechapel Gallery.
Dillon, B. (2011c). Ruins: Vol. Documents of contemporary art. Whitechapel Gallery.
Dillon, B. (2014). Ruin lust: artists’ fascination with ruins, from Turner to the present day. Tate Publishing.
Eagleton, T. (1976). Marxism and literary criticism. Methuen.
Ebooks Corporation Limited. (2010). Ruins of modernity: Vol. Politics, history, and culture : a series from the International Institute at the University of Michigan (J. Hell & A. Schönle, Eds.). Duke University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1170517
Ebooks Corporation Limited. (2013a). Postdramatic theatre and the political: international perspectives on contemporary performance: Vol. Methuen drama engage (K. Jürs-Munby, J. Carroll, & S. Giles, Eds.). Bloomsbury. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662
Ebooks Corporation Limited. (2013b). Postdramatic theatre and the political: international perspectives on contemporary performance: Vol. Methuen drama engage (K. Jürs-Munby, J. Carroll, & S. Giles, Eds.). Bloomsbury. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662
Ebooks Corporation Limited. (2013c). Postdramatic theatre and the political: international perspectives on contemporary performance: Vol. Methuen drama engage (K. Jürs-Munby, J. Carroll, & S. Giles, Eds.). Bloomsbury. http://gla.eblib.com/patron/FullRecord.aspx?p=1507662
Fortier, M. (2016). Theory/theatre: an introduction (Third edition). Routledge.
Fuchs, E. (1996). The death of character: perspectives on theater after modernism: Vol. Drama and performance studies. Indiana University Press.
Fusco, C., Heredia, P., Gómez-Peña, G., & Art Institute of Chicago. Video Data Bank. (200 C.E.). The couple in the cage: a Guatianaui odyssey [Videorecording]. Video Data Bank.
Greer, S. (2012). Contemporary British queer performance: Vol. Performance interventions [Electronic resource]. Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137027337
Heddon, D., & Klein, J. (2012). Histories and practices of live art. Palgrave Macmillan.
Joe Sachs. (n.d.). Aristotle: Poetics | Internet Encyclopedia of Philosophy. http://www.iep.utm.edu/aris-poe/
Kelleher, J. (2009). Theatre & politics: Vol. Theatre&. Palgrave Macmillan.
Kershaw, B. (1992). The politics of performance: radical theatre as cultural intervention [Electronic resource]. Routledge. http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://idp.gla.ac.uk/shibboleth
Kershaw, B. (1999). The radical in performance: between Brecht and Baudrillard. Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=1486766
Kershaw, B. (2007). Theatre ecology: environments and performance events. Cambridge University Press.
Kirshenblatt-Gimblett, B. (1998). The Ethnographic Burlesque. TDR (1988-), 42(2), 175–180. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1146706
Lavery, C. (2013). The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio. French Cultural Studies, 24(3), 264–278. https://doi.org/10.1177/0957155813489095
Lavery, C., & Gough, R. (2015). Special issue On Ruins and Ruination. Introduction. Performance Research, 20(3), 1–8. https://doi.org/10.1080/13528165.2015.1049031
Lavery, C., & Whitehead, S. (2012). Bringing It All Back Home: Towards an ecology of place. Performance Research, 17(4), 111–119. https://doi.org/10.1080/13528165.2012.712337
Machon, J. (2013). Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan.
Madison, D. S. (2005). Critical ethnography: methods, ethics, and performance [Electronic resource]. SAGE. http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/critical-ethnography/SAGE.xml
Mangan, M. (2003). Staging masculinities: history, gender, performance. Palgrave Macmillan.
Marranca, B. (1996). Ecologies of theater: essays at the Century Turning: Vol. PAJ books. Johns Hopkins University Press.
Morton, T. (2010). Guest Column: Queer Ecology. PMLA, 125(2), 273–282. https://doi.org/10.1632/pmla.2010.125.2.273
Pavis, P. (1985). Theatre Analysis: Some Questions and a Questionnaire. New Theatre Quarterly, 1(02). https://doi.org/10.1017/S0266464X00001573
Pavis, P. (2003). Analyzing performance: theater, dance, and film. University of Michigan Press.
Pavis, P. & Dawson Books. (2012). Contemporary mise en scene: staging theatre today [Electronic resource]. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203125137
Pearson, M., & Shanks, M. (2001). Theatre/archaeology: disciplinary dialogues. Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=242211
Phelan, P. & Dawson Books. (1993). Unmarked: the politics of performance [Electronic resource]. Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203359433
Plato The Republic (book 10). (n.d.). http://classics.mit.edu/Plato/republic.11.x.html
Rancière, J. (2007). The future of the image (English ed). Verso.
Rancière, J. (2009). The emancipated spectator. Verso.
Reason, M. (2006). Documentation, disappearance and the representation of live performance. Palgrave Macmillan. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230598560
Reynolds, B. (Ed.). (2014a). Performance studies: key words, concepts and theories. Palgrave.
Reynolds, B. (Ed.). (2014b). Performance studies: key words, concepts and theories. Palgrave.
Ridout, N. P. & Askews & Holts Library Services. (2006). Stage fright, animals, and other theatrical problems: Vol. Theatre and performance theory. Cambridge University Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107165366
Schneider, R., & Cody, G. H. (2002). Re:direction: a theoretical and practical guide: Vol. Worlds of performance. Routledge. http://GLA.eblib.com/patron/FullRecord.aspx?p=1397103
Seigworth, G. J. & Ebooks Corporation Limited. (2010). The affect theory reader (M. Gregg, Ed.). Duke University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1172305
Smith, P. (2012). Counter-tourism: a pocketbook : 50 odd things to do in a heritage site (and other places). Triarchy Press.
States, B. O. & American Council of Learned Societies. (1985). Great reckonings in little rooms: on the phenomenology of theater [Electronic resource]. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08071
Taylor, D. (1997). Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Duke University Press.
Taylor, D. (1998). A savage performance: Guillermo Gomez-Pena and Coco Fusco’s ‘Couple in the Cage.’ TDR (Cambridge, Mass.), 42(2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA21017529&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=f463227dc38565ca46b490b8d880062e
Thompson, J. & Ebooks Corporation Limited. (2009). Performance affects: applied theatre and the end of effect. Palgrave Macmillan. http://GLA.eblib.com/patron/FullRecord.aspx?p=485379
Thrift, N. J. & Askews & Holts Library Services. (2008). Non-representational theory: space, politics, affect: Vol. International library of sociology. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203946565
Turner, C., & Behrndt, S. K. (2008). Dramaturgy and performance: Vol. Theatre and performance practices. Palgrave Macmillan.
Viney, W. (2014). Waste: a philosophy of things. Bloomsbury Academic.
Welton, M. (2011). Feeling theatre [Electronic resource]. Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230355538
White, G. (2012). On Immersive Theatre. Theatre Research International, 37(03), 221–235. https://doi.org/10.1017/S0307883312000880
Williams, R. (1988a). Keywords: a vocabulary of culture and society [Electronic resource]. Fontana. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=679632
Williams, R. (1988b). Keywords: a vocabulary of culture and society [Electronic resource]. Fontana. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=679632
