1.
Charlie Keil and Shelley Stamp, ed. American Cinema’s Transitional Era: Audiences, Institutions, Practices. University of California Press; 2004. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08010
2.
Peter Stanfield. The Western 1909-14: A Cast of Villains. Film History. 1987;1(2):97-112. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3815082
3.
Charlie Keil and Ben Singer, ed. American Cinema of the 1910s: Themes and Variations. Vol Series: Screen decades. Rutgers University Press; 2009. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08003
4.
Richard Abel. Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914. University of California Press; 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08012
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Lee Grieveson and Peter Krämer, ed. The Silent Cinema Reader. Routledge; 2004.
6.
Keil C. Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Vol Wisconsin studies in film. University of Wisconsin Press; 2001.
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Ben Singer. Melodrama and Modernity: Early Sensational Cinema and Its Contexts. Vol Series: Film and culture. Columbia University Press; 2001.
8.
Richard Abel. The Red Rooster Scare: Making Cinema American, 1900-1910. University of California Press; 1999. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08194
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Gunning T. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. University of Illinois Press; 1991.
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Charles Harpole, general editor ; Eileen Bowser, ed. History of the American Cinema: Vol.2: The Transformation of Cinema, 1907-1915. Charles Scribner’s Sons; 1990.
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Thomas Elsaesser with Adam Barker, ed. Early Cinema: Space-Frame-Narrative. BFI Publishing; 1990.
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Paul McDonald. The Star System: Hollywood and the Production of Popular Identities. Vol Series: Short cuts (London, England). Wallflower; 2000. http://encore.lib.gla.ac.uk/iii/encore/record/C__Rb3090231
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McLean AL. Being Rita Hayworth: Labor, Identity, and Hollywood Stardom. Rutgers University Press; 2004.
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Richard deCordova. Picture Personalities: The Emergence of the Star System in America. First paperback edition. University of Illinois Press; 2001.
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Garry Wills. John Wayne: The Politics of Celebrity. Faber; 1997.
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Balio T. History of the American Cinema: Vol. 5: Grand Design : Hollywood as a Modern Business Enterprise, 1930-1939. Charles Scribner’s Sons; 1993.
17.
Christine Gledhill. Stardom: Industry of Desire. Routledge; 1991. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425
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Archie P. McDonald, ed. Shooting Stars: Heroes and Heroines of Western Film. UMI; 1996.
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Paul Kerr, ed. The Hollywood Film Industry: A Reader. Vol Series: British Film Institute readers in film studies. Routledge & Kegan Paul in association with the British Film Institute; 1986.
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Richard Dyer; with a supplementary chapter and bibliography by Paul McDonald. Stars. New ed. BFI Pub; 1998.
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Richard Maltby. Hollywood Cinema. 2nd ed. Blackwell Publishing; 2003.
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David Bordwell, Janet Staiger and Kristin Thompson Bordwell, David. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge; 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.gla.ac.uk/shibboleth
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Christine Gledhill, ed. Stardom: Industry of Desire. Routledge; 1991. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425
24.
Dennis Bingham. Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood. Rutgers University Press; 1994.
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Ian Cameron and Douglas Pye, ed. The Movie Book of the Western. Studio Vista; 1996.
26.
James Naremore. Acting in the Cinema. 1st pbk. ed. University of California Press; 1990. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07998
27.
Jane Gaines and Charlotte Herzog, ed. Fabrications: Costume and the Female Body. Vol Series: AFI film readers. Routledge; 1990.
28.
Gaylyn Studlar. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. University of Illinois Press; 1988.
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King G. New Hollywood Cinema: An Introduction. I.B. Tauris; 2002. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374
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King G. New Hollywood Cinema: An Introduction. I.B. Tauris; 2002. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374
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Richard Maltby. Hollywood Cinema. 2nd ed. Blackwell Publishing; 2003.
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Contemporary American Cinema. Open University Press; 2006. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=295533
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Thomas Elsaesser, Alexander Horwath and Noel King, ed. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Vol Series: Film culture in transition. Amsterdam University Press; 2004. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681
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Telotte JP. The Mouse Machine: Disney and Technology. University of Illinois Press; 2008. http://lib.myilibrary.com?id=389566&entityid=https://idp.gla.ac.uk/shibboleth
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Lev Manovich. The Language of New Media. Vol Series: Leonardo (Series) (Cambridge, Mass.). MIT Press; 2001.
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Andrew Darley. Visual Digital Culture: Surface Play and Spectacle in New Media Genres. Vol Series: Sussex studies in culture and communication. Routledge; 2000.
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Dan Harries, ed. The New Media Book. BFI Publishing; 2002.
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Animation journal. Published online 1992.
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King G. Screenplay: Cinema/Videogames/Interfaces. Wallflower; 2002. http://www.gbv.de/dms/bowker/toc/9781903364239.pdf
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Lynn Spigel. Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955. 6(issue 16). http://cameraobscura.dukejournals.org.ezproxy.lib.gla.ac.uk/content/6/1_16/9.full.pdf
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Carey D. How It Works: Television. Vol Ladybird books. Wills & Hepworth; 1968.
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How Television Works - HowStuffWorks. http://www.howstuffworks.com/tv.htm
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Aldridge M. The Birth of British Television: A History. Palgrave Macmillan; 2012.
45.
Spigel L, American Council of Learned Societies. Make Room for TV: Television and the Family Ideal in Postwar America. University of Chicago Press; 1992. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08240
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Spigel L. Welcome to the Dreamhouse: Popular Media and Postwar Suburbs. Vol Console-ing passions. Duke University Press; 2001.
47.
Spigel L. Media homes: Then and now. International Journal of Cultural Studies. 2001;4(4):385-411. doi:10.1177/136787790100400402
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Thumim J. Small Screens, Big Ideas: Television in the 1950s. I.B. Tauris; 2001.
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Corner J. Popular Television in Britain: Studies in Cultural History. BFI Publishing; 1991.
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Ostrowska D, Roberts G. European Cinemas in the Television Age. Edinburgh University Press; 2007.
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MacMurraugh-Kavanagh MK. ‘Drama’ into ‘news’: strategies of intervention in ‘The Wednesday Play’. Screen. 1997;38(3):247-259. doi:10.1093/screen/38.3.247
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Lacey S, British Film Institute. Cathy Come Home. Vol BFI TV classics. Palgrave Macmillan [for the] BFI; 2011.
53.
MacMurraugh-Kavanagh MK. The BBC and the Birth of ‘The Wednesday Play’, 1962-66: institutional containment versus ‘agitational contemporaneity’. Historical Journal of Film, Radio and Television. 1997;17(3):367-381. doi:10.1080/01439689700260781
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Bignell J, Fickers A. A European Television History. Wiley-Blackwell; 2008.
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Pajala M. Mapping Europe: Images of Europe in the Eurovision Song Contest. Journal of European television history and culture. 2012;1(2):3-10. http://rdbg.tuxic.nl/euscreen-ojs/index.php/view/article/view/12
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Bignell J, Fickers A. A European Television History. Wiley-Blackwell; 2008.
57.
Ebooks Corporation Limited. Television as Digital Media. (Bennett J, Strange N, eds.). Duke University Press; 2011. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
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James Bennett. Television Studies Goes Digital. Cinema Journal. 2008;47(3):158-166. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30136124
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Bennett J. The Public Service Value of Interactive Television. New Review of Film and Television Studies. 2006;4(3):263-285. doi:10.1080/17400300600982064
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Everett A, Caldwell JT. New Media: Theories and Practices of Digitextuality. Vol AFI film readers. Routledge; 2003. http://gla.eblib.com/patron/FullRecord.aspx?p=1822442
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Johnson D. Inviting audiences in: the spatial reorganisation of production and consumption in "TVIII”. New Review of Film and Television Studies. 2007;5(1):61-80. doi:10.1080/17400300601140183
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Wood H. Television is happening: Methodological considerations for capturing digital television reception. European Journal of Cultural Studies. 2007;10(4):485-506. doi:10.1177/1367549407081956
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Spigel L, Olsson J. Television after TV: Essays on a Medium in Transition. Vol Console-ing passions. Duke University Press; 2004.
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Turner G, Tay J, Dawson Books. Television Studies after TV: Understanding Television in the Post- Broadcast Era. Routledge; 2009. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203878316
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Jenkins H. The Cultural Logic of Media Convergence. International Journal of Cultural Studies. 2004;7(1):33-43. doi:10.1177/1367877904040603
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Creeber G. It’s not TV, it’s online drama: The return of the intimate screen. International Journal of Cultural Studies. 2011;14(6):591-606. doi:10.1177/1367877911402589
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Jenkins H, American Council of Learned Societies. Convergence Culture: Where Old and New Media Collide. New York University Press; 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
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Bolter JD, Grusin RA. Remediation: Understanding New Media. MIT; 1999.
69.
Morley D. Media, Modernity and Technology: The Geography of the New. Routledge; 2007.
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Klinger B, American Council of Learned Societies. Beyond the Multiplex: Cinema, New Technologies, and the Home. University of California Press; 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08023
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Guynn WH. The Routledge Companion to Film History. Routledge; 2010.
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Dixon WW, Foster GA, American Council of Learned Societies. A Short History of Film. Rutgers University Press; 2008. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07996
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Cousins M. The Story of Film. Rev. ed. Pavilion; 2011.
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Karney R, Finler JW, Bergan R. Cinema: Year by Year, 1894-2005. Dorling Kindersley; 2005.
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Chapman J. Cinemas of the World: Film and Society from 1895 to the Present. Vol Globalities. Reaktion Books; 2003.
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Bordwell D. On the History of Film Style. Harvard University Press; 1997.
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Cook DA. A History of Narrative Film. 3rd ed. W.W. Norton; 1996.
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Nowell-Smith G. The Oxford History of World Cinema. Oxford University Press; 1996.
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Giannetti LD, Eyman S. Flashback: A Brief History of Film. 3rd ed. Prentice Hall; 1996.
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Ellis JC. A History of Film. 4th ed. Allyn and Bacon; 1995.
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Thompson K, Bordwell D. Film History: An Introduction. McGraw-Hill; 1994.
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Sklar R. Film: An International History of the Medium. Thames and Hudson; 1993.
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Wyver J, British Film Institute. The Moving Image: An International History of Film, Television and Video. Basil Blackwell; 1989.
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Mast G. A Short History of the Movies. 3rd ed. Oxford University Press; 1985.
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Lloyd A, Robinson D. The Illustrated History of the Cinema. Orbis; 1986.
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Allen RC, Gomery D. Film History: Theory and Practice. McGraw-Hill; 1985.
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Salt B. Film Style and Technology: History and Analysis. Starword; 1983.
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Robinson D. World Cinema: A Short History. [2nd ed., rev.expanded]. Eyre Methuen; 1981.
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Rhode E. A History of the Cinema: From Its Origins to 1970. Allen Lane; 1976.
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Rotha P, Griffith R. The Film till Now: A Survey of World Cinema. [New ed.]. Spring Books; 1967.
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Ramsaye T. A Million and One Nights: A History of the Motion Picture. F. Cass; 1926.
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Bignell J, ProQuest (Firm). An Introduction to Television Studies. 3rd ed. Routledge; 2013. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1092810
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Corner J. Critical Ideas in Television Studies. Vol Oxford television studies. Clarendon Press; 1999.
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Crisell A. An Introductory History of British Broadcasting. 2nd ed. Routledge; 2002.
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Wheatley H, Dawson Books. Re-Viewing Television History: Critical Issues in Television Historiography. I. B. Tauris; 2007. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9786000011581
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Thumim J. Small Screens, Big Ideas: Television in the 1950s. I.B. Tauris; 2001.
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Turnock R. Television and Consumer Culture: Britain and the Transformation of Modernity. I.B. Tauris; 2007.
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Spigel L, Curtin M. The Revolution Wasn’t Televised: Sixties Television and Social Conflict. Routledge; 1997.
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Boddy W. Fifties Television: The Industry and Its Critics. Vol Illinois Studies in Communication. Illinois U.P.; 1992.
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Roberts G, Taylor PM. The Historian, Television and Television History: A Collection. University of Luton Press; 2001.
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Kompare D. Rerun Nation: How Repeats Invented American Television. Routledge; 2005.
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Hilmes M. The Television History Book. British Film Institute; 2003.
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Bignell J, Fickers A. A European Television History. Wiley-Blackwell; 2008.
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Gomery D. A History of Broadcasting in the United States. Blackwell Pub; 2008.
