1
Charlie Keil and Shelley Stamp, editor. American cinema’s transitional era: audiences, institutions, practices. Berkeley: : University of California Press 2004. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08010
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Peter Stanfield. The Western 1909-14: A Cast of Villains. Film History 1987;1:97–112.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3815082
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Charlie Keil and Ben Singer, editor. American cinema of the 1910s: themes and variations. New Brunswick, N.J.: : Rutgers University Press 2009. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08003
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Richard Abel. Americanizing the movies and ‘movie-mad’ audiences, 1910-1914. Berkeley: : University of California Press 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08012
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Lee Grieveson and Peter Krämer, editor. The silent cinema reader. London: : Routledge 2004.
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Keil C. Early American cinema in transition: story, style, and filmmaking, 1907-1913. Madison, Wis: : University of Wisconsin Press 2001.
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Ben Singer. Melodrama and modernity: early sensational cinema and its contexts. New York: : Columbia University Press 2001.
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Richard Abel. The red rooster scare: making cinema American, 1900-1910. Berkeley, Calif: : University of California Press 1999. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08194
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Gunning T. D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: : University of Illinois Press 1991.
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Charles Harpole, general editor ; Eileen Bowser, editor. History of the American cinema: Vol.2: The transformation of cinema, 1907-1915. New York: : Charles Scribner’s Sons 1990.
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Thomas Elsaesser with Adam Barker, editor. Early cinema: space-frame-narrative. London: : BFI Publishing 1990.
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Paul McDonald. The star system: Hollywood and the production of popular identities. London: : Wallflower 2000. http://encore.lib.gla.ac.uk/iii/encore/record/C__Rb3090231
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McLean AL. Being Rita Hayworth: labor, identity, and Hollywood stardom. New Brunswick, N.J.: : Rutgers University Press 2004.
14
Richard deCordova. Picture personalities: the emergence of the star system in America. First paperback edition. Urbana, IL: : University of Illinois Press 2001.
15
Garry Wills. John Wayne: the politics of celebrity. London: : Faber 1997.
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Balio T. History of the American cinema: Vol. 5: Grand design : Hollywood as a modern business enterprise, 1930-1939. New York, N.Y.: : Charles Scribner’s Sons 1993.
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Christine Gledhill. Stardom: industry of desire. London: : Routledge 1991. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425
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Archie P. McDonald, editor. Shooting stars: heroes and heroines of Western film. Ann Arbor, Mich: : UMI 1996.
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Paul Kerr, editor. The Hollywood film industry: a reader. London: : Routledge & Kegan Paul in association with the British Film Institute 1986.
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Richard Dyer; with a supplementary chapter and bibliography by Paul McDonald. Stars. New ed. London: : BFI Pub 1998.
21
Richard Maltby. Hollywood Cinema. 2nd ed. Malden, Mass: : Blackwell Publishing 2003.
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David Bordwell, Janet Staiger and Kristin Thompson Bordwell, David. The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.gla.ac.uk/shibboleth
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Christine Gledhill, editor. Stardom: industry of desire. London: : Routledge 1991. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425
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Dennis Bingham. Acting male: masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood. New Brunswick, N.J.: : Rutgers University Press 1994.
25
Ian Cameron and Douglas Pye, editor. The Movie book of the western. London: : Studio Vista 1996.
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James Naremore. Acting in the cinema. 1st pbk. ed. Berkeley: : University of California Press 1990. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07998
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Jane Gaines and Charlotte Herzog, editor. Fabrications: costume and the female body. New York, N.Y.: : Routledge 1990.
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Gaylyn Studlar. In the realm of pleasure: Von Sternberg, Dietrich, and the masochistic aesthetic. Urbana: : University of Illinois Press 1988.
29
King G. New Hollywood cinema: an introduction. London: : I.B. Tauris 2002. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374
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King G. New Hollywood cinema: an introduction. London: : I.B. Tauris 2002. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374
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Richard Maltby. Hollywood Cinema. 2nd ed. Malden, Mass: : Blackwell Publishing 2003.
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Contemporary American cinema. London: : Open University Press 2006. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=295533
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Thomas Elsaesser, Alexander Horwath and Noel King, editor. The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: : Amsterdam University Press 2004. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681
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Telotte JP. The mouse machine: Disney and technology. Urbana, IL: : University of Illinois Press 2008. http://lib.myilibrary.com?id=389566&entityid=https://idp.gla.ac.uk/shibboleth
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Lev Manovich. The language of new media. Cambridge, Mass: : MIT Press 2001.
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American Society of Cinematographers. American cinematographer. 1920.
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Andrew Darley. Visual digital culture: surface play and spectacle in new media genres. London: : Routledge 2000.
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Dan Harries, editor. The new media book. London: : BFI Publishing 2002.
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Animation journal. 1992.
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King G. Screenplay: cinema/videogames/interfaces. London [u.a.]: : Wallflower 2002. http://www.gbv.de/dms/bowker/toc/9781903364239.pdf
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Lynn Spigel. Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955. ;6.http://cameraobscura.dukejournals.org.ezproxy.lib.gla.ac.uk/content/6/1_16/9.full.pdf
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Carey D. How it works: television. Wills & Hepworth 1968.
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How Television Works - HowStuffWorks. http://www.howstuffworks.com/tv.htm
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Aldridge M. The birth of British television: a history. Basingstoke: : Palgrave Macmillan 2012.
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Spigel L, American Council of Learned Societies. Make room for TV: television and the family ideal in postwar America. Chicago: : University of Chicago Press 1992. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08240
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Spigel L. Welcome to the dreamhouse: popular media and postwar suburbs. Durham, NC.: : Duke University Press 2001.
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Spigel L. Media homes: Then and now. International Journal of Cultural Studies 2001;4:385–411. doi:10.1177/136787790100400402
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Thumim J. Small screens, big ideas: television in the 1950s. London: : I.B. Tauris 2001.
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Corner J. Popular television in Britain: studies in cultural history. London: : BFI Publishing 1991.
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Ostrowska D, Roberts G. European cinemas in the television age. Edinburgh: : Edinburgh University Press 2007.
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MacMurraugh-Kavanagh MK. ‘Drama’ into ‘news’: strategies of intervention in ‘The Wednesday Play’. Screen 1997;38:247–59. doi:10.1093/screen/38.3.247
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Lacey S, British Film Institute. Cathy come home. London: : Palgrave Macmillan [for the] BFI 2011.
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MacMurraugh-Kavanagh MK. The BBC and the Birth of ‘The Wednesday Play’, 1962-66: institutional containment versus ‘agitational contemporaneity’. Historical Journal of Film, Radio and Television 1997;17:367–81. doi:10.1080/01439689700260781
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Bignell J, Fickers A. A European television history. Malden, MA: : Wiley-Blackwell 2008.
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Pajala M. Mapping Europe: Images of Europe in the Eurovision Song Contest. Journal of European television history and culture 2012;1:3–10.http://rdbg.tuxic.nl/euscreen-ojs/index.php/view/article/view/12
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Bignell J, Fickers A. A European television history. Malden, MA: : Wiley-Blackwell 2008.
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Ebooks Corporation Limited. Television as digital media. Durham, NC: : Duke University Press 2011. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
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James Bennett. Television Studies Goes Digital. Cinema Journal 2008;47:158–66.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30136124
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Bennett J. The Public Service Value of Interactive Television. New Review of Film and Television Studies 2006;4:263–85. doi:10.1080/17400300600982064
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Everett A, Caldwell JT. New media: theories and practices of digitextuality. New York: : Routledge 2003. http://gla.eblib.com/patron/FullRecord.aspx?p=1822442
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Johnson D. Inviting audiences in: the spatial reorganisation of production and consumption in "TVIII”. New Review of Film and Television Studies 2007;5:61–80. doi:10.1080/17400300601140183
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Wood H. Television is happening: Methodological considerations for capturing digital television reception. European Journal of Cultural Studies 2007;10:485–506. doi:10.1177/1367549407081956
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Spigel L, Olsson J. Television after TV: essays on a medium in transition. Durham, N.C.: : Duke University Press 2004.
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Turner G, Tay J, Dawson Books. Television studies after TV: understanding television in the post- broadcast era. London: : Routledge 2009. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203878316
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Jenkins H. The Cultural Logic of Media Convergence. International Journal of Cultural Studies 2004;7:33–43. doi:10.1177/1367877904040603
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Creeber G. It’s not TV, it’s online drama: The return of the intimate screen. International Journal of Cultural Studies 2011;14:591–606. doi:10.1177/1367877911402589
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Jenkins H, American Council of Learned Societies. Convergence culture: where old and new media collide. New York: : New York University Press 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
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Bolter JD, Grusin RA. Remediation: understanding new media. Cambridge, Mass: : MIT 1999.
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Morley D. Media, modernity and technology: the geography of the new. London: : Routledge 2007.
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Klinger B, American Council of Learned Societies. Beyond the multiplex: cinema, new technologies, and the home. Berkeley: : University of California Press 2006. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08023
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Guynn WH. The Routledge companion to film history. London: : Routledge 2010.
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Dixon WW, Foster GA, American Council of Learned Societies. A short history of film. New Brunswick, N.J.: : Rutgers University Press 2008. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07996
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Cousins M. The story of film. Rev. ed. London: : Pavilion 2011.
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Karney R, Finler JW, Bergan R. Cinema: year by year, 1894-2005. London: : Dorling Kindersley 2005.
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Chapman J. Cinemas of the world: film and society from 1895 to the present. London: : Reaktion Books 2003.
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Bordwell D. On the history of film style. Cambridge, Mass: : Harvard University Press 1997.
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Cook DA. A history of narrative film. 3rd ed. New York: : W.W. Norton 1996.
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Nowell-Smith G. The Oxford history of world cinema. Oxford: : Oxford University Press 1996.
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Giannetti LD, Eyman S. Flashback: a brief history of film. 3rd ed. Englewood Cliffs, N.J.: : Prentice Hall 1996.
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Ellis JC. A history of film. 4th ed. Boston: : Allyn and Bacon 1995.
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Thompson K, Bordwell D. Film history: an introduction. New York, N.Y.: : McGraw-Hill 1994.
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Sklar R. Film: an international history of the medium. [London]: : Thames and Hudson 1993.
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Wyver J, British Film Institute. The moving image: an international history of film, television and video. Oxford: : Basil Blackwell 1989.
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Mast G. A short history of the movies. 3rd ed. Oxford: : Oxford University Press 1985.
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Lloyd A, Robinson D. The Illustrated history of the cinema. London: : Orbis 1986.
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Allen RC, Gomery D. Film history: theory and practice. Boston, MA: : McGraw-Hill 1985.
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Salt B. Film style and technology: history and analysis. London: : Starword 1983.
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Robinson D. World cinema: a short history. [2nd ed., rev.expanded]. London: : Eyre Methuen 1981.
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Rhode E. A history of the cinema: from its origins to 1970. London: : Allen Lane 1976.
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Rotha P, Griffith R. The film till now: a survey of world cinema. [New ed.]. London: : Spring Books 1967.
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Ramsaye T. A million and one nights: a history of the motion picture. London: : F. Cass 1926.
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Bignell J, ProQuest (Firm). An introduction to television studies. 3rd ed. New York: : Routledge 2013. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1092810
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Corner J. Critical ideas in television studies. Oxford: : Clarendon Press 1999.
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Crisell A. An introductory history of British broadcasting. 2nd ed. London: : Routledge 2002.
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Wheatley H, Dawson Books. Re-viewing television history: critical issues in television historiography. London: : I. B. Tauris 2007. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9786000011581
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Thumim J. Small screens, big ideas: television in the 1950s. London: : I.B. Tauris 2001.
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Turnock R. Television and consumer culture: Britain and the transformation of modernity. London: : I.B. Tauris 2007.
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Spigel L, Curtin M. The revolution wasn’t televised: sixties television and social conflict. New York: : Routledge 1997.
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Boddy W. Fifties Television: The Industry and Its Critics. Baltimore: : Illinois U.P. 1992.
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Roberts G, Taylor PM. The historian, television and television history: a collection. Luton: : University of Luton Press 2001.
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Kompare D. Rerun nation: how repeats invented American television. New York: : Routledge 2005.
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Hilmes M. The television history book. London: : British Film Institute 2003.
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Bignell J, Fickers A. A European television history. Malden, MA: : Wiley-Blackwell 2008.
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Gomery D. A history of broadcasting in the United States. Malden, MA: : Blackwell Pub 2008.
