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Charlie Keil and Shelley Stamp (Ed.). (2004a). American cinema’s transitional era: audiences, institutions, practices [Electronic resource]. University of California Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08010
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James Bennett. (2008). Television Studies Goes Digital. Cinema Journal, 47(3), 158–166. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30136124
James Naremore. (1990). Acting in the cinema (1st pbk. ed) [Electronic resource]. University of California Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07998
Jane Gaines and Charlotte Herzog (Ed.). (1990b). Fabrications: costume and the female body: Vol. Series: AFI film readers. Routledge.
Jenkins, H. (2004). The Cultural Logic of Media Convergence. International Journal of Cultural Studies, 7(1), 33–43. https://doi.org/10.1177/1367877904040603
Jenkins, H. & American Council of Learned Societies. (2006). Convergence culture: where old and new media collide [Electronic resource]. New York University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
Johnson, D. (2007). Inviting audiences in: the spatial reorganisation of production and consumption in "TVIII”. New Review of Film and Television Studies, 5(1), 61–80. https://doi.org/10.1080/17400300601140183
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King, G. (2002b). New Hollywood cinema: an introduction [Electronic resource]. I.B. Tauris. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374
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Klinger, B. & American Council of Learned Societies. (2006). Beyond the multiplex: cinema, new technologies, and the home [Electronic resource]. University of California Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08023
Kompare, D. (2005). Rerun nation: how repeats invented American television. Routledge.
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MacMurraugh-Kavanagh, M. K. (1997a). The BBC and the Birth of ‘The Wednesday Play’, 1962-66: institutional containment versus ‘agitational contemporaneity’. Historical Journal of Film, Radio and Television, 17(3), 367–381. https://doi.org/10.1080/01439689700260781
MacMurraugh-Kavanagh, M. K. (1997b). ‘Drama’ into ‘news’: strategies of intervention in ‘The Wednesday Play’. Screen, 38(3), 247–259. https://doi.org/10.1093/screen/38.3.247
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Richard Abel. (2006). Americanizing the movies and ‘movie-mad’ audiences, 1910-1914 [Electronic resource]. University of California Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08012
Richard deCordova. (2001). Picture personalities: the emergence of the star system in America (First paperback edition). University of Illinois Press.
Richard Dyer; with a supplementary chapter and bibliography by Paul McDonald. (1998). Stars (New ed). BFI Pub.
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Spigel, L., & Curtin, M. (1997). The revolution wasn’t televised: sixties television and social conflict. Routledge.
Spigel, L., & Olsson, J. (2004). Television after TV: essays on a medium in transition: Vol. Console-ing passions. Duke University Press.
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