Aldridge, Mark. 2012. The Birth of British Television: A History. Basingstoke: Palgrave Macmillan.
Allen, Robert Clyde, and Douglas Gomery. 1985. Film History: Theory and Practice. Boston, MA: McGraw-Hill.
American Society of Cinematographers. 1920. ‘American Cinematographer’.
Andrew Darley. 2000. Visual Digital Culture: Surface Play and Spectacle in New Media Genres. Vol. Series: Sussex studies in culture and communication. London: Routledge.
Anon. 1992. ‘Animation Journal’.
Anon. 2006. Contemporary American Cinema. London: Open University Press.
Anon. n.d. ‘How Television Works - HowStuffWorks’. Retrieved (http://www.howstuffworks.com/tv.htm).
Archie P. McDonald, ed. 1996. Shooting Stars: Heroes and Heroines of Western Film. Ann Arbor, Mich: UMI.
Balio, Tino. 1993. History of the American Cinema: Vol. 5: Grand Design : Hollywood as a Modern Business Enterprise, 1930-1939. New York, N.Y.: Charles Scribner’s Sons.
Ben Singer. 2001. Melodrama and Modernity: Early Sensational Cinema and Its Contexts. Vol. Series: Film and culture. New York: Columbia University Press.
Bennett, James. 2006. ‘The Public Service Value of Interactive Television’. New Review of Film and Television Studies 4(3):263–85. doi: 10.1080/17400300600982064.
Bignell, Jonathan, and Andreas Fickers. 2008a. A European Television History. Malden, MA: Wiley-Blackwell.
Bignell, Jonathan, and Andreas Fickers. 2008b. A European Television History. Malden, MA: Wiley-Blackwell.
Bignell, Jonathan, and Andreas Fickers. 2008c. A European Television History. Malden, MA: Wiley-Blackwell.
Bignell, Jonathan and ProQuest (Firm). 2013. An Introduction to Television Studies. 3rd ed. New York: Routledge.
Boddy, William. 1992. Fifties Television: The Industry and Its Critics. Vol. Illinois Studies in Communication. Baltimore: Illinois U.P.
Bolter, Jay David, and Richard A. Grusin. 1999. Remediation: Understanding New Media. Cambridge, Mass: MIT.
Bordwell, David. 1997. On the History of Film Style. Cambridge, Mass: Harvard University Press.
Carey, David. 1968. How It Works: Television. Vol. Ladybird books. Wills & Hepworth.
Chapman, James. 2003. Cinemas of the World: Film and Society from 1895 to the Present. Vol. Globalities. London: Reaktion Books.
Charles Harpole, general editor ; Eileen Bowser, ed. 1990. History of the American Cinema: Vol.2: The Transformation of Cinema, 1907-1915. New York: Charles Scribner’s Sons.
Charlie Keil and Ben Singer, ed. 2009. American Cinema of the 1910s: Themes and Variations. Vol. Series: Screen decades. New Brunswick, N.J.: Rutgers University Press.
Charlie Keil and Shelley Stamp, ed. 2004. American Cinema’s Transitional Era: Audiences, Institutions, Practices. Berkeley: University of California Press.
Christine Gledhill. 1991. Stardom: Industry of Desire. London: Routledge.
Christine Gledhill, ed. 1991. Stardom: Industry of Desire. London: Routledge.
Cook, David A. 1996. A History of Narrative Film. 3rd ed. New York: W.W. Norton.
Corner, John. 1991. Popular Television in Britain: Studies in Cultural History. London: BFI Publishing.
Corner, John. 1999. Critical Ideas in Television Studies. Vol. Oxford television studies. Oxford: Clarendon Press.
Cousins, Mark. 2011. The Story of Film. Rev. ed. London: Pavilion.
Creeber, G. 2011. ‘It’s Not TV, It’s Online Drama: The Return of the Intimate Screen’. International Journal of Cultural Studies 14(6):591–606. doi: 10.1177/1367877911402589.
Crisell, Andrew. 2002. An Introductory History of British Broadcasting. 2nd ed. London: Routledge.
Dan Harries, ed. 2002. The New Media Book. London: BFI Publishing.
David Bordwell, Janet Staiger and Kristin Thompson Bordwell, David. 1988. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge.
Dennis Bingham. 1994. Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood. New Brunswick, N.J.: Rutgers University Press.
Dixon, Wheeler Winston, Gwendolyn Audrey Foster, and American Council of Learned Societies. 2008. A Short History of Film. New Brunswick, N.J.: Rutgers University Press.
Ebooks Corporation Limited. 2011. Television as Digital Media. edited by J. Bennett and N. Strange. Durham, NC: Duke University Press.
Ellis, Jack C. 1995. A History of Film. 4th ed. Boston: Allyn and Bacon.
Everett, Anna, and John Thornton Caldwell. 2003. New Media: Theories and Practices of Digitextuality. Vol. AFI film readers. New York: Routledge.
Garry Wills. 1997. John Wayne: The Politics of Celebrity. London: Faber.
Gaylyn Studlar. 1988. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. Urbana: University of Illinois Press.
Giannetti, Louis D., and Scott Eyman. 1996. Flashback: A Brief History of Film. 3rd ed. Englewood Cliffs, N.J.: Prentice Hall.
Gomery, Douglas. 2008. A History of Broadcasting in the United States. Malden, MA: Blackwell Pub.
Gunning, Tom. 1991. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press.
Guynn, William Howard. 2010. The Routledge Companion to Film History. London: Routledge.
Hilmes, Michele. 2003. The Television History Book. London: British Film Institute.
Ian Cameron and Douglas Pye, ed. 1996. The Movie Book of the Western. London: Studio Vista.
James Bennett. 2008. ‘Television Studies Goes Digital’. Cinema Journal 47(3):158–66.
James Naremore. 1990. Acting in the Cinema. 1st pbk. ed. Berkeley: University of California Press.
Jane Gaines and Charlotte Herzog, ed. 1990. Fabrications: Costume and the Female Body. Vol. Series: AFI film readers. New York, N.Y.: Routledge.
Jenkins, Henry. 2004. ‘The Cultural Logic of Media Convergence’. International Journal of Cultural Studies 7(1):33–43. doi: 10.1177/1367877904040603.
Jenkins, Henry and American Council of Learned Societies. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
Johnson, Derek. 2007. ‘Inviting Audiences in: The Spatial Reorganisation of Production and Consumption in "TVIII”’. New Review of Film and Television Studies 5(1):61–80. doi: 10.1080/17400300601140183.
Karney, Robyn, Joel W. Finler, and Ronald Bergan. 2005. Cinema: Year by Year, 1894-2005. London: Dorling Kindersley.
Keil, Charlie. 2001. Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Vol. Wisconsin studies in film. Madison, Wis: University of Wisconsin Press.
King, Geoff. 2002a. New Hollywood Cinema: An Introduction. London: I.B. Tauris.
King, Geoff. 2002b. New Hollywood Cinema: An Introduction. London: I.B. Tauris.
King, Geoff. 2002c. Screenplay: Cinema/Videogames/Interfaces. London [u.a.]: Wallflower.
Klinger, Barbara and American Council of Learned Societies. 2006. Beyond the Multiplex: Cinema, New Technologies, and the Home. Berkeley: University of California Press.
Kompare, Derek. 2005. Rerun Nation: How Repeats Invented American Television. New York: Routledge.
Lacey, Stephen and British Film Institute. 2011. Cathy Come Home. Vol. BFI TV classics. London: Palgrave Macmillan [for the] BFI.
Lee Grieveson and Peter Krämer, ed. 2004. The Silent Cinema Reader. London: Routledge.
Lev Manovich. 2001. The Language of New Media. Vol. Series: Leonardo (Series) (Cambridge, Mass.). Cambridge, Mass: MIT Press.
Lloyd, Ann, and David Robinson. 1986. The Illustrated History of the Cinema. London: Orbis.
Lynn Spigel. n.d. ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955’. 6(issue 16).
MacMurraugh-Kavanagh, M. K. 1997a. ‘“Drama” into “News”: Strategies of Intervention in “The Wednesday Play”’. Screen 38(3):247–59. doi: 10.1093/screen/38.3.247.
MacMurraugh-Kavanagh, M. K. 1997b. ‘The BBC and the Birth of “The Wednesday Play”, 1962-66: Institutional Containment versus “Agitational Contemporaneity”’. Historical Journal of Film, Radio and Television 17(3):367–81. doi: 10.1080/01439689700260781.
Mast, Gerald. 1985. A Short History of the Movies. 3rd ed. Oxford: Oxford University Press.
McLean, Adrienne L. 2004. Being Rita Hayworth: Labor, Identity, and Hollywood Stardom. New Brunswick, N.J.: Rutgers University Press.
Morley, David. 2007. Media, Modernity and Technology: The Geography of the New. London: Routledge.
Nowell-Smith, Geoffrey. 1996. The Oxford History of World Cinema. Oxford: Oxford University Press.
Ostrowska, Dorota, and Graham Roberts. 2007. European Cinemas in the Television Age. Edinburgh: Edinburgh University Press.
Pajala, Mari. 2012. ‘Mapping Europe: Images of Europe in the Eurovision Song Contest’. Journal of European Television History and Culture 1(2):3–10.
Paul Kerr, ed. 1986. The Hollywood Film Industry: A Reader. Vol. Series: British Film Institute readers in film studies. London: Routledge & Kegan Paul in association with the British Film Institute.
Paul McDonald. 2000. The Star System: Hollywood and the Production of Popular Identities. Vol. Series: Short cuts (London, England). London: Wallflower.
Peter Stanfield. 1987. ‘The Western 1909-14: A Cast of Villains’. Film History 1(2):97–112.
Ramsaye, Terry. 1926. A Million and One Nights: A History of the Motion Picture. London: F. Cass.
Rhode, Eric. 1976. A History of the Cinema: From Its Origins to 1970. London: Allen Lane.
Richard Abel. 1999. The Red Rooster Scare: Making Cinema American, 1900-1910. Berkeley, Calif: University of California Press.
Richard Abel. 2006. Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914. Berkeley: University of California Press.
Richard deCordova. 2001. Picture Personalities: The Emergence of the Star System in America. First paperback edition. Urbana, IL: University of Illinois Press.
Richard Dyer; with a supplementary chapter and bibliography by Paul McDonald. 1998. Stars. New ed. London: BFI Pub.
Richard Maltby. 2003a. Hollywood Cinema. 2nd ed. Malden, Mass: Blackwell Publishing.
Richard Maltby. 2003b. Hollywood Cinema. 2nd ed. Malden, Mass: Blackwell Publishing.
Roberts, Graham, and Philip M. Taylor. 2001. The Historian, Television and Television History: A Collection. Luton: University of Luton Press.
Robinson, David. 1981. World Cinema: A Short History. [2nd ed., rev.expanded]. London: Eyre Methuen.
Rotha, Paul, and Richard Griffith. 1967. The Film till Now: A Survey of World Cinema. [New ed.]. London: Spring Books.
Salt, Barry. 1983. Film Style and Technology: History and Analysis. London: Starword.
Sklar, Robert. 1993. Film: An International History of the Medium. [London]: Thames and Hudson.
Spigel, L. 2001. ‘Media Homes: Then and Now’. International Journal of Cultural Studies 4(4):385–411. doi: 10.1177/136787790100400402.
Spigel, Lynn. 2001. Welcome to the Dreamhouse: Popular Media and Postwar Suburbs. Vol. Console-ing passions. Durham, NC.: Duke University Press.
Spigel, Lynn and American Council of Learned Societies. 1992. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago Press.
Spigel, Lynn, and Michael Curtin. 1997. The Revolution Wasn’t Televised: Sixties Television and Social Conflict. New York: Routledge.
Spigel, Lynn, and Jan Olsson. 2004. Television after TV: Essays on a Medium in Transition. Vol. Console-ing passions. Durham, N.C.: Duke University Press.
Telotte, J. P. 2008. The Mouse Machine: Disney and Technology. Urbana, IL: University of Illinois Press.
Thomas Elsaesser, Alexander Horwath and Noel King, ed. 2004. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Vol. Series: Film culture in transition. Amsterdam: Amsterdam University Press.
Thomas Elsaesser with Adam Barker, ed. 1990. Early Cinema: Space-Frame-Narrative. London: BFI Publishing.
Thompson, Kristin, and David Bordwell. 1994. Film History: An Introduction. New York, N.Y.: McGraw-Hill.
Thumim, Janet. 2001a. Small Screens, Big Ideas: Television in the 1950s. London: I.B. Tauris.
Thumim, Janet. 2001b. Small Screens, Big Ideas: Television in the 1950s. London: I.B. Tauris.
Turner, Graeme, Jinna Tay, and Dawson Books. 2009. Television Studies after TV: Understanding Television in the Post- Broadcast Era. London: Routledge.
Turnock, Robert. 2007. Television and Consumer Culture: Britain and the Transformation of Modernity. London: I.B. Tauris.
Wheatley, Helen and Dawson Books. 2007. Re-Viewing Television History: Critical Issues in Television Historiography. London: I. B. Tauris.
Wood, H. 2007. ‘Television Is Happening: Methodological Considerations for Capturing Digital Television Reception’. European Journal of Cultural Studies 10(4):485–506. doi: 10.1177/1367549407081956.
Wyver, John and British Film Institute. 1989. The Moving Image: An International History of Film, Television and Video. Oxford: Basil Blackwell.