Bibliography for Film & TV 1B: Key Moments in the Development of Cinema & Television BETA

Aldridge, M. (2012) The birth of British television: a history. Basingstoke: Palgrave Macmillan.

Allen, R.C. and Gomery, D. (1985) Film history: theory and practice. Boston, MA: McGraw-Hill.

American Society of Cinematographers (1920) ‘American cinematographer’.

Andrew Darley (2000) Visual digital culture: surface play and spectacle in new media genres. London: Routledge.

‘Animation journal’ (1992).

Archie P. McDonald (ed.) (1996) Shooting stars: heroes and heroines of Western film. Ann Arbor, Mich: UMI.

Balio, T. (1993) History of the American cinema: Vol. 5: Grand design : Hollywood as a modern business enterprise, 1930-1939. New York, N.Y.: Charles Scribner’s Sons.

Ben Singer (2001) Melodrama and modernity: early sensational cinema and its contexts. New York: Columbia University Press.

Bennett, J. (2006) ‘The Public Service Value of Interactive Television’, New Review of Film and Television Studies, 4(3), pp. 263–285. Available at: https://doi.org/10.1080/17400300600982064.

Bignell, J. and Fickers, A. (2008a) A European television history. Malden, MA: Wiley-Blackwell.

Bignell, J. and Fickers, A. (2008b) A European television history. Malden, MA: Wiley-Blackwell.

Bignell, J. and Fickers, A. (2008c) A European television history. Malden, MA: Wiley-Blackwell.

Bignell, J. and ProQuest (Firm) (2013) An introduction to television studies [electronic resource]. 3rd ed. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1092810.

Boddy, W. (1992) Fifties Television: The Industry and Its Critics. Baltimore: Illinois U.P.

Bolter, J.D. and Grusin, R.A. (1999) Remediation: understanding new media. Cambridge, Mass: MIT.

Bordwell, D. (1997) On the history of film style. Cambridge, Mass: Harvard University Press.

Carey, D. (1968) How it works: television. Wills & Hepworth.

Chapman, J. (2003) Cinemas of the world: film and society from 1895 to the present. London: Reaktion Books.

Charles Harpole, general editor ; Eileen Bowser (ed.) (1990) History of the American cinema: Vol.2: The transformation of cinema, 1907-1915. New York: Charles Scribner’s Sons.

Charlie Keil and Ben Singer (ed.) (2009) American cinema of the 1910s: themes and variations [electronic resource]. New Brunswick, N.J.: Rutgers University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08003.

Charlie Keil and Shelley Stamp (ed.) (2004) American cinema’s transitional era: audiences, institutions, practices [electronic resource]. Berkeley: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08010.

Christine Gledhill (1991) Stardom: industry of desire [electronic resource]. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425.

Christine Gledhill (ed.) (1991) Stardom: industry of desire [electronic resource]. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425.

Contemporary American cinema [electronic resource] (2006). London: Open University Press. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=295533.

Cook, D.A. (1996) A history of narrative film. 3rd ed. New York: W.W. Norton.

Corner, J. (1991) Popular television in Britain: studies in cultural history. London: BFI Publishing.

Corner, J. (1999) Critical ideas in television studies. Oxford: Clarendon Press.

Cousins, M. (2011) The story of film. Rev. ed. London: Pavilion.

Creeber, G. (2011) ‘It’s not TV, it’s online drama: The return of the intimate screen’, International Journal of Cultural Studies, 14(6), pp. 591–606. Available at: https://doi.org/10.1177/1367877911402589.

Crisell, A. (2002) An introductory history of British broadcasting. 2nd ed. London: Routledge.

Dan Harries (ed.) (2002) The new media book. London: BFI Publishing.

David Bordwell, Janet Staiger and Kristin Thompson Bordwell, David. (1988) The classical Hollywood cinema: film style & mode of production to 1960 [electronic resource]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.gla.ac.uk/shibboleth.

Dennis Bingham (1994) Acting male: masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood. New Brunswick, N.J.: Rutgers University Press.

Dixon, W.W., Foster, G.A., and American Council of Learned Societies (2008) A short history of film [electronic resource]. New Brunswick, N.J.: Rutgers University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07996.

Ebooks Corporation Limited (2011) Television as digital media. Edited by J. Bennett and N. Strange. Durham, NC: Duke University Press. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303.

Ellis, J.C. (1995) A history of film. 4th ed. Boston: Allyn and Bacon.

Everett, A. and Caldwell, J.T. (2003) New media: theories and practices of digitextuality. New York: Routledge. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=1822442.

Garry Wills (1997) John Wayne: the politics of celebrity. London: Faber.

Gaylyn Studlar (1988) In the realm of pleasure: Von Sternberg, Dietrich, and the masochistic aesthetic. Urbana: University of Illinois Press.

Giannetti, L.D. and Eyman, S. (1996) Flashback: a brief history of film. 3rd ed. Englewood Cliffs, N.J.: Prentice Hall.

Gomery, D. (2008) A history of broadcasting in the United States. Malden, MA: Blackwell Pub.

Gunning, T. (1991) D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: University of Illinois Press.

Guynn, W.H. (2010) The Routledge companion to film history. London: Routledge.

Hilmes, M. (2003) The television history book. London: British Film Institute.

How Television Works - HowStuffWorks (no date). Available at: http://www.howstuffworks.com/tv.htm.

Ian Cameron and Douglas Pye (ed.) (1996) The Movie book of the western. London: Studio Vista.

James Bennett (2008) ‘Television Studies Goes Digital’, Cinema Journal, 47(3), pp. 158–166. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30136124.

James Naremore (1990) Acting in the cinema [electronic resource]. 1st pbk. ed. Berkeley: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07998.

Jane Gaines and Charlotte Herzog (ed.) (1990) Fabrications: costume and the female body. New York, N.Y.: Routledge.

Jenkins, H. (2004) ‘The Cultural Logic of Media Convergence’, International Journal of Cultural Studies, 7(1), pp. 33–43. Available at: https://doi.org/10.1177/1367877904040603.

Jenkins, H. and American Council of Learned Societies (2006) Convergence culture: where old and new media collide [electronic resource]. New York: New York University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936.

Johnson, D. (2007) ‘Inviting audiences in: the spatial reorganisation of production and consumption in "TVIII”’, New Review of Film and Television Studies, 5(1), pp. 61–80. Available at: https://doi.org/10.1080/17400300601140183.

Karney, R., Finler, J.W. and Bergan, R. (2005) Cinema: year by year, 1894-2005. London: Dorling Kindersley.

Keil, C. (2001) Early American cinema in transition: story, style, and filmmaking, 1907-1913. Madison, Wis: University of Wisconsin Press.

King, G. (2002a) New Hollywood cinema: an introduction [electronic resource]. London: I.B. Tauris. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374.

King, G. (2002b) New Hollywood cinema: an introduction [electronic resource]. London: I.B. Tauris. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374.

King, G. (2002c) Screenplay: cinema/videogames/interfaces. London [u.a.]: Wallflower. Available at: http://www.gbv.de/dms/bowker/toc/9781903364239.pdf.

Klinger, B. and American Council of Learned Societies (2006) Beyond the multiplex: cinema, new technologies, and the home [electronic resource]. Berkeley: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08023.

Kompare, D. (2005) Rerun nation: how repeats invented American television. New York: Routledge.

Lacey, S. and British Film Institute (2011) Cathy come home. London: Palgrave Macmillan [for the] BFI.

Lee Grieveson and Peter Krämer (ed.) (2004) The silent cinema reader. London: Routledge.

Lev Manovich (2001) The language of new media. Cambridge, Mass: MIT Press.

Lloyd, A. and Robinson, D. (1986) The Illustrated history of the cinema. London: Orbis.

Lynn Spigel (no date) ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955’. Available at: http://cameraobscura.dukejournals.org.ezproxy.lib.gla.ac.uk/content/6/1_16/9.full.pdf.

MacMurraugh-Kavanagh, M.K. (1997a) ‘“Drama” into “news”: strategies of intervention in “The Wednesday Play”’, Screen, 38(3), pp. 247–259. Available at: https://doi.org/10.1093/screen/38.3.247.

MacMurraugh-Kavanagh, M.K. (1997b) ‘The BBC and the Birth of “The Wednesday Play”, 1962-66: institutional containment versus “agitational contemporaneity”’, Historical Journal of Film, Radio and Television, 17(3), pp. 367–381. Available at: https://doi.org/10.1080/01439689700260781.

Mast, G. (1985) A short history of the movies. 3rd ed. Oxford: Oxford University Press.

McLean, A.L. (2004) Being Rita Hayworth: labor, identity, and Hollywood stardom. New Brunswick, N.J.: Rutgers University Press.

Morley, D. (2007) Media, modernity and technology: the geography of the new. London: Routledge.

Nowell-Smith, G. (1996) The Oxford history of world cinema. Oxford: Oxford University Press.

Ostrowska, D. and Roberts, G. (2007) European cinemas in the television age. Edinburgh: Edinburgh University Press.

Pajala, M. (2012) ‘Mapping Europe: Images of Europe in the Eurovision Song Contest’, Journal of European television history and culture, 1(2), pp. 3–10. Available at: http://rdbg.tuxic.nl/euscreen-ojs/index.php/view/article/view/12.

Paul Kerr (ed.) (1986) The Hollywood film industry: a reader. London: Routledge & Kegan Paul in association with the British Film Institute.

Paul McDonald (2000) The star system: Hollywood and the production of popular identities. London: Wallflower. Available at: http://encore.lib.gla.ac.uk/iii/encore/record/C__Rb3090231.

Peter Stanfield (1987) ‘The Western 1909-14: A Cast of Villains’, Film History, 1(2), pp. 97–112. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3815082.

Ramsaye, T. (1926) A million and one nights: a history of the motion picture. London: F. Cass.

Rhode, E. (1976) A history of the cinema: from its origins to 1970. London: Allen Lane.

Richard Abel (1999) The red rooster scare: making cinema American, 1900-1910 [electronic resource]. Berkeley, Calif: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08194.

Richard Abel (2006) Americanizing the movies and ‘movie-mad’ audiences, 1910-1914 [electronic resource]. Berkeley: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08012.

Richard deCordova (2001) Picture personalities: the emergence of the star system in America. First paperback edition. Urbana, IL: University of Illinois Press.

Richard Dyer; with a supplementary chapter and bibliography by Paul McDonald (1998) Stars. New ed. London: BFI Pub.

Richard Maltby (2003a) Hollywood Cinema. 2nd ed. Malden, Mass: Blackwell Publishing.

Richard Maltby (2003b) Hollywood Cinema. 2nd ed. Malden, Mass: Blackwell Publishing.

Roberts, G. and Taylor, P.M. (2001) The historian, television and television history: a collection. Luton: University of Luton Press.

Robinson, D. (1981) World cinema: a short history. [2nd ed., rev.expanded]. London: Eyre Methuen.

Rotha, P. and Griffith, R. (1967) The film till now: a survey of world cinema. [New ed.]. London: Spring Books.

Salt, B. (1983) Film style and technology: history and analysis. London: Starword.

Sklar, R. (1993) Film: an international history of the medium. [London]: Thames and Hudson.

Spigel, L. (2001) ‘Media homes: Then and now’, International Journal of Cultural Studies, 4(4), pp. 385–411. Available at: https://doi.org/10.1177/136787790100400402.

Spigel, Lynn (2001) Welcome to the dreamhouse: popular media and postwar suburbs. Durham, NC.: Duke University Press.

Spigel, L. and American Council of Learned Societies (1992) Make room for TV: television and the family ideal in postwar America [electronic resource]. Chicago: University of Chicago Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08240.

Spigel, L. and Curtin, M. (1997) The revolution wasn’t televised: sixties television and social conflict. New York: Routledge.

Spigel, L. and Olsson, J. (2004) Television after TV: essays on a medium in transition. Durham, N.C.: Duke University Press.

Telotte, J.P. (2008) The mouse machine: Disney and technology [electronic resource]. Urbana, IL: University of Illinois Press. Available at: http://lib.myilibrary.com?id=389566&entityid=https://idp.gla.ac.uk/shibboleth.

Thomas Elsaesser, Alexander Horwath and Noel King (ed.) (2004) The last great American picture show: new Hollywood cinema in the 1970s [electronic resource]. Amsterdam: Amsterdam University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681.

Thomas Elsaesser with Adam Barker (ed.) (1990) Early cinema: space-frame-narrative. London: BFI Publishing.

Thompson, K. and Bordwell, D. (1994) Film history: an introduction. New York, N.Y.: McGraw-Hill.

Thumim, J. (2001a) Small screens, big ideas: television in the 1950s. London: I.B. Tauris.

Thumim, J. (2001b) Small screens, big ideas: television in the 1950s. London: I.B. Tauris.

Turner, G., Tay, J., and Dawson Books (2009) Television studies after TV: understanding television in the post- broadcast era [electronic resource]. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203878316.

Turnock, R. (2007) Television and consumer culture: Britain and the transformation of modernity. London: I.B. Tauris.

Wheatley, H. and Dawson Books (2007) Re-viewing television history: critical issues in television historiography [electronic resource]. London: I. B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9786000011581.

Wood, H. (2007) ‘Television is happening: Methodological considerations for capturing digital television reception’, European Journal of Cultural Studies, 10(4), pp. 485–506. Available at: https://doi.org/10.1177/1367549407081956.

Wyver, J. and British Film Institute (1989) The moving image: an international history of film, television and video. Oxford: Basil Blackwell.