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---. A European Television History. Malden, MA: Wiley-Blackwell, 2008. Print.
---. A European Television History. Malden, MA: Wiley-Blackwell, 2008. Print.
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Boddy, William. Fifties Television: The Industry and Its Critics. Illinois Studies in Communication. Baltimore: Illinois U.P., 1992. Print.
Bolter, Jay David, and Richard A. Grusin. Remediation: Understanding New Media. Cambridge, Mass: MIT, 1999. Print.
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Chapman, James. Cinemas of the World: Film and Society from 1895 to the Present. Globalities. London: Reaktion Books, 2003. Print.
Charles Harpole, general editor ; Eileen Bowser, ed. History of the American Cinema: Vol.2: The Transformation of Cinema, 1907-1915. New York: Charles Scribner’s Sons, 1990. Print.
Charlie Keil and Ben Singer, ed. American Cinema of the 1910s: Themes and Variations. Series: Screen decades. New Brunswick, N.J.: Rutgers University Press, 2009. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08003>.
Charlie Keil and Shelley Stamp, ed. American Cinema’s Transitional Era: Audiences, Institutions, Practices. Berkeley: University of California Press, 2004. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08010>.
Christine Gledhill. Stardom: Industry of Desire. London: Routledge, 1991. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425>.
---, ed. Stardom: Industry of Desire. London: Routledge, 1991. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425>.
Contemporary American Cinema. London: Open University Press, 2006. Web. <http://www.GLA.eblib.com/patron/FullRecord.aspx?p=295533>.
Cook, David A. A History of Narrative Film. 3rd ed. New York: W.W. Norton, 1996. Print.
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Cousins, Mark. The Story of Film. Rev. ed. London: Pavilion, 2011. Print.
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David Bordwell, Janet Staiger and Kristin Thompson Bordwell, David. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Web. <http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.gla.ac.uk/shibboleth>.
Dennis Bingham. Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood. New Brunswick, N.J.: Rutgers University Press, 1994. Print.
Dixon, Wheeler Winston, Gwendolyn Audrey Foster, and American Council of Learned Societies. A Short History of Film. New Brunswick, N.J.: Rutgers University Press, 2008. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07996>.
Ebooks Corporation Limited. Television as Digital Media. Ed. James Bennett and Niki Strange. Durham, NC: Duke University Press, 2011. Web. <http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303>.
Ellis, Jack C. A History of Film. 4th ed. Boston: Allyn and Bacon, 1995. Print.
Everett, Anna, and John Thornton Caldwell. New Media: Theories and Practices of Digitextuality. AFI film readers. New York: Routledge, 2003. Web. <http://gla.eblib.com/patron/FullRecord.aspx?p=1822442>.
Garry Wills. John Wayne: The Politics of Celebrity. London: Faber, 1997. Print.
Gaylyn Studlar. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. Urbana: University of Illinois Press, 1988. Print.
Giannetti, Louis D., and Scott Eyman. Flashback: A Brief History of Film. 3rd ed. Englewood Cliffs, N.J.: Prentice Hall, 1996. Print.
Gomery, Douglas. A History of Broadcasting in the United States. Malden, MA: Blackwell Pub, 2008. Print.
Gunning, Tom. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press, 1991. Print.
Guynn, William Howard. The Routledge Companion to Film History. London: Routledge, 2010. Print.
Hilmes, Michele. The Television History Book. London: British Film Institute, 2003. Print.
‘How Television Works - HowStuffWorks’. N.p., n.d. Web. <http://www.howstuffworks.com/tv.htm>.
Ian Cameron and Douglas Pye, ed. The Movie Book of the Western. London: Studio Vista, 1996. Print.
James Bennett. ‘Television Studies Goes Digital’. Cinema Journal 47.3 (2008): 158–166. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30136124>.
James Naremore. Acting in the Cinema. 1st pbk. ed. Berkeley: University of California Press, 1990. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07998>.
Jane Gaines and Charlotte Herzog, ed. Fabrications: Costume and the Female Body. Series: AFI film readers. New York, N.Y.: Routledge, 1990. Print.
Jenkins, Henry. ‘The Cultural Logic of Media Convergence’. International Journal of Cultural Studies 7.1 (2004): 33–43. Web.
Jenkins, Henry and American Council of Learned Societies. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936>.
Johnson, Derek. ‘Inviting Audiences in: The Spatial Reorganisation of Production and Consumption in "TVIII”’. New Review of Film and Television Studies 5.1 (2007): 61–80. Web.
Karney, Robyn, Joel W. Finler, and Ronald Bergan. Cinema: Year by Year, 1894-2005. London: Dorling Kindersley, 2005. Print.
Keil, Charlie. Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Wisconsin studies in film. Madison, Wis: University of Wisconsin Press, 2001. Print.
King, Geoff. New Hollywood Cinema: An Introduction. London: I.B. Tauris, 2002. Web. <http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374>.
---. New Hollywood Cinema: An Introduction. London: I.B. Tauris, 2002. Web. <http://www.GLA.eblib.com/patron/FullRecord.aspx?p=676374>.
---. Screenplay: Cinema/Videogames/Interfaces. London [u.a.]: Wallflower, 2002. Web. <http://www.gbv.de/dms/bowker/toc/9781903364239.pdf>.
Klinger, Barbara and American Council of Learned Societies. Beyond the Multiplex: Cinema, New Technologies, and the Home. Berkeley: University of California Press, 2006. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08023>.
Kompare, Derek. Rerun Nation: How Repeats Invented American Television. New York: Routledge, 2005. Print.
Lacey, Stephen and British Film Institute. Cathy Come Home. BFI TV classics. London: Palgrave Macmillan [for the] BFI, 2011. Print.
Lee Grieveson and Peter Krämer, ed. The Silent Cinema Reader. London: Routledge, 2004. Print.
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Lynn Spigel. ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955’. Web. <http://cameraobscura.dukejournals.org.ezproxy.lib.gla.ac.uk/content/6/1_16/9.full.pdf>.
MacMurraugh-Kavanagh, M. K. ‘“Drama” into “News”: Strategies of Intervention in “The Wednesday Play”’. Screen 38.3 (1997): 247–259. Web.
---. ‘The BBC and the Birth of “The Wednesday Play”, 1962-66: Institutional Containment versus “Agitational Contemporaneity”’. Historical Journal of Film, Radio and Television 17.3 (1997): 367–381. Web.
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Paul Kerr, ed. The Hollywood Film Industry: A Reader. Series: British Film Institute readers in film studies. London: Routledge & Kegan Paul in association with the British Film Institute, 1986. Print.
Paul McDonald. The Star System: Hollywood and the Production of Popular Identities. Series: Short cuts (London, England). London: Wallflower, 2000. Web. <http://encore.lib.gla.ac.uk/iii/encore/record/C__Rb3090231>.
Peter Stanfield. ‘The Western 1909-14: A Cast of Villains’. Film History 1.2 (1987): 97–112. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3815082>.
Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. London: F. Cass, 1926. Print.
Rhode, Eric. A History of the Cinema: From Its Origins to 1970. London: Allen Lane, 1976. Print.
Richard Abel. Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914. Berkeley: University of California Press, 2006. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08012>.
---. The Red Rooster Scare: Making Cinema American, 1900-1910. Berkeley, Calif: University of California Press, 1999. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08194>.
Richard deCordova. Picture Personalities: The Emergence of the Star System in America. First paperback edition. Urbana, IL: University of Illinois Press, 2001. Print.
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Spigel, Lynn and American Council of Learned Societies. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago Press, 1992. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08240>.
Spigel, Lynn, and Michael Curtin. The Revolution Wasn’t Televised: Sixties Television and Social Conflict. New York: Routledge, 1997. Print.
Spigel, Lynn, and Jan Olsson. Television after TV: Essays on a Medium in Transition. Console-ing passions. Durham, N.C.: Duke University Press, 2004. Print.
Telotte, J. P. The Mouse Machine: Disney and Technology. Urbana, IL: University of Illinois Press, 2008. Web. <http://lib.myilibrary.com?id=389566&entityid=https://idp.gla.ac.uk/shibboleth>.
Thomas Elsaesser, Alexander Horwath and Noel King, ed. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Series: Film culture in transition. Amsterdam: Amsterdam University Press, 2004. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681>.
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---. Small Screens, Big Ideas: Television in the 1950s. London: I.B. Tauris, 2001. Print.
Turner, Graeme, Jinna Tay, and Dawson Books. Television Studies after TV: Understanding Television in the Post- Broadcast Era. London: Routledge, 2009. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203878316>.
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Wheatley, Helen and Dawson Books. Re-Viewing Television History: Critical Issues in Television Historiography. London: I. B. Tauris, 2007. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9786000011581>.
Wood, H. ‘Television Is Happening: Methodological Considerations for Capturing Digital Television Reception’. European Journal of Cultural Studies 10.4 (2007): 485–506. Web.
Wyver, John and British Film Institute. The Moving Image: An International History of Film, Television and Video. Oxford: Basil Blackwell, 1989. Print.
