[1]
Charlie Keil and Shelley Stamp, Ed., American cinema’s transitional era: audiences, institutions, practices. Berkeley: University of California Press, 2004 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08010
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Peter Stanfield, ‘The Western 1909-14: A Cast of Villains’, Film History, vol. 1, no. 2, pp. 97–112, 1987 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3815082
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Charlie Keil and Ben Singer, Ed., American cinema of the 1910s: themes and variations, vol. Series: Screen decades. New Brunswick, N.J.: Rutgers University Press, 2009 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08003
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Richard Abel, Americanizing the movies and ‘movie-mad’ audiences, 1910-1914. Berkeley: University of California Press, 2006 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08012
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Lee Grieveson and Peter Krämer, Ed., The silent cinema reader. London: Routledge, 2004.
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C. Keil, Early American cinema in transition: story, style, and filmmaking, 1907-1913, vol. Wisconsin studies in film. Madison, Wis: University of Wisconsin Press, 2001.
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Richard Abel, The red rooster scare: making cinema American, 1900-1910. Berkeley, Calif: University of California Press, 1999 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08194
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T. Gunning, D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: University of Illinois Press, 1991.
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James Naremore, Acting in the cinema, 1st pbk. ed. Berkeley: University of California Press, 1990 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07998
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Jane Gaines and Charlotte Herzog, Ed., Fabrications: costume and the female body, vol. Series: AFI film readers. New York, N.Y.: Routledge, 1990.
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J. P. Telotte, The mouse machine: Disney and technology. Urbana, IL: University of Illinois Press, 2008 [Online]. Available: http://lib.myilibrary.com?id=389566&entityid=https://idp.gla.ac.uk/shibboleth
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Lynn Spigel, ‘Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948–1955’, vol. 6, no. issue 16. [Online]. Available: http://cameraobscura.dukejournals.org.ezproxy.lib.gla.ac.uk/content/6/1_16/9.full.pdf
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L. Spigel and American Council of Learned Societies, Make room for TV: television and the family ideal in postwar America. Chicago: University of Chicago Press, 1992 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08240
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L. Spigel, Welcome to the dreamhouse: popular media and postwar suburbs, vol. Console-ing passions. Durham, NC.: Duke University Press, 2001.
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L. Spigel, ‘Media homes: Then and now’, International Journal of Cultural Studies, vol. 4, no. 4, pp. 385–411, Dec. 2001, doi: 10.1177/136787790100400402.
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D. Ostrowska and G. Roberts, European cinemas in the television age. Edinburgh: Edinburgh University Press, 2007.
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M. K. MacMurraugh-Kavanagh, ‘“Drama” into “news”: strategies of intervention in “The Wednesday Play”’, Screen, vol. 38, no. 3, pp. 247–259, Sep. 1997, doi: 10.1093/screen/38.3.247.
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S. Lacey and British Film Institute, Cathy come home, vol. BFI TV classics. London: Palgrave Macmillan [for the] BFI, 2011.
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M. K. MacMurraugh-Kavanagh, ‘The BBC and the Birth of “The Wednesday Play”, 1962-66: institutional containment versus “agitational contemporaneity”’, Historical Journal of Film, Radio and Television, vol. 17, no. 3, pp. 367–381, Aug. 1997, doi: 10.1080/01439689700260781.
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Ebooks Corporation Limited, Television as digital media. Durham, NC: Duke University Press, 2011 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
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James Bennett, ‘Television Studies Goes Digital’, Cinema Journal, vol. 47, no. 3, pp. 158–166, 2008 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30136124
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J. Bennett, ‘The Public Service Value of Interactive Television’, New Review of Film and Television Studies, vol. 4, no. 3, pp. 263–285, Dec. 2006, doi: 10.1080/17400300600982064.
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D. Johnson, ‘Inviting audiences in: the spatial reorganisation of production and consumption in "TVIII”’, New Review of Film and Television Studies, vol. 5, no. 1, pp. 61–80, Apr. 2007, doi: 10.1080/17400300601140183.
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H. Wood, ‘Television is happening: Methodological considerations for capturing digital television reception’, European Journal of Cultural Studies, vol. 10, no. 4, pp. 485–506, Nov. 2007, doi: 10.1177/1367549407081956.
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L. Spigel and J. Olsson, Television after TV: essays on a medium in transition, vol. Console-ing passions. Durham, N.C.: Duke University Press, 2004.
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G. Turner, J. Tay, and Dawson Books, Television studies after TV: understanding television in the post- broadcast era. London: Routledge, 2009 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203878316
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G. Creeber, ‘It’s not TV, it’s online drama: The return of the intimate screen’, International Journal of Cultural Studies, vol. 14, no. 6, pp. 591–606, Nov. 2011, doi: 10.1177/1367877911402589.
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H. Jenkins and American Council of Learned Societies, Convergence culture: where old and new media collide. New York: New York University Press, 2006 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936
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J. D. Bolter and R. A. Grusin, Remediation: understanding new media. Cambridge, Mass: MIT, 1999.
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B. Klinger and American Council of Learned Societies, Beyond the multiplex: cinema, new technologies, and the home. Berkeley: University of California Press, 2006 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08023
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W. W. Dixon, G. A. Foster, and American Council of Learned Societies, A short history of film. New Brunswick, N.J.: Rutgers University Press, 2008 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07996
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M. Cousins, The story of film, Rev. ed. London: Pavilion, 2011.
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R. Karney, J. W. Finler, and R. Bergan, Cinema: year by year, 1894-2005. London: Dorling Kindersley, 2005.
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