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Marlowe C, Wiggins M, Lindsey R. Edward the Second. Vol The new mermaids. 2nd ed. A & C Black; 1997.
2.
Jonson B, Holdsworth RV. Epicoene, or, The Silent Woman. Vol New mermaids. [New ed.]. A. & C. Black; 2002. https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022
3.
Thomas D, Carlton D, Etienne A. Theatre Censorship: From Walpole to Wilson. Oxford University Press; 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001
4.
McGrath J. The Cheviot, the Stag and the Black, Black Oil. Vol Methuen modern plays. Methuen; 1987.
5.
Price T. The Radicalisation of Bradley Manning. Vol Methuen drama. Bloomsbury; 2012.
6.
Soans R, Out of Joint (Theatre company), Royal Court Theatre. Talking to Terrorists. Vol Oberon modern plays. Oberon Books; 2005. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608
7.
Genet J. The Balcony. Vol Faber Finds. Faber & Faber; 2009.
8.
Richard Hiatt and Jacques Copeau. An Essay of Dramatic Renovation: The Théâtre du Vieux-Colombier. Educational Theatre Journal. 1967;19(4):447-454. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024
9.
Lavery C. Between negativity and resistance: Jean Genet and committed theatre. Contemporary Theatre Review. 2006;16(2):220-234. doi:10.1080/10486800600587229
10.
Lavery C. The Politics of Jean Genet’s Late Theatre: Spaces of Revolution. Pbk. ed. Manchester University Press; 2010.
11.
Jacques Copeau and Leonard C. Pronko. Once Again: Style. The Tulane Drama Review. 1963;7(4):180-191. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025
12.
Bradby D, Finburgh C, Dawson Books. Jean Genet. Vol Routledge modern and contemporary dramatists. Routledge; 2012. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912
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Bradby D. Modern French Drama: 1940-1990. 2nd ed. Cambridge University Press; 1991.
14.
Whitton D. Stage Directors in Modern France. Manchester University Press; 1987.
15.
Brecht B, McGuinness F. The Caucasian Chalk Circle. Bloomsbury; 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351
16.
Williams S, Hamburger M. A History of German Theatre. Cambridge University Press; 2008.
17.
Brecht B, Ebooks Corporation Limited. Brecht on Theatre. Vol Methuen drama. Third edition. (Silberman M, Giles S, Kuhn T, eds.). Bloomsbury; 2015. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624
18.
Coco Fusco. The Other History of Intercultural Performance. TDR (1988-). 1994;38(1):143-167. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361
19.
Stone JA, Page ER. Metamora; or, the Last of the Wampanoags : An Indian Tragedy in Five Acts as Played by Edwin Forrest [in, Metamora & Other Plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : Edited by Eugene R. Page]. Proquest LLC; 2003. https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
20.
Ebooks Corporation Limited. Postcolonial Plays: An Anthology. (Gilbert H, ed.). Routledge; 2001. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222
