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C. Marlowe, M. Wiggins, and R. Lindsey, Edward the Second, 2nd ed., vol. The new mermaids. London: A & C Black, 1997.
[2]
B. Jonson and R. V. Holdsworth, Epicoene, or, The silent woman, [New ed.]., vol. New mermaids. London: A. & C. Black, 2002 [Online]. Available: https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022
[3]
D. Thomas, D. Carlton, and A. Etienne, Theatre censorship: from Walpole to Wilson. Oxford: Oxford University Press, 2007 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001
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J. McGrath, The cheviot, the stag and the black, black oil, vol. Methuen modern plays. [London]: Methuen, 1987.
[5]
T. Price, The radicalisation of Bradley Manning, vol. Methuen drama. London: Bloomsbury, 2012.
[6]
R. Soans, Out of Joint (Theatre company), and Royal Court Theatre, Talking to terrorists, vol. Oberon modern plays. London: Oberon Books, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608
[7]
J. Genet, The Balcony, vol. Faber Finds. London: Faber & Faber, 2009.
[8]
Richard Hiatt and Jacques Copeau, ‘An Essay of Dramatic Renovation: The Théâtre du Vieux-Colombier’, Educational Theatre Journal, vol. 19, no. 4, pp. 447–454, 1967 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024
[9]
C. Lavery, ‘Between negativity and resistance: Jean Genet and committed theatre’, Contemporary Theatre Review, vol. 16, no. 2, pp. 220–234, May 2006, doi: 10.1080/10486800600587229.
[10]
C. Lavery, The politics of Jean Genet’s late theatre: spaces of revolution, Pbk. ed. Manchester: Manchester University Press, 2010.
[11]
Jacques Copeau and Leonard C. Pronko, ‘Once Again: Style’, The Tulane Drama Review, vol. 7, no. 4, pp. 180–191, 1963 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025
[12]
D. Bradby, C. Finburgh, and Dawson Books, Jean Genet, vol. Routledge modern and contemporary dramatists. Abington: Routledge, 2012 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912
[13]
D. Bradby, Modern French drama: 1940-1990, 2nd ed. Cambridge: Cambridge University Press, 1991.
[14]
D. Whitton, Stage directors in modern France. Manchester: Manchester University Press, 1987.
[15]
B. Brecht and F. McGuinness, The Caucasian chalk circle. London: Bloomsbury, 2014 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351
[16]
S. Williams and M. Hamburger, A history of German theatre. New York: Cambridge University Press, 2008.
[17]
B. Brecht and Ebooks Corporation Limited, Brecht on theatre, Third edition., vol. Methuen drama. London: Bloomsbury, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624
[18]
Coco Fusco, ‘The Other History of Intercultural Performance’, TDR (1988-), vol. 38, no. 1, pp. 143–167, 1994 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361
[19]
J. A. Stone and E. R. Page, Metamora; or, the last of the Wampanoags : an Indian tragedy in five acts as played by Edwin Forrest [in, Metamora & other plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : edited by Eugene R. Page]. Cambridge [eng.]: Proquest LLC, 2003 [Online]. Available: https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
[20]
Ebooks Corporation Limited, Postcolonial plays: an anthology. London: Routledge, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222
