Bradby, David. Modern French Drama: 1940-1990. 2nd ed. Cambridge: Cambridge University Press, 1991. Print.
Bradby, David, Clare Finburgh, and Dawson Books. Jean Genet. Routledge modern and contemporary dramatists. Abington: Routledge, 2012. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912>.
Brecht, Bertolt and Ebooks Corporation Limited. Brecht on Theatre. Ed. Marc Silberman, Steve Giles, and Tom Kuhn. Third edition. Methuen drama. London: Bloomsbury, 2015. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624>.
Brecht, Bertolt, and Frank McGuinness. The Caucasian Chalk Circle. London: Bloomsbury, 2014. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351>.
Coco Fusco. ‘The Other History of Intercultural Performance’. TDR (1988-) 38.1 (1994): 143–167. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361>.
Ebooks Corporation Limited. Postcolonial Plays: An Anthology. Ed. Helen Gilbert. London: Routledge, 2001. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222>.
Genet, Jean. The Balcony. Faber Finds. London: Faber & Faber, 2009. Print.
Jacques Copeau and Leonard C. Pronko. ‘Once Again: Style’. The Tulane Drama Review 7.4 (1963): 180–191. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025>.
Jonson, Ben, and R. V. Holdsworth. Epicoene, or, The Silent Woman. [New ed.]. New mermaids. London: A. & C. Black, 2002. Web. <https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022>.
Lavery, Carl. ‘Between Negativity and Resistance: Jean Genet and Committed Theatre’. Contemporary Theatre Review 16.2 (2006): 220–234. Web.
---. The Politics of Jean Genet’s Late Theatre: Spaces of Revolution. Pbk. ed. Manchester: Manchester University Press, 2010. Print.
Marlowe, Christopher, Martin Wiggins, and Robert Lindsey. Edward the Second. 2nd ed. The new mermaids. London: A & C Black, 1997. Print.
McGrath, John. The Cheviot, the Stag and the Black, Black Oil. Methuen modern plays. [London]: Methuen, 1987. Print.
Price, Tim. The Radicalisation of Bradley Manning. Methuen drama. London: Bloomsbury, 2012. Print.
Richard Hiatt and Jacques Copeau. ‘An Essay of Dramatic Renovation: The Théâtre Du Vieux-Colombier’. Educational Theatre Journal 19.4 (1967): 447–454. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024>.
Soans, Robin, Out of Joint (Theatre company), and Royal Court Theatre. Talking to Terrorists. Oberon modern plays. London: Oberon Books, 2005. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608>.
Stone, John Augustus, and Eugene Richard Page. Metamora; or, the Last of the Wampanoags : An Indian Tragedy in Five Acts as Played by Edwin Forrest [in, Metamora & Other Plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : Edited by Eugene R. Page]. Cambridge [eng.]: Proquest LLC, 2003. Web. <https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes>.
Thomas, David, David Carlton, and Anne Etienne. Theatre Censorship: From Walpole to Wilson. Oxford: Oxford University Press, 2007. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001>.
Whitton, David. Stage Directors in Modern France. Manchester: Manchester University Press, 1987. Print.
Williams, Simon, and Maik Hamburger. A History of German Theatre. New York: Cambridge University Press, 2008. Print.
