Bradby, David. 1991. Modern French Drama: 1940-1990. 2nd ed. Cambridge: Cambridge University Press.
Bradby, David, Clare Finburgh, and Dawson Books. 2012. Jean Genet. Electronic resource. Vol. Routledge modern and contemporary dramatists. Abington: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912.
Brecht, Bertolt and Ebooks Corporation Limited. 2015. Brecht on Theatre. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Third edition. Vol. Methuen drama. London: Bloomsbury. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624.
Brecht, Bertolt, and Frank McGuinness. 2014. The Caucasian Chalk Circle. London: Bloomsbury. http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351.
Coco Fusco. 1994. ‘The Other History of Intercultural Performance’. TDR (1988-) 38 (1): 143–67. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361.
Ebooks Corporation Limited. 2001. Postcolonial Plays: An Anthology. Edited by Helen Gilbert. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222.
Genet, Jean. 2009. The Balcony. Vol. Faber Finds. London: Faber & Faber.
Jacques Copeau and Leonard C. Pronko. 1963. ‘Once Again: Style’. The Tulane Drama Review 7 (4): 180–91. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025.
Jonson, Ben, and R. V. Holdsworth. 2002. Epicoene, or, The Silent Woman. Electronic resource. [New ed.]. Vol. New mermaids. London: A. & C. Black. https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022.
Lavery, Carl. 2006. ‘Between Negativity and Resistance: Jean Genet and Committed Theatre’. Contemporary Theatre Review 16 (2): 220–34. https://doi.org/10.1080/10486800600587229.
———. 2010. The Politics of Jean Genet’s Late Theatre: Spaces of Revolution. Pbk. ed. Manchester: Manchester University Press.
Marlowe, Christopher, Martin Wiggins, and Robert Lindsey. 1997. Edward the Second. 2nd ed. Vol. The new mermaids. London: A & C Black.
McGrath, John. 1987. The Cheviot, the Stag and the Black, Black Oil. Vol. Methuen modern plays. [London]: Methuen.
Price, Tim. 2012. The Radicalisation of Bradley Manning. Vol. Methuen drama. London: Bloomsbury.
Richard Hiatt and Jacques Copeau. 1967. ‘An Essay of Dramatic Renovation: The Théâtre Du Vieux-Colombier’. Educational Theatre Journal 19 (4): 447–54. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024.
Soans, Robin, Out of Joint (Theatre company), and Royal Court Theatre. 2005. Talking to Terrorists. Vol. Oberon modern plays. London: Oberon Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608.
Stone, John Augustus, and Eugene Richard Page. 2003. Metamora; or, the Last of the Wampanoags : An Indian Tragedy in Five Acts as Played by Edwin Forrest [in, Metamora & Other Plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : Edited by Eugene R. Page]. Electronic resource. Cambridge [eng.]: Proquest LLC. https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes.
Thomas, David, David Carlton, and Anne Etienne. 2007. Theatre Censorship: From Walpole to Wilson. Electronic resource. Oxford: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001.
Whitton, David. 1987. Stage Directors in Modern France. Manchester: Manchester University Press.
Williams, Simon, and Maik Hamburger. 2008. A History of German Theatre. New York: Cambridge University Press.
