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Jonson B, Holdsworth RV. Epicoene, or, The silent woman [Internet]. [New ed.]. London: A. & C. Black; 2002. Available from: https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022
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Thomas D, Carlton D, Etienne A. Theatre censorship: from Walpole to Wilson [Internet]. Oxford: Oxford University Press; 2007. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001
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McGrath J. The cheviot, the stag and the black, black oil. [London]: Methuen; 1987.
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Price T. The radicalisation of Bradley Manning. London: Bloomsbury; 2012.
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Soans R, Out of Joint (Theatre company), Royal Court Theatre. Talking to terrorists [Internet]. London: Oberon Books; 2005. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608
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Genet J. The Balcony. London: Faber & Faber; 2009.
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Richard Hiatt and Jacques Copeau. An Essay of Dramatic Renovation: The Théâtre du Vieux-Colombier. Educational Theatre Journal [Internet]. 1967;19(4):447–454. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024
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Lavery C. Between negativity and resistance: Jean Genet and committed theatre. Contemporary Theatre Review. 2006 May;16(2):220–234.
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Lavery C. The politics of Jean Genet’s late theatre: spaces of revolution. Pbk. ed. Manchester: Manchester University Press; 2010.
11.
Jacques Copeau and Leonard C. Pronko. Once Again: Style. The Tulane Drama Review [Internet]. 1963;7(4):180–191. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025
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Bradby D, Finburgh C, Dawson Books. Jean Genet [Internet]. Abington: Routledge; 2012. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912
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Bradby D. Modern French drama: 1940-1990. 2nd ed. Cambridge: Cambridge University Press; 1991.
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Whitton D. Stage directors in modern France. Manchester: Manchester University Press; 1987.
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Brecht B, McGuinness F. The Caucasian chalk circle [Internet]. London: Bloomsbury; 2014. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351
16.
Williams S, Hamburger M. A history of German theatre. New York: Cambridge University Press; 2008.
17.
Brecht B, Ebooks Corporation Limited. Brecht on theatre [Internet]. Third edition. Silberman M, Giles S, Kuhn T, editors. London: Bloomsbury; 2015. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624
18.
Coco Fusco. The Other History of Intercultural Performance. TDR (1988-) [Internet]. 1994;38(1):143–167. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361
19.
Stone JA, Page ER. Metamora; or, the last of the Wampanoags : an Indian tragedy in five acts as played by Edwin Forrest [in, Metamora & other plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : edited by Eugene R. Page] [Internet]. Cambridge [eng.]: Proquest LLC; 2003. Available from: https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
20.
Ebooks Corporation Limited. Postcolonial plays: an anthology [Internet]. Gilbert H, editor. London: Routledge; 2001. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222