1
Marlowe C, Wiggins M, Lindsey R. Edward the Second. 2nd ed. London: : A & C Black 1997.
2
Jonson B, Holdsworth RV. Epicoene, or, The silent woman. [New ed.]. London: : A. & C. Black 2002. https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022
3
Thomas D, Carlton D, Etienne A. Theatre censorship: from Walpole to Wilson. Oxford: : Oxford University Press 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001
4
McGrath J. The cheviot, the stag and the black, black oil. [London]: : Methuen 1987.
5
Price T. The radicalisation of Bradley Manning. London: : Bloomsbury 2012.
6
Soans R, Out of Joint (Theatre company), Royal Court Theatre. Talking to terrorists. London: : Oberon Books 2005. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608
7
Genet J. The Balcony. London: : Faber & Faber 2009.
8
Richard Hiatt and Jacques Copeau. An Essay of Dramatic Renovation: The Théâtre du Vieux-Colombier. Educational Theatre Journal 1967;19:447–54.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024
9
Lavery C. Between negativity and resistance: Jean Genet and committed theatre. Contemporary Theatre Review 2006;16:220–34. doi:10.1080/10486800600587229
10
Lavery C. The politics of Jean Genet’s late theatre: spaces of revolution. Pbk. ed. Manchester: : Manchester University Press 2010.
11
Jacques Copeau and Leonard C. Pronko. Once Again: Style. The Tulane Drama Review 1963;7:180–91.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025
12
Bradby D, Finburgh C, Dawson Books. Jean Genet. Abington: : Routledge 2012. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912
13
Bradby D. Modern French drama: 1940-1990. 2nd ed. Cambridge: : Cambridge University Press 1991.
14
Whitton D. Stage directors in modern France. Manchester: : Manchester University Press 1987.
15
Brecht B, McGuinness F. The Caucasian chalk circle. London: : Bloomsbury 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351
16
Williams S, Hamburger M. A history of German theatre. New York: : Cambridge University Press 2008.
17
Brecht B, Ebooks Corporation Limited. Brecht on theatre. Third edition. London: : Bloomsbury 2015. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624
18
Coco Fusco. The Other History of Intercultural Performance. TDR (1988-) 1994;38:143–67.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361
19
Stone JA, Page ER. Metamora; or, the last of the Wampanoags : an Indian tragedy in five acts as played by Edwin Forrest [in, Metamora & other plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : edited by Eugene R. Page]. Cambridge [eng.]: : Proquest LLC 2003. https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
20
Ebooks Corporation Limited. Postcolonial plays: an anthology. London: : Routledge 2001. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222
