Bradby, D. (1991). Modern French drama: 1940-1990 (2nd ed). Cambridge University Press.
Bradby, D., Finburgh, C., & Dawson Books. (2012). Jean Genet: Vol. Routledge modern and contemporary dramatists [Electronic resource]. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203098912
Brecht, B. & Ebooks Corporation Limited. (2015). Brecht on theatre: Vol. Methuen drama (M. Silberman, S. Giles, & T. Kuhn, Eds.; Third edition). Bloomsbury. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1783624
Brecht, B., & McGuinness, F. (2014). The Caucasian chalk circle. Bloomsbury. http://ezproxy.lib.gla.ac.uk/login?url=http://www.dramaonlinelibrary.com/plays/the-caucasian-chalk-circle-trans-mcguinness-iid-133351
Coco Fusco. (1994). The Other History of Intercultural Performance. TDR (1988-), 38(1), 143–167. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1146361
Ebooks Corporation Limited. (2001). Postcolonial plays: an anthology (H. Gilbert, Ed.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1397222
Genet, J. (2009). The Balcony: Vol. Faber Finds. Faber & Faber.
Jacques Copeau and Leonard C. Pronko. (1963). Once Again: Style. The Tulane Drama Review, 7(4), 180–191. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1125025
Jonson, B., & Holdsworth, R. V. (2002). Epicoene, or, The silent woman: Vol. New mermaids ([New ed.]) [Electronic resource]. A. & C. Black. https://www-dramaonlinelibrary-com.ezproxy.lib.gla.ac.uk/playtext-detail?docid=do-9781408169193&tocid=do-9781408169193-div-00000019&actid=do-9781408169193-div-00000022
Lavery, C. (2006). Between negativity and resistance: Jean Genet and committed theatre. Contemporary Theatre Review, 16(2), 220–234. https://doi.org/10.1080/10486800600587229
Lavery, C. (2010). The politics of Jean Genet’s late theatre: spaces of revolution (Pbk. ed). Manchester University Press.
Marlowe, C., Wiggins, M., & Lindsey, R. (1997). Edward the Second: Vol. The new mermaids (2nd ed). A & C Black.
McGrath, J. (1987). The cheviot, the stag and the black, black oil: Vol. Methuen modern plays. Methuen.
Price, T. (2012). The radicalisation of Bradley Manning: Vol. Methuen drama. Bloomsbury.
Richard Hiatt and Jacques Copeau. (1967). An Essay of Dramatic Renovation: The Théâtre du Vieux-Colombier. Educational Theatre Journal, 19(4), 447–454. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3205024
Soans, R., Out of Joint (Theatre company), & Royal Court Theatre. (2005). Talking to terrorists: Vol. Oberon modern plays. Oberon Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1623608
Stone, J. A., & Page, E. R. (2003). Metamora; or, the last of the Wampanoags : an Indian tragedy in five acts as played by Edwin Forrest [in, Metamora & other plays by John Augustus Stone ; Silas S. Steele ; Charles Powell Clinch ; Joseph M. Field ; H. J. Conway(?) ; John H. Wilkins ; Joseph Stevens Jones ; John Brougham : edited by Eugene R. Page] [Electronic resource]. Proquest LLC. https://literature-proquest-com.ezproxy.lib.gla.ac.uk/toc.do?sourceId=Z000777838&action=new&area=drama&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
Thomas, D., Carlton, D., & Etienne, A. (2007). Theatre censorship: from Walpole to Wilson [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199260287.001.0001
Whitton, D. (1987). Stage directors in modern France. Manchester University Press.
Williams, S., & Hamburger, M. (2008). A history of German theatre. Cambridge University Press.
