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Adair G. Article. Monthly film bulletin [Internet]. 51(607). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540
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Archibald, D. ‘We’re just big bullies...’ Gregory Burke’s Black Watch. Drouth [Internet]. 2008;(26):8–13. Available from: https://eprints.gla.ac.uk/3896/
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Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas Trilogy. Biography [Internet]. 2006;29(1):14–29. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
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Rhodes GD, Springer JP. Docufictions: essays on the intersection of documentary and fictional filmmaking [Internet]. Jefferson, NC: McFarland & Co; 2005. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273
5.
Bell E. Questioning Scotland: literature, nationalism, postmodernism [Internet]. Basingstoke, Hampshire: Palgrave Macmillan; 2004. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
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Bell E. Questioning Scotland: literature, nationalism, postmodernism [Internet]. Basingstoke, Hampshire: Palgrave Macmillan; 2004. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
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Billig M. Banal nationalism [Internet]. London: SAGE; 1995. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism
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Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Dick E, British Film Institute, Scottish Film Council. From limelight to satellite: a Scottish film book [Internet]. London: BFI Publishing/Scottish Film Council; 1990. Available from: https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099
12.
Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
13.
Brennan M. The Forgotten Auteur: The Films of Finlay J. MacDonald. The Drouth [Internet]. 2014;48:77–83. Available from: https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099
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Brown I, Dawson Books. The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918) [Internet]. Edinburgh: Edinburgh University Press; 2007. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653
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Brown J. Land Beyond Brigadoon. Sight and Sound [Internet]. 53(1). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540
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Lockerbie I. Image and identity: theatre and cinema in Scotland and Quebec [Internet]. Stirling: John Grierson Archive and Department of French, University of Stirling; 1988. Available from: https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099
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Brown J. The Artist as disk Jockey. Cencrastus: Scottish & international literature arts & affairs [Internet]. 1985;20. Available from: https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099
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Simon Brown. Anywhere but Scotland?” Transnationalism and New Scottish Cinema. International Journal of Scottish Theatre and Screen [Internet]. 2011;4(1). Available from: https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf
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Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Cullen SM. The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940. The Scottish Historical Review [Internet]. 2008;87(224):306–31. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058
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Dick E, Noble A, Petrie DJ. Bill Douglas: a lanternist’s account. London: BFI Publishing in association with the Scottish Film Couuncil; 1993.
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Hjort M, Petrie DJ. The cinema of small nations. Bloomington: Indiana University Press; 2007.
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Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Jensen T, Ringrose J. Sluts that Choose Vs Doormat Gypsies. Feminist Media Studies. 2014 May 4;14(3):369–87.
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Martin-Jones D. Scotland, global cinema: genres, modes and identities [Internet]. Edinburgh: Edinburgh University Press; 2009. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
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68.
Martin-Jones D. Scotland, global cinema: genres, modes and identities [Internet]. Edinburgh: Edinburgh University Press; 2009. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
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McArthur C. Scotch reels: Scotland in cinema and television. London: BFI Publishing; 1982.
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McArthur C. Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema. Vol. Cinema and society. London: I.B. Tauris; 2003.
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Murray J. Discomfort and joy: the cinema of Bill Forsyth [Internet]. Vol. Studies in the history and culture of Scotland. Oxford: Peter Lang; 2011. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969
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Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen. 2005 Jun 1;46(2):217–26.
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Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Petrie DJ. Contemporary Scottish fictions: film, television and the novel [Internet]. Edinburgh: Edinburgh University Press; 2004. Available from: https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099
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Ray PE. Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie. Studies in Scottish Literature [Internet]. 1978;13(1). Available from: https://scholarcommons.sc.edu/ssl/vol13/iss1/5/
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Spiers EM. The Scottish soldier and empire, 1854-1902 [Internet]. Edinburgh: Edinburgh University Press; 2006. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210
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Spring I. Phantom village: the myth of the new Glasgow [Internet]. Vol. Determinations. Edinburgh: Polygon; 1990. Available from: https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099
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Suh J. The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie. Journal of Modern Literature [Internet]. 2007;30(2):86–102. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84
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Blain N, Hutchison D. The media in Scotland [Internet]. Edinburgh: Edinburgh University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Walsh D. History, politics and vulnerability: explaining excess mortality [Internet]. Available from: http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality
