Adair, G. ‘Article’. Monthly film bulletin 51.607 n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540>.
Archibald, D. ‘“We’re Just Big Bullies...” Gregory Burke’s Black Watch’. Drouth 26 (2008): 8–13. Web. <https://eprints.gla.ac.uk/3896/>.
Bell, David, and Azzedine Haddour. City Visions. Harlow: Pearson Education Ltd, 2000. Web. <https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099>.
Bell, Eleanor. Questioning Scotland: Literature, Nationalism, Postmodernism. Basingstoke, Hampshire: Palgrave Macmillan, 2004. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248>.
---. Questioning Scotland: Literature, Nationalism, Postmodernism. Basingstoke, Hampshire: Palgrave Macmillan, 2004. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248>.
Bell, Eleanor, and Gavin Miller. Scotland in Theory: Reflections on Culture & Literature. Scottish cultural review of language and literature. Amsterdam: Rodopi, 2004. Print.
Beveridge, Craig, and Ronald Turnbull. The Eclipse of Scottish Culture: Inferiorism and the Intellectuals. Determinations. Edinburgh: Polygon, 1989. Web. <https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099>.
‘BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography’. N.p., n.d. Web. <http://www.screenonline.org.uk/people/id/447947/>.
Billig, Michael. Banal Nationalism. London: SAGE, 1995. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism>.
Blain, Neil, and David Hutchison. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
---. The Media in Scotland. Edinburgh: Edinburgh University Press, 2008. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001>.
Brennan, M. ‘The Forgotten Auteur: The Films of Finlay J. MacDonald’. The Drouth 48 (2014): 77–83. Web. <https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099>.
Brown, Ian and Dawson Books. The Edinburgh History of Scottish Literature: Volume 3: Modern Transformations: New Identities (from 1918). Edinburgh: Edinburgh University Press, 2007. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653>.
Brown, J. ‘The Artist as Disk Jockey’. Cencrastus: Scottish & international literature arts & affairs 20 (1985): n. pag. Web. <https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099>.
Brown, John. ‘Land Beyond Brigadoon’. Sight and Sound 53.1 n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540>.
Bruce, David. Scotland: The Movie. Edinburgh: Polygon, 1996. Print.
Bryce, T. G. K., Walter M. Humes, and Brian Boyd. Scottish Education: Post-Devolution. 2nd ed. Edinburgh: Edinburgh University Press, 2003. Print.
Burke, Andrew. ‘Concrete Universality: Tower Blocks, Architectural Modernism, and Realism in Contemporary British Cinema’. New Cinemas: Journal of Contemporary Film 5.3 (2007): 177–188. Web. <https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099>.
Carruthers, Gerard, David Goldie, and Alastair Renfrew. Beyond Scotland: New Contexts for Twentieth-Century Scottish Literature. Scottish cultural review of language and literature. Amsterdam: Rodopi, 2004. Print.
Chapman, Malcolm. The Gaelic Vision in Scottish Culture. London: Croom Helm [etc.], 1978. Print.
Clarke, David B. The Cinematic City. London: Routledge, 1997. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185>.
Craig, Cairns. Out of History: Narrative Paradigms in Scottish and English Culture. Determinations. Edinburgh: Polygon, 1996. Print.
---. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh University Press, 1999. Web. <https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099>.
Craig, Carol. The Scots’ Crisis of Confidence. [Rev. ed.]. Glendaruel: Argyll Publishing, 2011. Print.
Craven, Ian. Movies on Home Ground: Explorations in Amateur Cinema. Newcastle: Cambridge Scholars, 2009. Web. <https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099>.
Cullen, Stephen M. ‘The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940’. The Scottish Historical Review 87.224 (2008): 306–331. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058>.
Devine, T. M. Scotland’s Shame?: Bigotry and Sectarianism in Modern Scotland. Edinburgh: Mainstream, 2000. Print.
Devine, T. M., and Richard J. Finlay. Scotland in the Twentieth Century. Edinburgh: Edinburgh University Press, 1996. Print.
Devine, T. M., and Paddy Logue. Being Scottish: Personal Reflections on Scottish Identity Today. Edinburgh: Polygon at Edinburgh, 2002. Print.
Dick, Eddie, British Film Institute, and Scottish Film Council. From Limelight to Satellite: A Scottish Film Book. London: BFI Publishing/Scottish Film Council, 1990. Web. <https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099>.
---. From Limelight to Satellite: A Scottish Film Book. London: BFI Publishing/Scottish Film Council, 1990. Print.
Dick, Eddie, Andrew Noble, and Duncan J. Petrie. Bill Douglas: A Lanternist’s Account. London: BFI Publishing in association with the Scottish Film Couuncil, 1993. Print.
Dunn, J. ‘Cine Caledonia – A New Dawn’. The Skinny (1AD): n. pag. Web. <https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn>.
Fyfe, Nicholas R. and Dawson Books. Images of the Street: Planning, Identity, and Control in Public Space. London: Routledge, 1998. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496>.
Gardiner, Michael. From Trocchi to Trainspotting: Scottish Critical Theory since 1960. Edinburgh: Edinburgh University Press, 2006. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001>.
---. Modern Scottish Culture. Edinburgh: Edinburgh University Press, 2005. Print.
Geraghty, C. ‘The Study of Soap Opera’. A Companion to Television. Malden, MA: Blackwell Pub., 2005. 308–323. Web. <https://eprints.gla.ac.uk/3371/>.
Gillett, P. ‘Comfort and Joy: The Anatomy of Melancholy’. Off Screen 9.7 (2005): 1–10. Web. <https://offscreen.com/view/comfort_and_joy>.
Goldie, David. ‘“Will Ye Stop Yer Tickling, Jock?”: Modern and Postmodern Scottish Comedy’. Critical Quarterly 42.4 (2000): 7–18. Web.
Gray, Alasdair. Lanark: A Life in Four Books. [New ed.]. Edinburgh: Canongate, 2007. Print.
Guy Barefoot. ‘Autobiography and the Autobiographical in the Bill Douglas Trilogy’. Biography 29.1 (2006): 14–29. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1>.
Hardy, Forsyth. Scotland in Film. Edinburgh: Edinburgh University Press, 1990. Print.
Harvie, Christopher. Travelling Scot: Scotus Viator : Essays on the History, Politics and Future of the Scots. Glendaruel: Argyll Publishing, 1999. Print.
Hassan, Gerry, and Christopher Warhurst. Anatomy of the New Scotland: Power, Influence and Change. Edinburgh: Mainstream, 2002. Print.
Hassan, Mamoun. ‘His Ain Man’. Sight and Sound 1.7 n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540>.
Hibberd, Lynne. ‘Devolution in Policy and Practice: A Study of River City and BBC Scotland’. Westminster Papers in Communication and Culture 4.3 n. pag. Web. <https://www.westminsterpapers.org/articles/abstract/10.16997/wpcc.101/>.
---. ‘River City: Invisible Soap’. Critical Studies in Television: The International Journal of Television Studies 5.1 (2010): 46–56. Web.
Higson, A. ‘The Concept of National Cinema’. Screen 30.4 (1989): 36–47. Web.
Hill, Annette and Dawson Books. Reality TV: Audiences and Popular Factual Television. London: Routledge, 2005. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158>.
Hjort, Mette, and Duncan J. Petrie. The Cinema of Small Nations. Bloomington: Indiana University Press, 2007. Print.
Hjort, Mette, Duncan J. Petrie, and MyiLibrary. The Cinema of Small Nations. Bloomington, IN: Indiana University Press, 2007. Web. <http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth>.
Hunter, A. ‘Bill Forsyth’. Films and filming 11–13. Print.
Iordanova, Dina, David Martin-Jones, and Belén Vidal. Cinema at the Periphery. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522>.
---. Cinema at the Periphery. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522>.
---. Cinema at the Periphery. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522>.
J. ‘James Naughtie: The Lost Scotland of Sunset Song’. The Guardian (24AD): n. pag. Web. <https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song>.
Jensen, Tracey, and Jessica Ringrose. ‘Sluts That Choose Vs Doormat Gypsies’. Feminist Media Studies 14.3 (2014): 369–387. Web.
Jones, C. ‘White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares’. International Journal of Scottish Literature 1 (2006): 1–16. Web. <https://www.ijsl.stir.ac.uk/issue1/jones.htm>.
Joseph Rowntree Foundation, and ESRC Centre on Dynamics of Ethnicity. ‘How Has Ethnic Diversity Changed in Scotland?’ Web. <http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf>.
Keyser, Barbara. ‘The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie’. Studies in Scottish Literature 12.3 (1975): n. pag. Web. <https://scholarcommons.sc.edu/ssl/vol12/iss3/3/>.
Law, A. ‘Near and Far: Banal National Identity and the Press in Scotland’. Media, Culture & Society 23.3 (2001): 299–317. Web.
Lockerbie, Ian. Image and Identity: Theatre and Cinema in Scotland and Quebec. Stirling: John Grierson Archive and Department of French, University of Stirling, 1988. Web. <https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099>.
Logan, B. ‘Scottish Sitcoms: Should National Jokes Be Shared with the Entire UK?’ The Guardian (31AD): n. pag. Web. <https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc>.
Mackendrick, Alexander, and Paul Cronin. On Film-Making: An Introduction to the Craft of the Director Alexander Mackendrick. London: Faber, 2005. Print.
Martin-Jones, David. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh: Edinburgh University Press, 2009. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001>.
---. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh: Edinburgh University Press, 2009. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001>.
Mathieson, K. ‘The Darker Side of Bill Forsyth’. The Times higher education supplement n. pag. Print.
Mathiseon, K. ‘Bill Fosyth. Innocent or Eccentric?’ Cencrastus: Scottish & international literature arts & affairs Spring (1988): 12–14. Web. <https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099>.
McArthur, Colin. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. Cinema and society. London: I.B. Tauris, 2003. Print.
---. Scotch Reels: Scotland in Cinema and Television. London: BFI Publishing, 1982. Web. <https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099>.
---. Scotch Reels: Scotland in Cinema and Television. London: BFI Publishing, 1982. Print.
McCrone, David. Understanding Scotland: The Sociology of a Nation. 2nd ed. International library of sociology. London: Routledge, 2001. Web. <http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0>.
McCrone, David, Angela Morris, and Richard Kiely. Scotland - the Brand: The Making of Scottish Heritage. Edinburgh: Polygon, 1999. Print.
Miller, Mitch, John Rodger, and Owen Dudley Edwards. Tartan Pimps: Gordon Brown, Margaret Thatcher, and the New Scotland. Glendaruel: Argyll Publishing, 2010. Print.
Mills, Brett. Television Sitcom. London: BFI, 2005. Web. <https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099>.
Murray, J. ‘Kids in America? Narratives of Transatlantic Influence in 1990s Scottish Cinema’. Screen 46.2 (2005): 217–226. Web.
---. ‘Kids in America? Narratives of Transatlantic Influence in 1990s Scottish Cinema’. Screen 46.2 (2005): 217–226. Web.
Murray, Jonathan. Discomfort and Joy: The Cinema of Bill Forsyth. Studies in the history and culture of Scotland. Oxford: Peter Lang, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969>.
---. The New Scottish Cinema. Cinema and society series. London: I.B.Tauris & Co. Ltd, 2015. Web. <https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099>.
---. The New Scottish Cinema. Cinema and society series. London: I.B.Tauris & Co. Ltd, 2015. Print.
Murray, Jonathan, Fidelma Farley, and Rod Stoneman. Scottish Cinema Now. Newcastle upon Tyne: Cambridge Scholars, 2009. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153>.
---. Scottish Cinema Now. Newcastle upon Tyne: Cambridge Scholars, 2009. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153>.
---. Scottish Cinema Now. Newcastle upon Tyne: Cambridge Scholars, 2009. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153>.
Nash, Andrew. Kailyard and Scottish Literature. Amsterdam: Rodopi, 2007. Print.
O’Hagan, A. ‘Fight and Argue and Improve’. The Drouth 15 (2005): n. pag. Web. <https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099>.
Petrie, Duncan J. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh: Edinburgh University Press, 2004. Web. <https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099>.
---. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh: Edinburgh University Press, 2004. Print.
Petrie, Duncan J. and British Film Institute. Screening Scotland. London: British Film Institute, 2000. Web. <https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099>.
---. Screening Scotland. London: British Film Institute, 2000. Print.
Ray, Philip E. ‘Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie’. Studies in Scottish Literature 13.1 (1978): n. pag. Web. <https://scholarcommons.sc.edu/ssl/vol13/iss1/5/>.
Rhodes, Gary Don, and John Parris Springer. Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. Jefferson, NC: McFarland & Co, 2005. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273>.
Riach, Alan. Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation. Houndmills: Palgrave Macmillan, 2005. Web. <http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0>.
Rosie, Michael. The Sectarian Myth in Scotland: Of Bitter Memory and Bigotry. Basingstoke: Palgrave Macmillan, 2004. Print.
Schoene-Harwood, Berthold. The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh: Edinburgh University Press, 2007. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288>.
Semotam, J. ‘Public Perception of A8 Migrants: The Discourse of the Media and Its Impacts’. 2012. Web. <http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf>.
Sherington, Jo and Scottish Film Council. ‘To Speak Its Pride’: The Work of the Films of Scotland Committee 1938-1982 : A Scottish Film Monograph. A Scottish film monograph. [Glasgow]: Scottish Film Council, 1996. Print.
Simon Brown. ‘Anywhere but Scotland?” Transnationalism and New Scottish Cinema’. International Journal of Scottish Theatre and Screen 4.1 (2011): n. pag. Web. <https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf>.
Spiers, Edward M. The Scottish Soldier and Empire, 1854-1902. Edinburgh: Edinburgh University Press, 2006. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210>.
Spring, Ian. Phantom Village: The Myth of the New Glasgow. Determinations. Edinburgh: Polygon, 1990. Web. <https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099>.
Stein, E. ‘The Forsyth Saga’. Films and filming 341 (1983): 54–56. Print.
Stewart, Michael. ‘Falling, Looking, Caring: as Melodrama’. Journal of British Cinema and Television 9.4 (2012): 548–568. Web.
Suh, Judy. ‘The Familiar Attractions of Fascism in Muriel Spark’s The Prime of Miss Jean Brodie’. Journal of Modern Literature 30.2 (2007): 86–102. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84>.
Tange, Hanne. ‘Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland’. Studies in Scottish Literature 33.1 (2004): n. pag. Web. <https://scholarcommons.sc.edu/ssl/vol33/iss1/20/>.
‘The Criterion Collection: Tunes of Glory’. N.p., n.d. Web. <https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1>.
‘The Thrifty Pop Man’. Sight and Sound 53.4 n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540>.
‘To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900)’. N.p., n.d. Web. <http://scottishlit.com/?page_id=171>.
Toyeux, D. ‘Tidings of Comfort and Joy’. Film Directions 7.26 (1984): n. pag. Print.
Walsh, D. ‘History, Politics and Vulnerability: Explaining Excess Mortality’. Web. <http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality>.
