[1]
G. Adair, ‘Article’, Monthly film bulletin, vol. 51, no. 607 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540
[2]
Archibald, D., ‘“We’re just big bullies...” Gregory Burke’s Black Watch’, Drouth, no. 26, pp. 8–13, 2008 [Online]. Available: https://eprints.gla.ac.uk/3896/
[3]
Guy Barefoot, ‘Autobiography and the autobiographical in the Bill Douglas Trilogy’, Biography, vol. 29, no. 1, pp. 14–29, 2006 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
[4]
G. D. Rhodes and J. P. Springer, Docufictions: essays on the intersection of documentary and fictional filmmaking. Jefferson, NC: McFarland & Co, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273
[5]
E. Bell, Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: Palgrave Macmillan, 2004 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
[6]
E. Bell, Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: Palgrave Macmillan, 2004 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
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E. Bell and G. Miller, Scotland in theory: reflections on culture & literature, vol. Scottish cultural review of language and literature. Amsterdam: Rodopi, 2004.
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C. Beveridge and R. Turnbull, The eclipse of Scottish culture: inferiorism and the intellectuals, vol. Determinations. Edinburgh: Polygon, 1989 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099
[9]
M. Billig, Banal nationalism. London: SAGE, 1995 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism
[10]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[11]
E. Dick, British Film Institute, and Scottish Film Council, From limelight to satellite: a Scottish film book. London: BFI Publishing/Scottish Film Council, 1990 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099
[12]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[13]
M. Brennan, ‘The Forgotten Auteur: The Films of Finlay J. MacDonald’, The Drouth, vol. 48, pp. 77–83, 2014 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099
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I. Brown and Dawson Books, The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918). Edinburgh: Edinburgh University Press, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653
[15]
J. Brown, ‘Land Beyond Brigadoon’, Sight and Sound, vol. 53, no. 1 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540
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I. Lockerbie, Image and identity: theatre and cinema in Scotland and Quebec. Stirling: John Grierson Archive and Department of French, University of Stirling, 1988 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099
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J. Brown, ‘The Artist as disk Jockey’, Cencrastus: Scottish & international literature arts & affairs, vol. 20, 1985 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099
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Simon Brown, ‘Anywhere but Scotland?” Transnationalism and New Scottish Cinema’, International Journal of Scottish Theatre and Screen, vol. 4, no. 1, 2011 [Online]. Available: https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf
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D. Bruce, Scotland: the movie. Edinburgh: Polygon, 1996.
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T. G. K. Bryce, W. M. Humes, and B. Boyd, Scottish education: post-devolution, 2nd ed. Edinburgh: Edinburgh University Press, 2003.
[21]
A. Burke, ‘Concrete universality: Tower blocks, architectural modernism, and realism in contemporary British cinema’, New Cinemas: Journal of Contemporary Film, vol. 5, no. 3, pp. 177–188, Nov. 2007 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099
[22]
G. Carruthers, D. Goldie, and A. Renfrew, Beyond Scotland: new contexts for twentieth-century Scottish literature, vol. Scottish cultural review of language and literature. Amsterdam: Rodopi, 2004.
[23]
C. McArthur, Scotch reels: Scotland in cinema and television. London: BFI Publishing, 1982 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099
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M. Chapman, The Gaelic vision in Scottish culture. London: Croom Helm [etc.], 1978.
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C. Craig, The Scots’ crisis of confidence, [Rev. ed.]. Glendaruel: Argyll Publishing, 2011.
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C. Craig, The modern Scottish novel: narrative and the national imagination. Edinburgh: Edinburgh University Press, 1999 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099
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C. Craig, Out of history: narrative paradigms in Scottish and English culture, vol. Determinations. Edinburgh: Polygon, 1996.
[28]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[29]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[30]
S. M. Cullen, ‘The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940’, The Scottish Historical Review, vol. 87, no. 224, pp. 306–331, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058
[31]
T. M. Devine, Scotland’s shame?: bigotry and sectarianism in modern Scotland. Edinburgh: Mainstream, 2000.
[32]
T. M. Devine and P. Logue, Being Scottish: personal reflections on Scottish identity today. Edinburgh: Polygon at Edinburgh, 2002.
[33]
T. M. Devine and R. J. Finlay, Scotland in the twentieth century. Edinburgh: Edinburgh University Press, 1996.
[34]
E. Dick, British Film Institute, and Scottish Film Council, From limelight to satellite: a Scottish film book. London: BFI Publishing/Scottish Film Council, 1990.
[35]
J. Dunn, ‘Cine Caledonia – A New Dawn’, The Skinny, 1AD [Online]. Available: https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn
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N. R. Fyfe and Dawson Books, Images of the street: planning, identity, and control in public space. London: Routledge, 1998 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496
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M. Gardiner, Modern Scottish culture. Edinburgh: Edinburgh University Press, 2005.
[38]
M. Gardiner, From Trocchi to Trainspotting: Scottish critical theory since 1960. Edinburgh: Edinburgh University Press, 2006 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001
[39]
C. Geraghty, ‘The study of soap opera’, in A companion to television, Malden, MA: Blackwell Pub., 2005, pp. 308–323 [Online]. Available: https://eprints.gla.ac.uk/3371/
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B. Schoene-Harwood, The Edinburgh companion to contemporary Scottish literature. Edinburgh: Edinburgh University Press, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288
[41]
P. Gillett, ‘Comfort and Joy: the anatomy of melancholy’, Off Screen, vol. 9, no. 7, pp. 1–10, 2005 [Online]. Available: https://offscreen.com/view/comfort_and_joy
[42]
D. Goldie, ‘“Will ye stop yer tickling, Jock?”: Modern and postmodern Scottish comedy’, Critical Quarterly, vol. 42, no. 4, pp. 7–18, Dec. 2000, doi: 10.1111/1467-8705.00315.
[43]
A. Gray, Lanark: a life in four books, [New ed.]. Edinburgh: Canongate, 2007.
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H. Tange, ‘Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland’, Studies in Scottish Literature, vol. 33, no. 1, 2004 [Online]. Available: https://scholarcommons.sc.edu/ssl/vol33/iss1/20/
[45]
F. Hardy, Scotland in film. Edinburgh: Edinburgh University Press, 1990.
[46]
C. Harvie, Travelling Scot: Scotus viator : essays on the history, politics and future of the Scots. Glendaruel: Argyll Publishing, 1999.
[47]
G. Hassan and C. Warhurst, Anatomy of the new Scotland: power, influence and change. Edinburgh: Mainstream, 2002.
[48]
Hassan, Mamoun, ‘His ain man’, Sight and Sound, vol. 1, no. 7 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540
[49]
E. Dick, A. Noble, and D. J. Petrie, Bill Douglas: a lanternist’s account. London: BFI Publishing in association with the Scottish Film Couuncil, 1993.
[50]
L. Hibberd, ‘River City: Invisible Soap’, Critical Studies in Television: The International Journal of Television Studies, vol. 5, no. 1, pp. 46–56, Mar. 2010, doi: 10.7227/CST.5.1.6.
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L. Hibberd, ‘Devolution in Policy and Practice: A Study of River City and BBC Scotland’, Westminster Papers in Communication and Culture, vol. 4, no. 3, doi: 10.16997/wpcc.101. [Online]. Available: https://www.westminsterpapers.org/articles/abstract/10.16997/wpcc.101/
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A. Higson, ‘The Concept of National Cinema’, Screen, vol. 30, no. 4, pp. 36–47, Dec. 1989, doi: 10.1093/screen/30.4.36.
[53]
A. Hill and Dawson Books, Reality TV: audiences and popular factual television. London: Routledge, 2005 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158
[54]
D. Iordanova, D. Martin-Jones, and B. Vidal, Cinema at the periphery, vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
[55]
M. Hjort and D. J. Petrie, The cinema of small nations. Bloomington: Indiana University Press, 2007.
[56]
A. Hunter, ‘Bill Forsyth’, Films and filming, pp. 11–13.
[57]
D. Iordanova, D. Martin-Jones, and B. Vidal, Cinema at the periphery, vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
[58]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[59]
T. Jensen and J. Ringrose, ‘Sluts that Choose Vs Doormat Gypsies’, Feminist Media Studies, vol. 14, no. 3, pp. 369–387, May 2014, doi: 10.1080/14680777.2012.756820.
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C. Jones, ‘White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares’, International Journal of Scottish Literature, vol. 1, pp. 1–16, 2006 [Online]. Available: https://www.ijsl.stir.ac.uk/issue1/jones.htm
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B. Keyser, ‘The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie’, Studies in Scottish Literature, vol. 12, no. 3, 1975 [Online]. Available: https://scholarcommons.sc.edu/ssl/vol12/iss3/3/
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‘BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography’. [Online]. Available: http://www.screenonline.org.uk/people/id/447947/
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A. Law, ‘Near and far: banal national identity and the press in Scotland’, Media, Culture & Society, vol. 23, no. 3, pp. 299–317, May 2001, doi: 10.1177/016344301023003002.
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B. Logan, ‘Scottish sitcoms: should national jokes be shared with the entire UK?’, The Guardian, 31AD [Online]. Available: https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc
[65]
D. Bell and A. Haddour, City visions. Harlow: Pearson Education Ltd, 2000 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099
[66]
D. Martin-Jones, Scotland, global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press, 2009 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
[67]
D. Iordanova, D. Martin-Jones, and B. Vidal, Cinema at the periphery, vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
[68]
D. Martin-Jones, Scotland, global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press, 2009 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
[69]
K. Mathieson, ‘The darker side of Bill Forsyth’, The Times higher education supplement.
[70]
K. Mathiseon, ‘Bill Fosyth. Innocent or Eccentric?’, Cencrastus: Scottish & international literature arts & affairs, vol. Spring, pp. 12–14, 1988 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099
[71]
D. B. Clarke, The cinematic city. London: Routledge, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185
[72]
C. McArthur, Scotch reels: Scotland in cinema and television. London: BFI Publishing, 1982.
[73]
C. McArthur, Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema, vol. Cinema and society. London: I.B. Tauris, 2003.
[74]
D. McCrone, Understanding Scotland: the sociology of a nation, 2nd ed., vol. International library of sociology. London: Routledge, 2001 [Online]. Available: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0
[75]
D. McCrone, A. Morris, and R. Kiely, Scotland - the brand: the making of Scottish heritage. Edinburgh: Polygon, 1999.
[76]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[77]
M. Miller, J. Rodger, and O. D. Edwards, Tartan pimps: Gordon Brown, Margaret Thatcher, and the new Scotland. Glendaruel: Argyll Publishing, 2010.
[78]
B. Mills, Television sitcom. London: BFI, 2005 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099
[79]
‘The Thrifty Pop Man’, Sight and Sound, vol. 53, no. 4 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540
[80]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[81]
‘The Criterion Collection: Tunes of Glory’. [Online]. Available: https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1
[82]
J. Murray, ‘Kids in America? Narratives of transatlantic influence in 1990s scottish cinema’, Screen, vol. 46, no. 2, pp. 217–226, Jun. 2005, doi: 10.1093/screen/46.2.217.
[83]
J. Murray, The new Scottish Cinema, vol. Cinema and society series. London: I.B.Tauris & Co. Ltd, 2015 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099
[84]
M. Hjort, D. J. Petrie, and MyiLibrary, The cinema of small nations. Bloomington, IN: Indiana University Press, 2007 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth
[85]
J. Murray, Discomfort and joy: the cinema of Bill Forsyth, vol. Studies in the history and culture of Scotland. Oxford: Peter Lang, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969
[86]
J. Murray, ‘Kids in America? Narratives of transatlantic influence in 1990s scottish cinema’, Screen, vol. 46, no. 2, pp. 217–226, Jun. 2005, doi: 10.1093/screen/46.2.217.
[87]
J. Murray, The new Scottish Cinema, vol. Cinema and society series. London: I.B.Tauris & Co. Ltd, 2015.
[88]
A. Nash, Kailyard and Scottish literature. Amsterdam: Rodopi, 2007.
[89]
‘To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900)’. [Online]. Available: http://scottishlit.com/?page_id=171
[90]
J., ‘James Naughtie: the lost Scotland of Sunset Song’, The Guardian, 24AD [Online]. Available: https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song
[91]
A. Mackendrick and P. Cronin, On film-making: an introduction to the craft of the director Alexander Mackendrick. London: Faber, 2005.
[92]
I. Craven, Movies on home ground: explorations in amateur cinema. Newcastle: Cambridge Scholars, 2009 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099
[93]
J. Murray, F. Farley, and R. Stoneman, Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
[94]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[95]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[96]
A. O’Hagan, ‘Fight and argue and improve’, The Drouth, vol. 15, 2005 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099
[97]
D. J. Petrie and British Film Institute, Screening Scotland. London: British Film Institute, 2000 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099
[98]
D. J. Petrie, Contemporary Scottish fictions: film, television and the novel. Edinburgh: Edinburgh University Press, 2004 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099
[99]
D. J. Petrie and British Film Institute, Screening Scotland. London: British Film Institute, 2000.
[100]
D. J. Petrie, Contemporary Scottish fictions: film, television and the novel. Edinburgh: Edinburgh University Press, 2004.
[101]
J. Murray, F. Farley, and R. Stoneman, Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
[102]
P. E. Ray, ‘Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie’, Studies in Scottish Literature, vol. 13, no. 1, 1978 [Online]. Available: https://scholarcommons.sc.edu/ssl/vol13/iss1/5/
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A. Riach, Representing Scotland in literature, popular culture and iconography: the masks of the modern nation. Houndmills: Palgrave Macmillan, 2005 [Online]. Available: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0
[104]
M. Rosie, The sectarian myth in Scotland: of bitter memory and bigotry. Basingstoke: Palgrave Macmillan, 2004.
[105]
Joseph Rowntree Foundation and ESRC Centre on Dynamics of Ethnicity, ‘How has ethnic diversity changed in Scotland?’ [Online]. Available: http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf
[106]
J. Semotam, ‘Public Perception of A8 migrants: The discourse of the media and its impacts’. 2012 [Online]. Available: http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf
[107]
J. Sherington and Scottish Film Council, ‘To speak its pride’: the work of the Films of Scotland Committee 1938-1982 : a Scottish film monograph, vol. A Scottish film monograph. [Glasgow]: Scottish Film Council, 1996.
[108]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
[109]
E. M. Spiers, The Scottish soldier and empire, 1854-1902. Edinburgh: Edinburgh University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210
[110]
I. Spring, Phantom village: the myth of the new Glasgow, vol. Determinations. Edinburgh: Polygon, 1990 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099
[111]
E. Stein, ‘The Forsyth Saga’, Films and filming, vol. 341, pp. 54–56, 1983.
[112]
D. Toyeux, ‘Tidings of Comfort and Joy’, Film Directions, vol. 7, no. 26, 1984.
[113]
M. Stewart, ‘Falling, Looking, Caring: as Melodrama’, Journal of British Cinema and Television, vol. 9, no. 4, pp. 548–568, Oct. 2012, doi: 10.3366/jbctv.2012.0105.
[114]
J. Murray, F. Farley, and R. Stoneman, Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
[115]
J. Suh, ‘The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie’, Journal of Modern Literature, vol. 30, no. 2, pp. 86–102, 2007 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84
[116]
N. Blain and D. Hutchison, The media in Scotland. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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D. Walsh, ‘History, politics and vulnerability: explaining excess mortality’. [Online]. Available: http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality
