Adorno, T. W., & Eisler, H. (1994). Composing for the films. Athlone Press.
Brown, R. S. & American Council of Learned Societies. (1994). Overtones and undertones: reading film music [Electronic resource]. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08124
Buhler, J., Flinn, C., & Neumeyer, D. (2000). Music and cinema: Vol. Music/culture. University Press of New England.
Castle, A. (2008). The Stanley Kubrick archives: made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick estate. Taschen.
Chion, M. (2001). Kubrick’s cinema odyssey. British Film Institute.
Chion, M. (2009). Film, a sound art: Vol. Film and culture ([English ed.]). Columbia University Press.
Chion, M. & British Film Institute. (2002). Eyes wide shut: Vol. BFI modern classics. BFI Pub.
Chion, M., Gorbman, C., & Murch, W. (1994). Audio-vision: sound on screen. Columbia University Press.
Claudia Gorbman. (2008). Varda’s Music. Music and the Moving Image, 1(3), 27–34. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.5406/musimoviimag.1.3.0027
Cook, N. (1998). Analysing musical multimedia. Oxford University Press.
Cooke, M. (2008). A history of film music. Cambridge University Press.
Davison, A. (2004). Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s: Vol. Ashgate popular and folk music series. Ashgate.
Donnelly, K. J. (2001). Film music: critical approaches. Edinburgh University Press.
Duncan, D. W. (2003). Charms that soothe: classical music and the narrative film (1st ed). Fordham University Press.
Ebooks Corporation Limited. (2011). Celluloid symphonies: texts and contexts in film music history (J. B. Hubbert, Ed.). University of California Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=646810
Film music course. (n.d.). https://eleanor.lib.gla.ac.uk/search~S6/r?search=Film+Music
Flinn, C. (1992). Strains of Utopia: gender, nostalgia, and Hollywood film music: Vol. Princeton paperbacks. Princeton University Press.
Franklin, P. (2011). Seeing Through Music. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195383454.001.0001
Gengaro, C. L. (2013). Listening to Stanley Kubrick: the music in his films. Scarecrow Press.
Goldmark, D., Kramer, L., & Leppert, R. D. (2007). Beyond the soundtrack: representing music in cinema. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08024
Gorbman, C. (1987). Unheard melodies: narrative film music. BFI Pub.
Heldt, G. (2013). Music and levels of narration in film: steps across the border. Intellect. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3014882
Kassabian, A. (2001). Hearing film: tracking identifications in contemporary Hollywood film music [Electronic resource]. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203900802
Kubrick, S., & Phillips, G. D. (2001). Stanley Kubrick: interviews: Vol. Conversations with filmmakers series. University Press of Mississippi.
McQuiston, K. (2013). We’ll Meet Again. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199767656.001.0001
Naremore, J. (2007). On Kubrick. British Film Institute.
Nelson, T. A. (2000). Kubrick: inside a film artist’s maze (New and expanded ed). Indiana University Press.
Powrie, P., & Stilwell, R. J. (2006). Changing tunes: the use of pre-existing music in film: Vol. Ashgate popular and folk music series. Ashgate.
Prendergast, R. M. (1992). Film music: a neglected art : a critical study of music in films (2nd ed). W.W. Norton.
Wierzbicki, J. (2008). Film Music. Taylor and Francis. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=371024
