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Gorbman C. Unheard melodies: narrative film music. London: BFI Pub; 1987.
2.
Wierzbicki J. Film Music [Internet]. Hoboken: Taylor and Francis; 2008. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=371024
3.
Cooke M. A history of film music. New York: Cambridge University Press; 2008.
4.
Brown RS, American Council of Learned Societies. Overtones and undertones: reading film music [Internet]. Berkeley: University of California Press; 1994. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08124
5.
Buhler J, Flinn C, Neumeyer D. Music and cinema. Vol. Music/culture. Hanover, N.H.: University Press of New England; 2000.
6.
Chion M. Film, a sound art. [English ed.]. Vol. Film and culture. New York: Columbia University Press; 2009.
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Chion M, Gorbman C, Murch W. Audio-vision: sound on screen. New York, N.Y.: Columbia University Press; 1994.
8.
Cook N. Analysing musical multimedia. Oxford: Oxford University Press; 1998.
9.
Davison A. Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Vol. Ashgate popular and folk music series. Aldershot: Ashgate; 2004.
10.
Donnelly KJ. Film music: critical approaches. Edinburgh: Edinburgh University Press; 2001.
11.
Duncan DW. Charms that soothe: classical music and the narrative film. 1st ed. New York: Fordham University Press; 2003.
12.
Flinn C. Strains of Utopia: gender, nostalgia, and Hollywood film music. Vol. Princeton paperbacks. Princeton, N.J.: Princeton University Press; 1992.
13.
Goldmark D, Kramer L, Leppert RD. Beyond the soundtrack: representing music in cinema [Internet]. Berkeley: University of California Press; 2007. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08024
14.
Kassabian A. Hearing film: tracking identifications in contemporary Hollywood film music [Internet]. New York, NY: Routledge; 2001. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203900802
15.
Powrie P, Stilwell RJ. Changing tunes: the use of pre-existing music in film. Vol. Ashgate popular and folk music series. Aldershot: Ashgate; 2006.
16.
Prendergast RM. Film music: a neglected art : a critical study of music in films. 2nd ed. New York: W.W. Norton; 1992.
17.
Castle A. The Stanley Kubrick archives: made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick estate. London: Taschen; 2008.
18.
Naremore J. On Kubrick. London: British Film Institute; 2007.
19.
Nelson TA. Kubrick: inside a film artist’s maze. New and expanded ed. Bloomington: Indiana University Press; 2000.
20.
Chion M. Kubrick’s cinema odyssey. London: British Film Institute; 2001.
21.
Chion M, British Film Institute. Eyes wide shut. Vol. BFI modern classics. London: BFI Pub; 2002.
22.
Kubrick S, Phillips GD. Stanley Kubrick: interviews. Vol. Conversations with filmmakers series. Jackson: University Press of Mississippi; 2001.
23.
Ebooks Corporation Limited. Celluloid symphonies: texts and contexts in film music history [Internet]. Hubbert JB, editor. Berkeley, CA: University of California Press; 2011. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=646810
24.
Film music course. Available from: https://eleanor.lib.gla.ac.uk/search~S6/r?search=Film+Music
25.
Claudia Gorbman. Varda’s Music. Music and the Moving Image [Internet]. 2008;1(3):27–34. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.5406/musimoviimag.1.3.0027
26.
Adorno TW, Eisler H. Composing for the films. London: Athlone Press; 1994.
27.
McQuiston K. We’ll Meet Again [Internet]. Oxford University Press; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199767656.001.0001
28.
Gengaro CL. Listening to Stanley Kubrick: the music in his films. Lanham, MD: Scarecrow Press; 2013.
29.
Franklin P. Seeing Through Music [Internet]. Oxford University Press; 2011. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195383454.001.0001
30.
Heldt G. Music and levels of narration in film: steps across the border [Internet]. Bristol: Intellect; 2013. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3014882