[1]
C. Gorbman, Unheard melodies: narrative film music. London: BFI Pub, 1987.
[2]
J. Wierzbicki, Film Music. Hoboken: Taylor and Francis, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=371024
[3]
M. Cooke, A history of film music. New York: Cambridge University Press, 2008.
[4]
R. S. Brown and American Council of Learned Societies, Overtones and undertones: reading film music. Berkeley: University of California Press, 1994 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08124
[5]
J. Buhler, C. Flinn, and D. Neumeyer, Music and cinema, vol. Music/culture. Hanover, N.H.: University Press of New England, 2000.
[6]
M. Chion, Film, a sound art, [English ed.]., vol. Film and culture. New York: Columbia University Press, 2009.
[7]
M. Chion, C. Gorbman, and W. Murch, Audio-vision: sound on screen. New York, N.Y.: Columbia University Press, 1994.
[8]
N. Cook, Analysing musical multimedia. Oxford: Oxford University Press, 1998.
[9]
A. Davison, Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s, vol. Ashgate popular and folk music series. Aldershot: Ashgate, 2004.
[10]
K. J. Donnelly, Film music: critical approaches. Edinburgh: Edinburgh University Press, 2001.
[11]
D. W. Duncan, Charms that soothe: classical music and the narrative film, 1st ed. New York: Fordham University Press, 2003.
[12]
C. Flinn, Strains of Utopia: gender, nostalgia, and Hollywood film music, vol. Princeton paperbacks. Princeton, N.J.: Princeton University Press, 1992.
[13]
D. Goldmark, L. Kramer, and R. D. Leppert, Beyond the soundtrack: representing music in cinema. Berkeley: University of California Press, 2007 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08024
[14]
A. Kassabian, Hearing film: tracking identifications in contemporary Hollywood film music. New York, NY: Routledge, 2001 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203900802
[15]
P. Powrie and R. J. Stilwell, Changing tunes: the use of pre-existing music in film, vol. Ashgate popular and folk music series. Aldershot: Ashgate, 2006.
[16]
R. M. Prendergast, Film music: a neglected art : a critical study of music in films, 2nd ed. New York: W.W. Norton, 1992.
[17]
A. Castle, The Stanley Kubrick archives: made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick estate. London: Taschen, 2008.
[18]
J. Naremore, On Kubrick. London: British Film Institute, 2007.
[19]
T. A. Nelson, Kubrick: inside a film artist’s maze, New and Expanded ed. Bloomington: Indiana University Press, 2000.
[20]
M. Chion, Kubrick’s cinema odyssey. London: British Film Institute, 2001.
[21]
M. Chion and British Film Institute, Eyes wide shut, vol. BFI modern classics. London: BFI Pub, 2002.
[22]
S. Kubrick and G. D. Phillips, Stanley Kubrick: interviews, vol. Conversations with filmmakers series. Jackson: University Press of Mississippi, 2001.
[23]
Ebooks Corporation Limited, Celluloid symphonies: texts and contexts in film music history. Berkeley, CA: University of California Press, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=646810
[24]
‘Film music course’ [Online]. Available: https://eleanor.lib.gla.ac.uk/search~S6/r?search=Film+Music
[25]
Claudia Gorbman, ‘Varda’s Music’, Music and the Moving Image, vol. 1, no. 3, pp. 27–34, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.5406/musimoviimag.1.3.0027
[26]
T. W. Adorno and H. Eisler, Composing for the films. London: Athlone Press, 1994.
[27]
K. McQuiston, We’ll Meet Again. Oxford University Press, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199767656.001.0001
[28]
C. L. Gengaro, Listening to Stanley Kubrick: the music in his films. Lanham, MD: Scarecrow Press, 2013.
[29]
P. Franklin, Seeing Through Music. Oxford University Press, 2011 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195383454.001.0001
[30]
G. Heldt, Music and levels of narration in film: steps across the border. Bristol: Intellect, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3014882