1.
Gorbman, C. Unheard melodies: narrative film music. (BFI Pub, 1987).
2.
Wierzbicki, J. Film Music. (Taylor and Francis, 2008).
3.
Cooke, M. A history of film music. (Cambridge University Press, 2008).
4.
Brown, R. S. & American Council of Learned Societies. Overtones and undertones: reading film music. (University of California Press, 1994).
5.
Buhler, J., Flinn, C. & Neumeyer, D. Music and cinema. vol. Music/culture (University Press of New England, 2000).
6.
Chion, M. Film, a sound art. vol. Film and culture (Columbia University Press, 2009).
7.
Chion, M., Gorbman, C. & Murch, W. Audio-vision: sound on screen. (Columbia University Press, 1994).
8.
Cook, N. Analysing musical multimedia. (Oxford University Press, 1998).
9.
Davison, A. Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. vol. Ashgate popular and folk music series (Ashgate, 2004).
10.
Donnelly, K. J. Film music: critical approaches. (Edinburgh University Press, 2001).
11.
Duncan, D. W. Charms that soothe: classical music and the narrative film. (Fordham University Press, 2003).
12.
Flinn, C. Strains of Utopia: gender, nostalgia, and Hollywood film music. vol. Princeton paperbacks (Princeton University Press, 1992).
13.
Goldmark, D., Kramer, L. & Leppert, R. D. Beyond the soundtrack: representing music in cinema. (University of California Press, 2007).
14.
Kassabian, A. Hearing film: tracking identifications in contemporary Hollywood film music. (Routledge, 2001).
15.
Powrie, P. & Stilwell, R. J. Changing tunes: the use of pre-existing music in film. vol. Ashgate popular and folk music series (Ashgate, 2006).
16.
Prendergast, R. M. Film music: a neglected art : a critical study of music in films. (W.W. Norton, 1992).
17.
Castle, A. The Stanley Kubrick archives: made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick estate. (Taschen, 2008).
18.
Naremore, J. On Kubrick. (British Film Institute, 2007).
19.
Nelson, T. A. Kubrick: inside a film artist’s maze. (Indiana University Press, 2000).
20.
Chion, M. Kubrick’s cinema odyssey. (British Film Institute, 2001).
21.
Chion, M. & British Film Institute. Eyes wide shut. vol. BFI modern classics (BFI Pub, 2002).
22.
Kubrick, S. & Phillips, G. D. Stanley Kubrick: interviews. vol. Conversations with filmmakers series (University Press of Mississippi, 2001).
23.
Ebooks Corporation Limited. Celluloid symphonies: texts and contexts in film music history. (University of California Press, 2011).
24.
Film music course.
25.
Claudia Gorbman. Varda’s Music. Music and the Moving Image 1, 27–34 (2008).
26.
Adorno, T. W. & Eisler, H. Composing for the films. (Athlone Press, 1994).
27.
McQuiston, K. We’ll Meet Again. (Oxford University Press, 2013). doi:10.1093/acprof:oso/9780199767656.001.0001.
28.
Gengaro, C. L. Listening to Stanley Kubrick: the music in his films. (Scarecrow Press, 2013).
29.
Franklin, P. Seeing Through Music. (Oxford University Press, 2011). doi:10.1093/acprof:oso/9780195383454.001.0001.
30.
Heldt, G. Music and levels of narration in film: steps across the border. (Intellect, 2013).