Adorno, Theodor W., and Hanns Eisler. 1994. Composing for the Films. Athlone Press.
Brown, Royal S. and American Council of Learned Societies. 1994. Overtones and Undertones: Reading Film Music. University of California Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08124.
Buhler, James, Caryl Flinn, and David Neumeyer. 2000. Music and Cinema. Music/culture. University Press of New England.
Castle, Alison. 2008. The Stanley Kubrick Archives: Made in Cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick Estate. Taschen.
Chion, Michel. 2001. Kubrick’s Cinema Odyssey. British Film Institute.
Chion, Michel. 2009. Film, a Sound Art. [English ed.]. Film and Culture. Columbia University Press.
Chion, Michel and British Film Institute. 2002. Eyes Wide Shut. BFI modern classics. BFI Pub.
Chion, Michel, Claudia Gorbman, and Walter Murch. 1994. Audio-Vision: Sound on Screen. Columbia University Press.
Claudia Gorbman. 2008. ‘Varda’s Music’. Music and the Moving Image 1 (3): 27–34. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.5406/musimoviimag.1.3.0027.
Cook, Nicholas. 1998. Analysing Musical Multimedia. Oxford University Press.
Cooke, Mervyn. 2008. A History of Film Music. Cambridge University Press.
Davison, Annette. 2004. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s. Ashgate popular and folk Music series. Ashgate.
Donnelly, K. J. 2001. Film Music: Critical Approaches. Edinburgh University Press.
Duncan, Dean W. 2003. Charms That Soothe: Classical Music and the Narrative Film. 1st ed. Fordham University Press.
Ebooks Corporation Limited. 2011. Celluloid Symphonies: Texts and Contexts in Film Music History. Edited by Julia Bess Hubbert. University of California Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=646810.
Film Music Course. n.d. https://eleanor.lib.gla.ac.uk/search~S6/r?search=Film+Music.
Flinn, Caryl. 1992. Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music. Princeton paperbacks. Princeton University Press.
Franklin, Peter. 2011. Seeing Through Music. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195383454.001.0001.
Gengaro, Christine Lee. 2013. Listening to Stanley Kubrick: The Music in His Films. Scarecrow Press.
Goldmark, Daniel, Lawrence Kramer, and Richard D. Leppert. 2007. Beyond the Soundtrack: Representing Music in Cinema. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08024.
Gorbman, Claudia. 1987. Unheard Melodies: Narrative Film Music. BFI Pub.
Heldt, Guido. 2013. Music and Levels of Narration in Film: Steps across the Border. Intellect. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3014882.
Kassabian, Anahid. 2001. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. Routledge. Electronic resource. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203900802.
Kubrick, Stanley, and Gene D. Phillips. 2001. Stanley Kubrick: Interviews. Conversations with filmmakers series. University Press of Mississippi.
McQuiston, Kate. 2013. We’ll Meet Again. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199767656.001.0001.
Naremore, James. 2007. On Kubrick. British Film Institute.
Nelson, Thomas Allen. 2000. Kubrick: Inside a Film Artist’s Maze. New and Expanded ed. Indiana University Press.
Powrie, Phil, and Robynn Jeananne Stilwell. 2006. Changing Tunes: The Use of Pre-Existing Music in Film. Ashgate popular and folk Music series. Ashgate.
Prendergast, Roy M. 1992. Film Music: A Neglected Art : A Critical Study of Music in Films. 2nd ed. W.W. Norton.
Wierzbicki, James. 2008. Film Music. Taylor and Francis. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=371024.
