Adorno, T.W. and Eisler, H. (1994) Composing for the films. London: Athlone Press.
Brown, R.S. and American Council of Learned Societies (1994) Overtones and undertones: reading film music [electronic resource]. Berkeley: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08124.
Buhler, J., Flinn, C. and Neumeyer, D. (2000) Music and cinema. Hanover, N.H.: University Press of New England.
Castle, A. (2008) The Stanley Kubrick archives: made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick estate. London: Taschen.
Chion, M. (2001) Kubrick’s cinema odyssey. London: British Film Institute.
Chion, M. (2009) Film, a sound art. [English ed.]. New York: Columbia University Press.
Chion, M. and British Film Institute (2002) Eyes wide shut. London: BFI Pub.
Chion, M., Gorbman, C. and Murch, W. (1994) Audio-vision: sound on screen. New York, N.Y.: Columbia University Press.
Claudia Gorbman (2008) ‘Varda’s Music’, Music and the Moving Image, 1(3), pp. 27–34. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.5406/musimoviimag.1.3.0027.
Cook, N. (1998) Analysing musical multimedia. Oxford: Oxford University Press.
Cooke, M. (2008) A history of film music. New York: Cambridge University Press.
Davison, A. (2004) Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Aldershot: Ashgate.
Donnelly, K.J. (2001) Film music: critical approaches. Edinburgh: Edinburgh University Press.
Duncan, D.W. (2003) Charms that soothe: classical music and the narrative film. 1st ed. New York: Fordham University Press.
Ebooks Corporation Limited (2011) Celluloid symphonies: texts and contexts in film music history. Edited by J.B. Hubbert. Berkeley, CA: University of California Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=646810.
‘Film music course’ (no date). Available at: https://eleanor.lib.gla.ac.uk/search~S6/r?search=Film+Music.
Flinn, C. (1992) Strains of Utopia: gender, nostalgia, and Hollywood film music. Princeton, N.J.: Princeton University Press.
Franklin, P. (2011) Seeing Through Music. Oxford University Press. Available at: https://doi.org/10.1093/acprof:oso/9780195383454.001.0001.
Gengaro, C.L. (2013) Listening to Stanley Kubrick: the music in his films. Lanham, MD: Scarecrow Press.
Goldmark, D., Kramer, L. and Leppert, R.D. (2007) Beyond the soundtrack: representing music in cinema. Berkeley: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08024.
Gorbman, C. (1987) Unheard melodies: narrative film music. London: BFI Pub.
Heldt, G. (2013) Music and levels of narration in film: steps across the border. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3014882.
Kassabian, A. (2001) Hearing film: tracking identifications in contemporary Hollywood film music [electronic resource]. New York, NY: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203900802.
Kubrick, S. and Phillips, G.D. (2001) Stanley Kubrick: interviews. Jackson: University Press of Mississippi.
McQuiston, K. (2013) We’ll Meet Again. Oxford University Press. Available at: https://doi.org/10.1093/acprof:oso/9780199767656.001.0001.
Naremore, J. (2007) On Kubrick. London: British Film Institute.
Nelson, T.A. (2000) Kubrick: inside a film artist’s maze. New and expanded ed. Bloomington: Indiana University Press.
Powrie, P. and Stilwell, R.J. (2006) Changing tunes: the use of pre-existing music in film. Aldershot: Ashgate.
Prendergast, R.M. (1992) Film music: a neglected art : a critical study of music in films. 2nd ed. New York: W.W. Norton.
Wierzbicki, J. (2008) Film Music. Hoboken: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=371024.
