1.
Gorbman, C.: Unheard melodies: narrative film music. BFI Pub, London (1987).
2.
Wierzbicki, J.: Film Music. Taylor and Francis, Hoboken (2008).
3.
Cooke, M.: A history of film music. Cambridge University Press, New York (2008).
4.
Brown, R.S., American Council of Learned Societies: Overtones and undertones: reading film music. University of California Press, Berkeley (1994).
5.
Buhler, J., Flinn, C., Neumeyer, D.: Music and cinema. University Press of New England, Hanover, N.H. (2000).
6.
Chion, M.: Film, a sound art. Columbia University Press, New York (2009).
7.
Chion, M., Gorbman, C., Murch, W.: Audio-vision: sound on screen. Columbia University Press, New York, N.Y. (1994).
8.
Cook, N.: Analysing musical multimedia. Oxford University Press, Oxford (1998).
9.
Davison, A.: Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Ashgate, Aldershot (2004).
10.
Donnelly, K.J.: Film music: critical approaches. Edinburgh University Press, Edinburgh (2001).
11.
Duncan, D.W.: Charms that soothe: classical music and the narrative film. Fordham University Press, New York (2003).
12.
Flinn, C.: Strains of Utopia: gender, nostalgia, and Hollywood film music. Princeton University Press, Princeton, N.J. (1992).
13.
Goldmark, D., Kramer, L., Leppert, R.D.: Beyond the soundtrack: representing music in cinema. University of California Press, Berkeley (2007).
14.
Kassabian, A.: Hearing film: tracking identifications in contemporary Hollywood film music. Routledge, New York, NY (2001).
15.
Powrie, P., Stilwell, R.J.: Changing tunes: the use of pre-existing music in film. Ashgate, Aldershot (2006).
16.
Prendergast, R.M.: Film music: a neglected art : a critical study of music in films. W.W. Norton, New York (1992).
17.
Castle, A.: The Stanley Kubrick archives: made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick estate. Taschen, London (2008).
18.
Naremore, J.: On Kubrick. British Film Institute, London (2007).
19.
Nelson, T.A.: Kubrick: inside a film artist’s maze. Indiana University Press, Bloomington (2000).
20.
Chion, M.: Kubrick’s cinema odyssey. British Film Institute, London (2001).
21.
Chion, M., British Film Institute: Eyes wide shut. BFI Pub, London (2002).
22.
Kubrick, S., Phillips, G.D.: Stanley Kubrick: interviews. University Press of Mississippi, Jackson (2001).
23.
Ebooks Corporation Limited: Celluloid symphonies: texts and contexts in film music history. University of California Press, Berkeley, CA (2011).
24.
Film music course.
25.
Claudia Gorbman: Varda’s Music. Music and the Moving Image. 1, 27–34 (2008).
26.
Adorno, T.W., Eisler, H.: Composing for the films. Athlone Press, London (1994).
27.
McQuiston, K.: We’ll Meet Again. Oxford University Press (2013). https://doi.org/10.1093/acprof:oso/9780199767656.001.0001.
28.
Gengaro, C.L.: Listening to Stanley Kubrick: the music in his films. Scarecrow Press, Lanham, MD (2013).
29.
Franklin, P.: Seeing Through Music. Oxford University Press (2011). https://doi.org/10.1093/acprof:oso/9780195383454.001.0001.
30.
Heldt, G.: Music and levels of narration in film: steps across the border. Intellect, Bristol (2013).